SCS-WCC COVID-19 Relief Fund

The Society for Classical Studies (SCS) and the Women’s Classical Caucus (WCC) would like to announce the creation of the SCS-WCC COVID-19 Relief Fund, a new award fund to support classicists, particularly graduate students and contingent faculty, experiencing precarity as a result of the pandemic. Applicants do not have to be current members of the SCS or WCC but do need to be currently active scholars or graduate students who study the ancient Mediterranean world. We know that what we can offer is unlikely to match the needs arising from the crisis, but we hope that these microgrants can give immediate, unrestricted financial support.

Awards from this fund will be provided to offer quick relief, based on need, in amounts up to $500. Every award recipient will also receive a free one-year membership in the WCC and the SCS. Awards will be disbursed on a first-come, first-served basis, with priority given to those with the greatest need, particularly those who have lost funding, paid work, or access to essential research resources as a result of the COVID-19 crisis. We anticipate several rounds of grants, but the initial set of COVID-19 Relief Awards will come from a jointly managed SCS-WCC fund with seed money in the amount of $15,000 (previously earmarked to support travel and services related to summer activities and FemCon 2020).

To sustain this fund into the future, we would also gratefully welcome donations to this new fund from more financially secure members of our community and anyone who simply has a little more and would like to support others who have less. If you would like to contribute to this fund, you can click here to donate via SCS or click here to donate via WCC. Your support, in any amount, would be greatly appreciated.

We encourage anybody in need who studies the ancient Mediterranean world and is based in North America to apply, including those working on Classics-related projects. To apply for this funding, please click here to complete a simple form, which will ask for the following information:

  • Your contact information, including a mailing address and your payment preference (mailed check or electronic payment)
  • Your current or most recent institutional affiliation
  • Brief details of your situation, including the following information:
    • Current status and employment (e.g. ABD student, 2nd year graduate student, Visiting Assistant Professor, independent scholar, etc.)
    • Basis of need (e.g. you lost employment or are between jobs; you expected to have free room and board on a summer dig, etc.)
    • Amount requested and intended use (e.g. rent, groceries, babysitting, research material or technology, internet upgrade, convert a project into a digital medium, etc.)
    • Urgency of need (i.e. when the money would be most useful)
    • Other funds available, received, or due to you (e.g. you applied for relief funds through your university but the decision is pending; please include any relevant dates)

A special committee jointly appointed by the SCS and WCC will review applications monthly and start distributing funds as soon as possible. The goal is to distribute awards by the 20th of each month for as many months as needed or until funds run out. All details will be treated as confidential. Payments will be made by check or PayPal, and funds are unrestricted. You may apply more than once, but priority will be given to those in the greatest need who have not yet received an award.

Helen Cullyer                                                              Lisl Walsh and Serena Witzke

Executive Director, SCS                                              Co-Chairs, WCC Steering Committee

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The logo for Asterion. A wide oval with a black background filled with stars. In the middle is a red circle with a Greek meander pattern, and inside the circle text reads "Asterion: Neurodiverse Classics."

As an autistic classicist, one of the things I’ve always struggled with is social interaction. In class, I teach students about Bourdieu and habitus and cultural scripts, while all the time feeling that, whatever the cultural script of our time is, mine got lost in the mail. I’ve spent my life pretending (without much success) to understand people and the codes that underpin their actions. The easiest solution for me has always been to hide because, when I’m on my own, I’m not uncomfortable, awkward, or afraid.

But hiding sends the wrong message and models the wrong behavior, as I realized when my son was diagnosed with autism, too. How can you advise a child to pretend to be like everyone else, because difference makes them a target? How can you warn them that their honesty will make them an outcast, their sensitivities will make them vulnerable, and their hyperempathy will make them a victim? How can you commit to inclusion in your professional life while accepting exclusion in your personal life?

You can’t — or, at least, I couldn’t.

View full article. | Posted in on Tue, 01/18/2022 - 9:38am by .
A brightly colored manuscript page. On the left is calligraphy in Sanskrit; on the right is a woman in printed garb sitting in a carriage pulled by two white horses. She makes a gesture with her two palms press together. A black figure looks back at her.

Like many educators, I have found myself in an endless loop lately of thinking and rethinking my teaching principles and practices — a loop caused by the unprecedented teaching conditions the pandemic has brought upon us. Though I consider myself a thoughtful instructor, I admit that I have never thought so extensively, carefully, and critically about the purposes and desired outcomes of my teaching as I have in the months between March 2020 and now. Each week of each semester involves calibrating and recalibrating my courses, as I hope to meet the needs of my students and help them balance their lives within the classroom and without. I have become more attuned to the extramural realities that bear on my students’ learning, and as someone who works at a Hispanic-serving Institution, a desire for inclusivity increasingly informs the way I teach. My own institution just recently offered its first workshop on culturally responsive pedagogy, which provided me with many new tools for teaching in inclusive ways. Among other things, I realized that any kind of responsive pedagogy involves constant conversation with one’s colleagues, to generate, refresh, and fine-tune ways of teaching with a view toward inclusion and accessibility.

View full article. | Posted in on Sun, 01/09/2022 - 9:37pm by .
A Macbook sits on a wooden desk showing a Zoom screen filled with faces. Left of it, a turquoise mug sits on the desk.

To write about the Capitol Insurrection, as the one-year anniversary approached, I went back through my chat logs from January 6, 2021, in the interest of refreshing and confirming my memory. What I found, in lieu of any particularly meaningful conclusions, was a window into that day and how some friends and I were dealing with catastrophic events as they unfolded.

That day, I had a university meeting wedged between SCS panels, and I think I actually found the precise moment when I realized what was going on. That moment is a fairly profanity-laden series of messages with a very-online friend of mine, to whom I sent “So what the fuck is happening in DC?? I've been in meetings and the capitol building is being stormed??” followed by “i allegedly have another meeting right now and i am physically nauseous after having like a 5 minute break and seeing the news.”

In all my other group chats, things progressed about the same. Conversation about the SCS conference and pre-semester preparation, interrupted by a confused panic about what was happening on the news. A bunch of millennial classicists trying frantically to figure out where they can watch live news and wondering why all the afternoon panels weren’t canceled (though some were), processing anger and fear in countless group-chats and DMs.

View full article. | Posted in on Fri, 01/07/2022 - 12:48pm by .
A painting of Rome featuring a crowd of men fighting on a hill. Behind them is an obelisk, a column, and a toppled white marble statue of a nude man.

At 2:00 pm on January 6th, 2021, a mob made its way up the steps of the U.S. Capitol following a morning of brinkmanship, speeches, and speculation. I sat in my office at home, logged into a Zoom session, watching Twitter and a streaming news channel on one screen, all while pretending to be engaged with the beginning of an SCS Panel, “The Powers and Perils of Solitude in Greek Literature.”

At 2:20 or so, I was slated to begin a talk entitled “Being Human, Being Alone” as the Capitol was evacuated and our legislators were put under protection. At 2:24 pm, President Trump tweeted, “Mike Pence didn't have the courage to do what should have been done to protect our Country and our Constitution, giving States a chance to certify a corrected set of facts, not the fraudulent or inaccurate ones which they were asked to previously certify. USA demands the truth!”

View full article. | Posted in on Thu, 01/06/2022 - 10:00am by Joel Perry Christensen.
A monochromatic stone statue of a man with short hair wrapped in a toga and sitting in a large chair. His right arm is leaning on the back of the chair, and his left hand holds a writing tablet on his lap. The base of the statue reads "SALLVSTIVS"

What do you read for an insurrection? Classics offers plenty of material for revolutionary bibliophiles: compilations for the budding revolutionary, handbooks for coups both successful and failed. The Capitol rioters certainly had their Classics before their eyes, as Curtis Dozier outlined shortly after the event: Caesar and XenophonVergil and Herodotus.

But in January 2021, I was reading Sallust—and an apt choice it was, too. Not because of what Sallust writes — Catiline’s attempt to overthrow the government or Marius’ attempt to change Roman institutions — but because of what he passes over. He was there at the swelling of the atmosphere that led to the burning of the Senate house on January 19th (what is it about Januaries?), 52 bce, during the funeral of Publius Clodius.

View full article. | Posted in on Wed, 01/05/2022 - 11:20am by Ayelet Haimson Lushkov.
New WCC logo reading WCC 50th, 1972-2022. Beige font on a dusty pink background.

The year was 1971. In the lobby of a hotel in Cincinnati, OH, a small group of early career faculty and graduate students, mostly women, met and decided to form a caucus. Frustrated by the lack of transparency, mentors, and opportunities in Classics both for women in the field and for those who studied women in antiquity, they wanted something different, both for themselves and for future generations. At the next year’s Annual Meeting of the American Philological Association (APA) in Philadelphia, PA, they made it official. The Women’s Classical Caucus (WCC) was born.

By phone, mail, and intermittent gatherings at regional conferences and the APA (now SCS), the founders and early members of this young caucus stayed connected and encouraged each other in its early decades to publish feminist scholarship and introduce to their departments new, revolutionary courses on “women in antiquity,” which received almost immediate backlash.

Fast forward 50 years, and it’s hard to imagine a time when women and feminist scholars were not a strong presence in the profession, whether publishing scholarship through the lens of feminist theory, teaching about ancient women at both the K-12 and university levels, or taking on leadership roles both in the SCS and in their local institutions.

View full article. | Posted in on Mon, 01/03/2022 - 10:14am by .

Every year at the annual meeting we hold the Career Networking event, a meeting that gives academics access to former classicists, historians, and archeologists who have made career shifts into new fields. They speak candidly about their transition, and are there to offer advice to anyone looking to change career paths. This year we have more networkers than in any year previous, with a broad range of fields and experiences represented.

We will hold our annual Career Networking event at this year's virtual AIA/SCS Annual Meeting on Saturday, January 8th, from 1:30 - 3:00 p.m. Pacific Time.

Please block off time to attend this extraordinarily helpful event. It'll be accessible through the digital meeting platform.

View full article. | Posted in SCS Announcements on Mon, 01/03/2022 - 9:01am by Erik Shell.

The AIA and SCS have made the difficult decision to switch our upcoming 2022 Annual Meeting to a virtual only event.  We had high hopes to once again have an in-person component to our meeting, but the rapid rise in Covid cases due to the Delta and Omicron variants have made that impossible to do safely.  While we are eager to see everyone in-person again, the overall health and safety of our attendees, staff, and hotel and meeting personnel take precedence. 

Since we were already planning to hold our meeting in a hybrid format the transition to a virtual only meeting will not be difficult.  We are using the same platform as last year and all sessions will be available through the virtual meeting platform.  Details on how to access it will be emailed out to all attendees next Monday (January 3).

If you had been planning to attend in person, please contact the Hilton to cancel your reservation.  We will be reaching out to all in-person registrants following the meeting regarding refunds for the difference in registration rates. 

We hope everyone is staying safe and healthy and look forward to seeing you online during our virtual meeting. 

View full article. | Posted in SCS Announcements on Wed, 12/29/2021 - 2:17pm by Helen Cullyer.

SCS is pleased to announce the following winners of the 2021 excellence in teaching awards. Please join us in congratulating the winners!

Excellence in Teaching at the K-12 Level

Jessie Craft (Reagan High School, WSFCS school district)

Mathew Olkovikas (Pinkerton Academy)

Margaret Somerville (Friends' Central School)

Excellence in Teaching at the College and University Level

Deborah Beck (University of Texas at Austin)

Richard Ellis (University of California, Los Angeles)

Wilfred Major (Louisiana State University)

Brett Rogers (University of Puget Sound)

View full article. | Posted in Awards and Fellowships on Mon, 12/27/2021 - 9:09am by Helen Cullyer.
Oil painting of a white man sitting in a large chair facing left with a dissatisfied expression. He wears a white toga with red drapery over his left arm, a crown, a gold cuff bracelet, and short curly hair. A tiger sits between his legs.

It is a truth universally acknowledged that humor ages poorly. Jokes tend to be topical, and to be based on the social expectations of a particular group at a particular moment. The deterioration of humor over time is often a matter of changing contexts as well as changing tastes: ideas that once made a coherent joke cease to fit together.

View full article. | Posted in on Mon, 12/27/2021 - 8:34am by .

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