Statement on Proposed Executive Order on Classical Design for Federal Buildings

The following was approved by the SCS board of directors on February 7, 2020.

The Society for Classical Studies joins the Society of Architectural Historians in opposing the proposed Executive Order “Making Federal Buildings Beautiful Again.”  As students and scholars of the ancient Greco-Roman world and its ongoing cultural impact, we recognize that classical antiquity provided some of the many traditions that have shaped this nation, and we appreciate the examples of neo-classical architecture, both public and private, to be found throughout the United States.  But we firmly believe that the architectural style of public buildings should not be dictated in advance, but rather freely and deliberately chosen in view of all relevant considerations, and we reject the supposition that a style derived from classical models is necessarily better suited than any other to express the history, values, and aspirations of the American people.

Please see the letter below from the Society of Architectural Historians and a number of other scholarly societies, including SCS.

February 10, 2020

The President
The White House
1600 Pennsylvania Avenue, N.W.
Washington, DC 20500

Re: Opposition to proposed Executive Order “Making Federal Buildings Beautiful Again”

Dear Mr. President,

The Society of Architectural Historians (SAH) expresses strong opposition to the proposed Executive Order “Making Federal Buildings Beautiful Again.”

SAH is the principal scholarly organization for architectural historians worldwide.  Its members represent a broad spectrum of academic and professional specialties, with membership spanning the globe.  Our membership strongly opposes the language in the proposed Executive Order “Making Federal Buildings Beautiful Again.”  We share the concern expressed by the American Institute of Architects, the American Society of Landscape Architects, and the academic associations listed below that have made common cause with us by signing this letter.

As an organization whose members have observed, recorded, and analyzed both historic and contemporary architecture since our inception in 1940, we have come to understand that most significant public architecture in the United States has resulted from the intersection of monumentality, permanence, and aesthetic significance and the specific local demands of site and community.  While we appreciate and encourage the attention paid to new federal courthouses, federal public buildings in the national Capitol region, and all federal buildings in the U.S. with budgets in excess of $50 million, we nonetheless remain convinced that the dictation of style – any style – is not the path to excellence in civic architecture. 

Democratic by Design:  Guiding Principles for Federal Architecture (1962), concluded, “Major emphasis should be placed on the choice of designs that embody the finest contemporary American architectural thought…Design must flow from the architectural professional to the Government, not vice versa.”   An important but often overlooked precept of Democratic by Design was the emphasis on “contemporary American architectural thought,” not necessarily contemporary design.  It encouraged both architectural practitioners and government officials to look for ways to express the ideals of American democracy in architectural form by looking to voices of the American public, rather than the amplification of a federal dictate from on high. 

The influence of Democratic by Design has been enduring and wide reaching.  This initiative has led to the design of several landmarks of American architecture, including the U.S. Tax Court Building in Washington, DC.  That courthouse was described by architecture critic Ada Louis Huxtable as “a progressive, sensitive contemporary solution fully responsive to Washington’s classical tradition and yet fully part of the mid-20th century—a period of exceptional vigor and beauty in the history of structure and design.”   A more recent example of this influence is the Oklahoma City Federal Building that replaced the Alfred P. Murrah Federal Building, destroyed by a domestic terrorist bombing in 1995.  In her Oklahoma City Journal Record piece describing the design of the Oklahoma City Federal Building, architect Carol Ross Barney’s statement echoed the enduring significance of Democratic by Design: “Obviously, the best thing to make it bomb-resistant was to make it hard, make it concrete.  But that’s the wrong message.  The message is that government has to be open.” 

A robust return to the principles of Democratic by Design would result in federal architecture that is monumental, permanent, and beautiful. This would be achieved by listening to the voices of the American public, placing emphasis on the communities in which these new buildings are to be located, and stressing the General Services Administration’s role in insuring that this diversity of voices is heard.  Instead of proscribing a particular stylistic outcome, such a path would instead promote architectural excellence, and a thoughtful fit between new federal architecture and the communities in which these buildings are to be constructed. 

While SAH opposes the language of proposed Executive Order “Making Federal Buildings Beautiful Again,” we strongly support a renewed effort to encourage the design and construction of federal buildings that embrace architectural excellence based on the best architectural thinking and technology available. America’s best can be embodied in an architectural expression that is monumental, permanent, community-centered, and beautiful.

Respectfully submitted,

Society of Architectural Historians

Middle East Studies Association

National Council on Public History

Organization of American Historians

Society for Classical Studies

(You can view the above letter on the SAH website at https://www.sah.org/about-sah/news/sah-news/news-detail/2020/02/06/society-of-architectural-historians-letter-in-opposition-to-proposed-executive-order-making-federal-buildings-beautiful-again)


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Got Latin? Got Greek?

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Delivered by Charlie Bridge (Class of 2011), a Classics Concentrator, at Harvard Commencement on May 27:

Rota Fortunae

Praeses Faust; Decani Professoresque sapientissimi; familiae, amici, et hospites honoratissimi; et tandem condiscipuli carissimi…salvete omnes!  Mihi voluptas magna atque honor altus est huius ceremoniae incipiendae in hoc theatro augusto Trecentensimo.  Nec solum conventum ultimum classis nostrae, anni duomillensimi et undecimi, sed etiam conventum trecentensimum et sexagensimum huius universitatis hodie celebramus. 

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Salutatio

Habita in Comitiis Academicis Princetoniae
In Nova Caesarea prid. Kal. Iun.
Anno Salutis MMXI
Anno Academiae CCLXIV

Carmen Salutationis

quibus modis, quîs principiis, amans
Mater, salutem progeniem tuam?
    favete opus, Musae, novis ne
       nunc titubem pedibus rubescens!
nobis aratrix splendida messium
felixque dux, te, praesidium bonum,
    primam saluto, namque florent
       omnia lumine sub tuo; nec
vos nunc silebo, qui sapientia
tuentur Almam semper et omnibus
    Matrem; professoresque laudo
        filia grata scientiamque
eorum cano, quae discipulos alit
virtute, curis et patientia
    benignius: vobis pietas
        magna, amor altus et eruditus.
et vos, parentes: mane scholasticos
nos creditis, quos canticulo meo
   gaudere nunc vidistis: ecce
        spes modo perficimus decoras.

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