Text and Translation of the Latin Oration Delivered at Harvard

Delivered by Charlie Bridge (Class of 2011), a Classics Concentrator, at Harvard Commencement on May 27:

Rota Fortunae

Praeses Faust; Decani Professoresque sapientissimi; familiae, amici, et hospites honoratissimi; et tandem condiscipuli carissimi…salvete omnes!  Mihi voluptas magna atque honor altus est huius ceremoniae incipiendae in hoc theatro augusto Trecentensimo.  Nec solum conventum ultimum classis nostrae, anni duomillensimi et undecimi, sed etiam conventum trecentensimum et sexagensimum huius universitatis hodie celebramus. 

Hoc cum animadvertissem gaudebam, propter sensum singularem numeri trecenti et sexaginta.  Ne mihi quidem, litterarum antiquarum discipulo, latere potest orbem omnem in partes trecentas et sexaginta esse divisum.  Venit etiam in mentem orbis quidam praecipuus, qui vitas nostras hos quattuor annos rexit: Rota scilicet Fortunae Harvardiana.  Temporibus antiquis, rota signum erat levis mobilisque naturae fatorum – circuitus vel unus cladem felicissimis afferre atque miseros extollere potest.

Nos Harvardiani quoque mutationes fati permultas passi sumus.  Statim in anno primo repperimus custodem mensae Annenbergianae, Domnam, vel beneficium magnum vel iram inexpiabilem offerre posse, velut fortuna volebat (iram certe, si tesserarum nostrarum obliti eramus).  Prope anni illius finem, circuitus alius Rotae Fortunae decrevit domum ad quam delegati eramus.   Plurimi laetabantur, praesertim hi beatissimi qui in locum valde amoenum, Domum dico Dunsteriensem, sunt recepti.

Mox autem Rota Fortunae nos in ima desperationis saepe mersisse videbatur.  Horae somno deditae numerique nostri in Chimica Organica inferius inferiusque ceciderunt.  Universitas ipsa in malo rotae latere se invenit.  Sicut mercatus corruerunt, ita corruit dotatio nostra, olim amplissima, et nova aetas severitatis aderat.  Heu miserum indigne ientaculum calidum ademptum nobis!  Haud aliter aleatores in spectaculo illo televisifico “Rota Fortunae” subito “Perditi” fiunt.

Hoc tamen anno Rota in cursu secundo rursus volvit, atque fortunae nostrae meliores factae sunt.  Examinibus thesibusque perfectis, occupationibus (speremus!) inventis, et Yalensibus quater victis, advenimus ad tempus illud fortunatissimum – ver seniorum – et nunc hanc universitatem gratissimam deserere paramus.  Iter rotundum in Rota Fortunae Harvardiana confecimus, et hodie ubi incepimus, iterum pervenimus, eodem studio eademque materia infinita quae in congregationem primam in hoc ipso theatro attulimus.

Ne praetereamus tamen dictum Appi Claudi Caeci: “Faber est suae quisque fortunae.”  Etsi Fata impedimenta quaedam nobis coniecerunt, ea omnia superavimus adiutorio condiscipulorum familiarumque, doctrina professorum praeclarorum, et proprio labore constantiaque.  Rota Fortunae per summa Fati imaque unumquemque nostrum ferre continuabit, sed semper recordamini commutationes quas in vita nos ipsi faciemus nostro labore, et studio, et incitatione esse decernendas.  Progredimini igitur, collegae optimi, et efficite felicitatem vestram.

At nunc, amici, avete atque valete!


"Wheel of Fortune"

President Faust; wisest Deans and Professors; family, friends, and most honored guests; and finally, dearest classmates…welcome, all!  It is my great pleasure and high honor to begin the proceedings today in this venerable Tercentenary Theatre.  Not only do we celebrate today the final gathering of our class, of the year 2011, but also the 360th Commencement of this university.

I was glad when I noticed this, because of the unique significance of the number 360.  Not even I, a student of classical literature, could be unaware that a circle is divided into 360 parts.  I have in mind a very special kind of circle, which has guided our four years here: the Harvardian Wheel of Fortune.  In antiquity, the wheel was a symbol of the capricious and cyclical nature of the fates – a single spin could bring disaster upon the most fortunate and uplift the luckless.

As Harvardians, we too have endured the twists and turns of fate.  We discovered rather quickly in our first year that Domna, the guardian of Annenberg Hall, could bestow either great kindness or implacable wrath, according to fortune’s whim (certainly wrath, if we had forgotten our ID cards).  Near the end of that year, another spin of the wheel of fortune determined the house to which we had been assigned.  Most were elated, above all those blessed few who were welcomed into that most wonderful of places, Dunster House.

Soon, however, it often seemed that the Wheel of Fortune had plunged us into the depths of despair.  Our nightly hours of sleep and our grades in Orgo plummeted lower than ever.  Our fair university also found itself on the wrong side of the wheel.  Just as the markets collapsed, so did our endowment, once so mighty, and a new age of austerity was at hand.  Alas, poor hot breakfast, undeservingly wrenched away from us!  In just the same way, contestants on the “Wheel of Fortune” game show suddenly become “bankrupt.”

This year, however, the Wheel has continued to roll on its circular course, and our fortunes have taken a turn for the better once again.  With exams and theses completed, jobs (hopefully) found, and the Yalies vanquished for a fourth time, we have reached that most fortunate of times – senior spring – and now prepare to leave this dear university.  We have finished our cyclical journey on the Harvardian Wheel of Fortune, and we arrive today exactly where we began, with the same excitement and limitless potential that we brought to our first freshman gathering in this very location.

Let us not pass over, however, the axiom of Appius Claudius the Blind: “Each man is the artisan of his own fortune.”  While the fates have thrown some obstacles in our way, we have overcome them with the support of classmatesand family, with the wise instruction of our peerless faculty, and with our own hard work and persistence.  The Wheel of Fortune will continue to carry each one of us through the highs and lows of fate, but always remember that the changes we will make in the world will be determined by our hard work, our energy, and our passion.  Go forth, noble classmates, and make your own good fortune.

And now, friends, goodbye and farewell!

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Precollegiate Teaching Award

College Teaching Award

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:10am by Helen Cullyer.

The Committee on Public Information and Media Relations is pleased to announce that this year's Forum Prize, for a work originating outside the academy, has been awarded to Jeff Wright for Odyssey: The Podcast.

The winner of the 2019 Society for Classical Studies Forum Prize—Jeff Wright, creator and performer of Odyssey: The Podcast—takes many turns toward and away from his illustrious epic source. Jeff’s Homer is a composite character built on the bases of English translations among the most appealing today. But Jeff is not content merely to play rhapsode to Homer’s bard.

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:08am by Helen Cullyer.

The deadline for the Undergraduate Minority Scholarships is December 13.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:04am by Helen Cullyer.

The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from teaching Latin in a prison to collaborations with artists in theater, music, and dance. In this post we focus on a variety of programs directed to children: summer camps, classics days, after-school programs, and the creation of children-oriented animated videos.

View full article. | Posted in on Fri, 11/29/2019 - 1:52am by .

Registration for the Career Networking event at the 2020 Annual Meeting is now open. Graduate students and contingent faculty interested in careers outside of academia are encouraged to attend.  There is no extra charge for this event but space is limited.

Registered attendees of the 2020 meeting can sign up for this event by filling out this form. Sign up will be open until December 6th or close sooner if the event reaches capacity before that date. 

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 11/27/2019 - 12:39pm by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0
Juliette Deschamps
The Tragedy of Dido
 
US Premiere
Friday, December 6, 2019, 7:30pm
 
Featuring acclaimed actor Gale Harold

Post-performance Q&A with Juliette Deschamps

Mixing captivating video projection, live jazz music, and powerful storytelling, The Tragedy of Dido created by French videographer Juliette Deschamps paints an extraordinary portrait of Queen Dido, the legendary founder of Carthage.

Part of A Weekend Celebration of Tunisia, the sensory and aesthetic performance will feature narration and music inspired by North African melodies performed by pianist Paul Lay. The performance will be introduced by Professor Judith P. Hallett and narrated in English by acclaimed actor Gale Harold (Falling for Grace, Queer as Folk, Grey’s Anatomy).

View full article. | Posted in Performances on Wed, 11/27/2019 - 10:44am by Erik Shell.

CfP: “Class before Capitalism?: Social Structure and the Ancient World” (Deadline: January 1, 2020)

Saturday, March 28, 2020

Keynote speaker: Johanna Hanink (Brown University)

The graduate students at Harvard University’s department of the Classics invite abstract submissions for the upcoming graduate student conference, “Class before Capitalism?: Social Structure and the Ancient World”.

Socio-economic status and the intergenerational structures which maintain it have been a persistent source of tension across the world and across history. In the influential tradition of thought following Karl Marx, class has been seen as a fundamental agent of socio-political change and an inescapable force that conditions the production of literature, art, and other cultural materials. The application of ideas formed in a post-industrial, capitalist age to pre-modern societies presents some significant methodological challenges, however, and has been the source of an intense scholarly debate which continues to this day. 

View full article. | Posted in Calls for Papers on Wed, 11/27/2019 - 10:38am by Erik Shell.

Recogito is a software platform that facilitates annotation of text and images. Through both automatic annotation and manual annotation by users, the software links uploaded files to geographic data and facilitates the sharing and downloading of this data in various formats. The software is freely available for download through GitHub, and a version is also hosted online. In the online version, users have a private workspace as well as the ability to share documents among a group or publicly. Recogito was developed from 2013 to 2018 as part of the Pelagios network, a much wider project dedicated to creating gazetteers and tools for annotation, visualization, pedagogy, collaboration, and registering linked data.

ANNOTATION

View full article. | Posted in on Thu, 11/21/2019 - 7:03pm by Kilian Mallon.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

CAMP Press Release

The SCS’ Committee on Ancient and Modern Performance (CAMP) would like to announce a change in its staged reading for the 2020 meeting in Washington D.C.  Instead of Robert Montgomery Bird’s “the Gladiator,” the committee will instead present Joseph Addison’s “Cato.”  Both plays provoke interesting discussion on the connections between American history and Classical Rome.  “Cato,” which dramatizes the stoic and patriotic Cato’s last stand against a tyrannical Julius Caesar, was quoted and alluded to by the leaders of the American Revolution, and staged by George Washington for his troops at Valley Forge in defiance of a congressional ban on plays.

Both plays and their authors are also rooted in the ideologies of their own times, ideologies which include some racist and colonialist viewpoints.  That these viewpoints have been connected with Classics as an academic field is an important element of both the history of and the contemporary challenges of our discipline.  CAMP believes that by working with and presenting such material, even when (and in fact especially when) it is problematic, we can simultaneously acknowledge the field’s entanglement with historical wrongs, and have fruitful discussions about how we can productively move forward.

View full article. | Posted in Performances on Wed, 11/20/2019 - 8:17am by Erik Shell.

Vergilian Society Call for Proposals to direct June 2021 Symposium in Italy

View full article. | Posted in Calls for Papers on Tue, 11/19/2019 - 8:54am by Erik Shell.

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