By Adrienne K.H. Rose
In her monthly column, Prof. Adrienne K.H. Rose explores issues surrounding translation within Classics. In her first edition, she addresses the challenges of picking the “right” Catullus translation. What does “right” even mean when choosing a translation for class?
Choosing the “right” translation of any Classical author for the classroom is a challenge for most teachers. What is “right” can often be dependent upon factors such as availability and pricing, particularly for students with a textbook budget. For a popular, much-translated poet like Catullus there is a wealth of English-language translations to choose from. Catullus is antiquity’s most modern poet.
By Roger Bagnall
Content Warning: The following post discusses classical narratives about sexual assault. Please note that the thoughts and opinions of SCS blog contributors are their own.
Classics graduate student Sara L. Hales (University of Iowa) and Assistant Professor of Classics Arum Park (University of Arizona) explore how we read, discuss, and teach classical rape narratives in the midst of the #metoo movement.
The following are the abbreviated introductory remarks to the “Harassment in Academia: Old Battles, New Frontiers” panel co-sponsored by the Women’s Classical Caucus (WCC) and the Committee for Gender and Sexuality in the Profession (COGSIP) at the annual meeting in Boston Jan 4-8, 2018. Notes from the panel and the coinciding workshop on sexual harassment can be found at https://medium.com/cloelia-wcc. Please note that the comments and ideas of SCS blog contributors are their own.
Authors: John Jacobs, David J. Murphy, Ann R. Raia
Another of our new monthly columns here on the SCS blog explores the contributions of independent scholars within classics. There is a thriving community of classicists outside of the university system who, while often overlooked, are integral to the strength and survival of our field.
Ongoing discussions in academic circles about the value and purpose of 3-D immersive technologies have lately been sharpened by the emergence of consumer-ready VR and inexpensive game engines, especially Unity. One side of that discussion asserts that, in an academic context, these technologies are primarily valuable to the extent that they advance serious scientific and data visualization research. Others maintain that game design and “play” more broadly are equally important, and can transform how we teach many subjects. One approach does not exclude the other, of course, but my own experience has convinced me of the exciting potential of the latter, play-based, mode. For classicists, interdisciplinary as we are, the 3-D interactive future of research and teaching beyond textbooks holds important opportunities, especially if we take an active, collaborative role in shaping that future.
Jacoby Online is a monumental resource encompassing several separate projects, all of them related to Die Fragmente der griechischen Historiker (FGrH) of Felix Jacoby (1876–1959). The original reference work aimed to collect, edit, and comment on all the known testimonies and fragments of ancient Greek historians whose works survive incomplete. At the time of his death, Jacoby had produced fifteen print volumes covering 856 historians, distributed among three of five proposed areas: (I) genealogy and mythography, (II) history (Zeitgeschichte), and (III) local history (Horographie) and ethnography.
Co-authored with Richard J. Tarrant.
Editor’s note: The guidelines under review here, while publicly available for comment, represent a pre-release version.