Members who use the TLG should be aware that there is now a new TLG web site. It’s noted on the old page but you could easily miss it. Users will have to switch to the new site, which will require a login. If you normally access the TLG through your institution, you can create an account (user name and password) for free, but you must have an account and log in to use the full resources.
Michael Gagarin
Vice President for Publications and Research
Follow SCS News for information about the SCS and all things classical.
The 2020 Annual Meeting is just three weeks away. Both the AIA and SCS are making final arrangements for what we anticipate will be an excellent meeting. While our registration numbers for the upcoming meeting are looking good, reservations at the hotels are not looking as strong. While we understand that some attendees will opt to stay with local friends or find a less-expensive accommodation, we rely on hotel reservations to secure the meeting space each year.
Why is it important to book at our official Annual Meeting Hotels?
The AIA and SCS are proud to have produced the Annual Meeting for our professional members for the past 120 years. Financially, we are able to do this by reserving a large block of rooms with a hotel. In exchange, these hotels offer our attendees the guaranteed lowest group rate at the hotel and provide us with complimentary meeting space to hold the meeting. But if we are unable to meet our guaranteed minimum number of registered guests, then the AIA and SCS will have to pay for the unused rooms as well as room rental for the meeting space, which can amount to a severe financial penalty. We request your support by booking within our reserved blocks and helping us continue to produce this meeting for the next 100 years.
Our first interview in the Women in Classics series is with Sarah B. Pomeroy, Distinguished Professor of Classics and History, Emerita, at Hunter College and the Graduate School of the City University of New York. She was born in New York City and earned her B.A. from Barnard College in 1957. She received her M.A. in 1959 and her Ph.D. in 1961, both from Columbia University. Pomeroy has been recognized as a leading authority on ancient Greek and Roman women since her book Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity was first published in 1975. Her other publications include Xenophon, Oeconomicus: A Social and Historical Commentary (1994), Families in Classical and Hellenistic Greece: Representations and Realities (1998), Spartan Women (2002), and, with Stanley M.
International Association for Presocratic Studies
Seventh Biennial Conference: 15-19 July 2020
The Lego Classicists project is more than child’s play. Recreating classics scholars in Lego bricks crosses the boundaries between pop-art and ancient history, focusing attention on the work of ancient world scholars in an environment of celebration, connection and inclusion.
Although it began almost by accident, Lego Classicists is being embraced by some of the world’s leading classics and ancient world scholars, including Dame Mary Beard. On 20th February 2019, the third annual International Lego Classicism Day also attracted participants from across the world: Cambridge University’s CREWS Project; academic and broadcaster, Michael Scott; the Director of the British School at Athens, John Bennet; staff at Stellembosch University, South Africa; the Nicholson Museum at the University of Sydney; the Ure Museum; Reading University; and conservators at the British Museum.
Joseph O’Neill and Adam Rigoni of Arizona State University are seeking abstracts from a diverse group of scholars and artists that represent multidisciplinary, multicultural redeployments of the Aeneid. We do not propose examining the Aeneid as a decidedly Roman text. Nor do we propose an examination of a cultural artifact. Rather, we seek to present a volume that deploys the Aeneid anew, one that not only reflects the Aeneid’s status as a ‘modern story’, but one that inserts the Aeneid into contemporary discourse. We understand ‘contemporary’ and ‘modern’ rather broadly—essays need not be limited strictly to the new millennium.
Possible topics include:
New to being an Affiliated Group this year, the Multiculturalism, Race & Ethnicity in Classics Consortium will be meeting at this year's annual meeting.
This meeting will take place on Saturday, January 4th, from 9:00 p.m. - 11:00 p.m. in the Marquis Ballroom Salon 13.
(Text provided by Tony Woodman, Basil L. Gildersleeve Professor of Classics Emertius at the University of Virginia, and Sara Myers, Professor and Chair of Classics, UVA)
Edward Courtney, Basil L. Gildersleeve Professor of Classics Emeritus at the University of Virginia, passed away peacefully on 24 November 2019. He was born in 1932 in Belfast, Northern Ireland, and retained his Belfast accent throughout his life. After an outstanding career as an undergraduate at Trinity College, Dublin, where he won medals for his translations into Greek and Latin verse, he was a Research Lecturer at Christ Church, Oxford, before being appointed in 1959 to a Lectureship at King’s College, London, eventually being promoted to Professor. In 1982 he and his family emigrated to the United States, where he was Ely Professor of Classics at Stanford University; but, when the Gildersleeve Chair of Classics was inaugurated at the University of Virginia, Ted became its first holder in 1993, retiring in 2002.
Many thanks to our Local Arrangements Committee for creating a fantastic guide to the DC area for our January 2020 meeting. The guide features plenty of family-friendly activities and also includes walking tours of classical DC.
Read and download the Local Arrangements Guide for 2020.
---
Precollegiate Teaching Award
College Teaching Award
The Committee on Public Information and Media Relations is pleased to announce that this year's Forum Prize, for a work originating outside the academy, has been awarded to Jeff Wright for Odyssey: The Podcast.
The winner of the 2019 Society for Classical Studies Forum Prize—Jeff Wright, creator and performer of Odyssey: The Podcast—takes many turns toward and away from his illustrious epic source. Jeff’s Homer is a composite character built on the bases of English translations among the most appealing today. But Jeff is not content merely to play rhapsode to Homer’s bard.
