Summary of Comments on Name Change and Further Discussion

As promised earlier, I have prepared the following summary of over 200 responses to my request for comments about the Board's proposal that we consider changing the name of the Association.  The Board now wishes to move to a public discussion phase that will inform its deliberations going forward.  Our Information Architect Sam Huskey has created a discussion forum so that all with an interest can exchange views and suggest or express preferences for specific names.  The forum can be accessed here after 8:00 p.m. (Eastern time) today (November 30).

The responders seem to a favor name change by about 3-1, though in many cases implicitly, with an opinion only about the two names suggested, and in some cases reluctantly.  Between Classical Association of North America and American Classical Association, CANA was only slightly more popular, and there were many alternative suggestions, as listed below.  I wrote separately to the boards of the American Classical League and the Classical Association of Canada: the ACL Board thinks that ACA would result in confusion for both organizations, especially from the perspective of the general public, while the CAC Board dislikes CANA for implying that it is in effect the parent association of the whole of North America and that all North American classicists claim membership in it.  Below are examples of arguments made to support various positions (indicated in boldface).

Against changing the name at all.  No name change can alter the underlying realities of our situation or likely increase our attractiveness to those not already aware of us; name changes can be branding and marketing disasters; though the practice of philology "no longer defines all that our association is about" it does, or at least should, remain at the heart of everything we do; we should not retreat from who we are and what we do but rather put our energies into revitalizing the use of the word philology; with the name goes a long and honorable tradition of scholarship and service on the part of colleagues, now deceased, who believed in its original aims.

In favor of the suggested names.  ACA: represents only a slight change from APA; "classical" more accurately encompasses the discipline in tune with similar organizations; ACA pleasingly mirrors CAC.  CANA: "North American" is properly inclusive and the acronym has positive associations.

Against the suggested names.  ACA: "classical" is broader than "philological" but not broad enough to represent all our disciplines, e.g. ancient history, archaeology, art history, philosophy; is becoming only slightly less mystifying than "philological," being more commonly associated with the likes of Shakespeare or Beethoven; has snobbish or elitist connotations; can no longer claim special status for its subject; valorizes (the idea of) a common intellectual and cultural heritage that is increasingly called into question; sounds like just another classical organization. CANA: the acronym has negative associations for some; sounds like just another regional association and too much like CANE.

Alternative suggestions.  Whatever the new name, a phrase like "founded in 1869 as the American Philological Association" should be added as a permanent subtitle; like the UK's Classical Association it should have no geographic or ethnic label; if it does, "United States / USA" is more accurate than "American"; some combination of Association / Institute / Organization / Society with Classical Studies (the simplest English expression of concept "Altertumswissenschaft"?), Greek and Roman, (Ancient) Greece and Rome, Greek and Latin, Greco-Roman (though also a form of wrestling), Ancient Mediterranean, Mediterranean, Study of the Ancient World, Antiquity, Classical Antiquity, Classics, Classicists, Languages Literatures and Cultures, Classical Literature and Civilization, and (Their) Pendant Traditions.

I look forward to the further discussion of this issue.

Jeffrey Henderson

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Resident Fellowship - Center for Ballet and the Arts

The Resident Fellowship is our core offering for scholars and artists of all disciplines to develop projects that expand the way we think about the history, practice, and performance of dance. Past fellows have come from wide-ranging disciplines such as history, design, philosophy, visual arts, and more. Fellows are not required to be experts in ballet or dance, but must have an interest in engaging with the art.

The fellowship provides space, a stipend, and the time to pursue rigorous work. Fellows also gain new colleagues and a broad community of scholars and artists, two communities that do not often meet.

Fellowship timing and duration depend on individual fellow needs and project scopes. Prior residencies have run between four and sixteen weeks. The residency must occur during NYU’s academic year (September 2021 – May 2022).

Application Materials

Applications will be open from September 15, 2020 at 9:00am EST – November 2, 2020 at 9:00am EST

Click here for the application questions as they will appear on the platform.

View full article. | Posted in Awards and Fellowships on Mon, 09/28/2020 - 1:17pm by Erik Shell.

The Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities worldwide with the study of Greek and Roman antiquity in new and meaningful ways.

View full article. | Posted in on Mon, 09/28/2020 - 8:20am by .

Now and Then: (In)equity and Marginalization in Ancient Mediterranean Studies

March 12th and 13th, 2021 (via Zoom)

The First Biennial Bryn Mawr College SPEAC Conference for Undergraduate and Graduate Research

Deadline for submission: December 1st, 2020

View full article. | Posted in Calls for Papers on Thu, 09/24/2020 - 12:24pm by Erik Shell.

The gods and goddesses worshipped by ancient Greeks and Romans belonged to particular cultural, social, and political contexts. Your task is to imagine at least one new Olympian deity who exists in the context of the modern world. How would contemporary norms affect the god’s attributes and the ways they would be worshipped? Your entry could take the form of a myth in the style of Ovid’s Metamorphoses, a poem in the style of a Homeric Hymn, a portion of a play, or any number of other genres or formats.

View full article. | Posted in Calls for Papers on Thu, 09/24/2020 - 12:23pm by Erik Shell.

A groundbreaking new article written by Brown University classicist and graduate student Kelly Nguyen explores classical reception in and beyond Vietnam for the first time. In the process, she adds “Vietnamese voices to [the] ongoing discourse on the accessibility of classics.”[1] She spoke with the SCS blog's EIC, Sarah Bond, about her new article, how she became interested in classical reception within Vietnamese literature, and the “double-edged sword” of the cultural capital held by the field of Classics. 

View full article. | Posted in on Wed, 09/23/2020 - 2:01pm by Kelly Nguyen.

44th ANCIENT PHILOSOPHY WORKSHOP

MARCH 5-6, 2021

 

UNIVERSITY OF TEXAS AT AUSTIN

 

View full article. | Posted in Calls for Papers on Wed, 09/23/2020 - 10:36am by Erik Shell.

The William Sanders Scarborough Fellowships
Deadline: November 1, 2020

View full article. | Posted in Awards and Fellowships on Wed, 09/23/2020 - 10:29am by Erik Shell.

The following members were elected in the ballot held this Summer. They take office in January 2021, except for the two new members of the Nominating Committee who take office immediately.  Thank you to all SCS members who agreed to stand for election this year.

President-Elect

Matthew Santirocco

Vice President for Publications and Research  

Kathryn Gutzwiller
Vice President for Professional Matters

Ruth Scodel

Directors

Jinyu Liu

Dan-el Padilla Peralta

Professional Ethics Committee

Amy Pistone

Nominating Committee

Serena Connolly

Katherine Lu Hsu

Program Committee

Emily Baragwanath

Ayelet Haimson Lushkov  

Sarah Culpepper Stroup

Goodwin Committee

Richard Hunter

Amy Richlin

View full article. | Posted in SCS Announcements on Wed, 09/23/2020 - 8:49am by Erik Shell.

In last year’s introductory Greek class, I watched a student rejoice when asked to give a (partial) synopsis of the verb ‘λύω.’ While synopses are rarely met with enthusiastic responses, this student knew that the synopsis, if correctly produced, would make him stronger. My class was playing Olympus, a term-length board game played in one-hour instalments throughout the quarter, and he had just drawn the Agōgē card.

View full article. | Posted in on Mon, 09/21/2020 - 4:04pm by Joshua J. Hartman.
NEH Logo

August, 2020

Below is a list of the most recent NEH grantees and their Classically-themed projects. The NEH helps fund a number of SCS initiatives, and their support affects the field of Classics at a national and local level.

Grantees

  • Eleni Hasaki (University of Arizona) and Diane Harris Cline (George Washington University) - "Social Networks of Athenian Potters: Networks, Tradition and Innovation in Communities of Artists"
  • Rega Wood (Indiana University, Bloomington) - "Richard Rufus Project"
  • Matthew Panciera (Gustavus Adolphus College) - "Digital Ancient Rome"
  • Noah Heringman (University of Missouri, Columbia) - "Vetusta Monumenta: Ancient Monuments, a Digital Edition"
  • Alexander Jones (New York University) - "The ANcient Sciences in Cross-Cultural Perspective"
  • Rachel Kousser (CUNY Research Foundation, Graduate School and University Center) - "The Last Years of Alexander the Great (330-323 BCE)"
  • Michael Satlow (Brown University) - "Seeking the Gods: The Spiritual Landscape of Late Antiquity"
  • Pramit Chaudhuri (University of Texas, Austin) - "Computational Tools for Diachronic and Cross-cultural Study of Literature: Multilingual Stylometry and Phylogenetic Profiling"
  • Jessica Powers (San Antonio Museum of Art) - "Art, Nature, and Myth in Ancient Rome"

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View full article. | Posted in Classics in the News on Thu, 09/10/2020 - 8:57am by Erik Shell.

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