Cum solitudine loqui: Ciceronian Solitude across Generic Lines
By Aaron Kachuck
Cicero's late works show frequent and concerted interest in what it means to reconceive of social genres and practices (oratory, politics, friendship) as solitary arts.
Seeing the Whole in Cicero’s Brutus
By Christopher S. van den Berg
This paper examines Cicero’s Brutus (46 BCE), arguing that Cicero there presents the most elaborate and sophisticated version in his writings of a trans-generic conception of literature. Cicero’s Brutus (46 B.C.E.) has largely been understood thus far in terms of its most salient feature, that is, as an evolutionary catalogue of orators culminating in Cicero’s own accomplishments.
A Fool for the City? Images of Rome in St. Perpetua's Diary
By Jennifer A. Rea
Reproducing Rome: Campania and the Imperial City in Statius' Silvae
By Amanda Klause
Utopian Rome in Ovid’s Externalized View from Exile
By Rachel Philbrick
Gateways to Rome in Aeneid 6 and 7
By Lissa Crofton-Sleigh
Hell to Pay: Classics and Radical Inclusion in W.E.B. Du Bois’s “Of the Ruling of Men”
By Harriet Fertik
Hell to Pay: Classics and Radical Inclusion in W.E.B. Du Bois’s “Of the Ruling of Men”
Classical Tradition and Black Nationalism in W.E.B. Du Bois’s The Star of Ethiopia
By Evan Lee
Classical Tradition and Black Nationalism in W.E.B. Du Bois’s The Star of Ethiopia
Riddling toward Knowledge
By Tom Hawkins
Riddling toward Knowledge
W.E.B. Du Bois’s Foundation Myth of At(a)lanta
By Stephen Wheeler and Irenae Aigbedion
W.E.B. Du Bois’s Foundation Myth of At(a)lanta