Race and Racism: Beyond the Spectacular: authors may submit papers as of August 1, 2021

Revised 9/23/21 with updated submission deadline of Friday February 18, 2022.

As previously announced, Patrice Rankine and Sasha-Mae Eccleston will serve as guest editors of a future issue of TAPA with the theme of race, racism, and Classics (issue 153:1, to appear April 2023). Covid-19 and the global Movement 4 Black Lives have highlighted the extent to which racism is a public health emergency whose reach extends across the Black Atlantic and far beyond. In light of these deeply imbricated developments of 2020 (and 2021), this volume becomes even more timely. A detailed call for papers, along with instructions for submission, follows.

Race and Racism: Beyond the Spectacular

"…the “cultural logic” of lynching enables it to emerge and persist throughout the modern era because its violence “fit” within the broader, national cultural developments. This synchronicity captures why I refer to lynching as “spectacular”: the violence made certain cultural developments and tensions visible for Americans to confront."

Jacqueline Goldsby, A Spectacular Secret: Lynching in American Life and Literature

The last few annual meetings of the Society for Classical Studies (SCS) have been the staging ground for long overdue discussions about race and other marginalized identities within the discipline of Classics. These discussions have taken place in spectacular fashion, to borrow from Jacqueline Goldsby’s analysis of the cultural logic of lynching, a violent example of the pervasive yet less visible realities structuring American life. This heightened awareness of race and racism might be a new watershed, but it recalls the polarizing controversies that revolved around Bernal’s Black Athena during the culture wars of the 1980s and 90s. That is, having escaped notice for a time, Classical Studies is once again being made to confront its relationship to broader cultural developments. Through keynotes, presidential panels, award ceremonies, and gatherings of caucus groups, classicists have sought of late to counter the public and blatant acts of racism that have drawn the attention of outlets outside of the regular disciplinary orbit. SCS sessions such as Robin DiAngelo’s “white fragility” workshop have revealed the stability of majoritarian, white supremacist practices, exposing what minoritized members of the field have long known: spectacular acts of bigotry and endangerment are not exceptional, not a blip in the otherwise ‘civilized’ rhythms of scholarly life. They are better publicized iterations of everyday experiences.

For Classical Studies, the spectacular is also prismatic. Modern instantiations of whiteness, race, and racism project back onto the past, so that scholarship regularly and unremarkably advances the cultural logic. This logic likewise recurs in conversations about representational diversity and inclusion. The academy at large has only recently begun to systematically interrogate how professional routines normalize racism and racialize other forms of discrimination.  As a field, the Classics must also imagine a full-throated response to the realities of this discrimination in both its spectacular and mundane manifestations. 

This issue of TAPA intends to be a catalyst for transformative ideas regarding the reality of race and racism within all aspects of Greek and Roman Studies. We seek contributions that analyze and critically engage phenomena which have been considered unrelated to race, have been so familiar as to remain un-critiqued as spectacular, have not yet been brought to light, or that have tended to be avoided for being too disruptive of the disciplinary status quo. Rather than cordon off advances from other branches of scholarship, this issue welcomes reflections on Classical Studies from other disciplines. We remain attentive to the discipline’s self-declared roots in philology. But the scope of this endeavor demands that we also open ourselves up to other models of critique and to the insights that those models produce. To that end, scholars from fields with similar disciplinary trajectories, with research interests that dovetail with Classics, or whose work is assumed to have no relationship to race and/in the Classics are especially encouraged to submit papers.

We offer the following clusters of questions as non-exhaustive entry points into a longer conversation:

What, if any, is the semantic force of the term ‘Classical Studies,’ as opposed to other potential rubrics, e.g., Greek and Roman Studies, Mediterranean Studies, etc.? What is the force of ‘Classical Studies’ in relation to Indigenous Studies, Asian American Studies, Arab American Studies, Latinx Studies and so on?

Are there disciplinary transformations we might use as guides for an anti-racist restructuring of the field?

Though it is often posited as objective and therefore outside of or resistant to so-called 'cultural difference', how can philology and other formalisms shed the garb of objectivity to operationalize racial competence?

How has the elasticity of whiteness manifested in periods when the discipline of Classical Studies has been most self-conscious? Has the warm reception of postcolonial studies within the field obscured the relationship between Classical Studies and contemporary forms of imperial conquest, e.g., global markets, philanthropy and humanitarian relief in the Global South, and American educational expansionism?

How can critical approaches to work and other institutions—universities, prisons, the healthcare industry and so on—inform our understanding of the entanglements of our field and its practitioners? What coalitions does such an approach make possible, perhaps at both the local/regional and national levels?

Submission deadlines and instructions:

  • Articles for this issue should be submitted no earlier than August 1, 2021, and no later than February 18, 2022.
  • Submissions should be uploaded via the TAPA online submission system. Please add a note in the title field indicating that you submission is intended for this special issue.
  • Contributors should consult the current Style Sheet for Authors (revised July 13, 2021)
  • All submissions will receive double-blind refereeing as is usual for TAPA.

Categories

Follow SCS News for information about the SCS and all things classical.

Use this field to search SCS News
Select a category from this list to limit the content on this page.
The Death of Caesar, Jean-Léon Gérôme, 1867. Image courtesy of Wikimedia Commons.

Today marks half a year since insurrectionists stormed the U.S. Capitol, occupied the Senate chamber, violently assaulted Capitol Police defending the building, and threatened to assassinate the then-Vice President and other elected officials. In recent days, the House of Representatives has approved a plan for a formal investigation — on partisan lines, after Senate Republicans previously blocked the passage of a bipartisan, 9/11-style commission approved by the House in a bipartisan vote.

We mustn’t forget the assault on the peaceful transition of power, on the foundations of American democracy itself. And we shouldn’t forget that the insurrection is tied up with racist receptions of ancient Greece and Rome. Some insurrectionists came in Greek or Roman-themed cosplay, after all, and the right has long had a dangerous fascination with Sparta.

View full article. | Posted in on Tue, 07/06/2021 - 9:57am by T. H. M. Gellar-Goad.

Call for Papers 

Fédération internationale des associations d’études classiques (FIEC)

XVI International Conference, 1–5 August 2022
 

Mexico City 

(Virtual Meeting Format) 

Hesperides Sponsored Session 

"Hesperian Transformations: New Approaches to the Classical Tradition" 

Proposal Deadline: July 12, 2021 

  

View full article. | Posted in Calls for Papers on Fri, 07/02/2021 - 1:29pm by Erik Shell.
the Delphic oracle as interpreted by Anton van Dale in the 1700 edition of his book De oraculis veterum ethnicorum dissertationes duae

Joseph Fontenrose’s The Delphic Oracle (1978) fundamentally reshaped how we think about Greek oracular divination today. In this book, he argued that the literary evidence for ambiguous verse oracles emanating from Delphi is incommensurate with the epigraphic record. In the Histories, an early and prominent source of oracular lore, Herodotus often quotes vague or ambiguous prophetic verses of the Delphic priestesses that point toward unexpected and ironic moments of fulfillments: the “great empire” that Croesus toppled was, unfortunately, his own (1.86.1). Most inscriptions, however, report oracular pronouncements simply as clear statements of fact: “… it is better [for the Praxiergidai] to put the peplos on [the goddess]…” (Sokolowski, LSCG 15). Fontenrose reasoned that the inscriptions were the more reliable witnesses and concluded from his comparison that most of the famous stories about oracles in works of ancient historiography like Herodotus’ were ahistorical.

View full article. | Posted in on Mon, 06/28/2021 - 5:21pm by Daniel J. Crosby.

We are pleased to announce Plato 2022, an interdisciplinary workshop that will investigate the contemporary relevance of Plato’s ethical and political thought. The workshop will be held virtually on June 9-10, 2022. We welcome papers on Plato’s ethical and political thinking and encourage submissions that relate to contemporary events. 

View full article. | Posted in Calls for Papers on Mon, 06/28/2021 - 11:27am by Erik Shell.

Do you teach ancient history, Latin, or any aspect of the ancient world within humanities courses at a community college? Join other community college faculty for the inaugural meeting of a new group convened by the Society for Classical Studies. You can sign up here for the virtual meeting on Thursday July 15, 2021 at 4pm EDT / 3pm CDT / 1pm PDT and also use the form to suggest topics of interest for discussion. Registered attendees will receive the zoom link on July 14th, 24 hours prior to the meeting.

View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 06/24/2021 - 9:49pm by Helen Cullyer.
Asclepius, his sons, daughters, and Hygeia in the background with a family of worshippers. Votive Relief from the 4th cent. BCE. National Archaeological Museum of Athens.

The Ancient Worlds, Modern Communities initiative (AnWoMoCo), launched by the SCS in 2019 as the Classics Everywhere initiative, supports projects that seek to engage broader publics — individuals, groups, and communities — in critical discussion of and creative expression related to the ancient Mediterranean, the global reception of Greek and Roman culture, and the history of teaching and scholarship in the field of classical studies. As part of this initiative, the SCS has funded 111 projects, ranging from school programming to reading groups, prison programs, public talks and conferences, digital projects, and collaborations with artists in theater, opera, music, dance, and the visual arts. The initiative welcomes applications from all over the world. To date, it has funded projects in 25 states and 10 countries, including Canada, U.K., Italy, Greece, Belgium, Ghana, Puerto Rico, Argentina, and India.

View full article. | Posted in on Thu, 06/24/2021 - 5:17pm by .

Revised 9/23/21 with updated submission deadline of Friday February 18, 2022.

As previously announced, Patrice Rankine and Sasha-Mae Eccleston will serve as guest editors of a future issue of TAPA with the theme of race, racism, and Classics (issue 153:1, to appear April 2023). Covid-19 and the global Movement 4 Black Lives have highlighted the extent to which racism is a public health emergency whose reach extends across the Black Atlantic and far beyond. In light of these deeply imbricated developments of 2020 (and 2021), this volume becomes even more timely. A detailed call for papers, along with instructions for submission, follows.

Race and Racism: Beyond the Spectacular

"…the “cultural logic” of lynching enables it to emerge and persist throughout the modern era because its violence “fit” within the broader, national cultural developments. This synchronicity captures why I refer to lynching as “spectacular”: the violence made certain cultural developments and tensions visible for Americans to confront."

Jacqueline Goldsby, A Spectacular Secret: Lynching in American Life and Literature

View full article. | Posted in Calls for Papers on Thu, 06/24/2021 - 8:49am by Helen Cullyer.
Scene from Lil Nas X's music video for MONTERO. A distorted image of a landscape with red trees, large ancient statues, and ancient buildings.

On the eve of March 26th, rapper and internet personality Lil Nas X dropped his newest single, “MONTERO (Call Me By Your Name),” which caused immense controversy in its wake. At its heart is a young, gay Black man’s anthem about self-expression, resembling a “coming-out song.” Lil Nas X himself implied this in a letter to his younger self, posted alongside the song’s release. The title references the 2017 film Call Me By Your Name (based on the 2007 André Aciman novel) about the summer relationship between a Classics professor’s son and doctoral student.

This allusion to the film is not the only sidelong glance that Lil Nas X gives to the Classics. One of the first establishing shots of the video shows the landscape of “MONTERO” littered with classically-inspired architecture:

A distorted image of a bleak landscape filled with ancient statues and ruins

View full article. | Posted in on Tue, 06/22/2021 - 8:51am by Vanessa Ruth Stovall.

The Israel Academy of Sciences and Humanities The Hebrew University of Jerusalem cordially invite you to a Joint Conference on

Orality and Literacy XIV: Textualization

Sunday-Wednesday June 20-23, 2021

Sunday, June 20, 2021

Israel Academy of Sciences and Humanities

View full article. | Posted in Conferences, Lectures, and Meetings on Mon, 06/21/2021 - 1:45pm by Erik Shell.

(Originally posted on haverford.edu)

Aryeh Kosman, Haverford's John Whitehead Professor of Philosophy Emeritus, died early [June 17] of complications following a fall. He was 85.

After receiving his undergraduate and M.A. degrees at the University of California, Berkeley, he briefly studied at Hebrew University before earning his Ph.D. from Harvard University. He joined the Haverford faculty as an assistant professor in 1962, was promoted to full professor in 1973, became the Whitehead Professor in 1987, and retired in 2010.

"Aryeh was a star in Greek Philosophy," says Joel Yurdin, Haverford associate professor of philosophy. "Many of his articles are required reading for anyone writing on the topic, and they covered virtually every area of the field, including metaphysics, ethics, philosophy of mind, and philosophy of science." Such scholarship led to visiting professorships at Princeton, UCLA, and Berkeley and, in 1985, an award for distinguished teaching from the Lindback Foundation. That honor affirmed what, by then, thousands of Fords already knew: Prof. Kosman was thoroughly devoted to his Haverford students.

View full article. | Posted in In Memoriam on Mon, 06/21/2021 - 10:20am by Erik Shell.

Pages

Latest Stories

SCS Announcements
The following members were elected in the
Classics in the News
SEARCH FOR EDITOR OF THE CLASSICAL OUTLOOK  
Awards and Fellowships
Calls for Papers
Experiencing Space: Passages from Antiquity to the Middle Ages VIII

© 2020, Society for Classical Studies Privacy Policy