2018 Goodwin Award Winners

Below are the citations for the winners of our 2018 Charles J. Goodwin Award of Merit. Please join us in congratulating this year's winners.

Gil H. Renberg

Amy Richlin

Harriet I. Flower

Gil H. RenbergWhere Dreams May Come:  Incubation Sanctuaries in the Greco-Roman World.  Leiden:  Brill, 2017.

Sweet dreams, bad dreams, broken dreams, impossible dreams, dream jobs, dreams come true, dreamy dates, dream teams, the American dream, only in your dreams, dream on: dreams are among our most familiar experiences but wonderfully mysterious all the same. In modern times dreams tend to be something internal and personal, perhaps mere nonsense, perhaps an expression of wishes and fears conscious or unconscious. For classical peoples, dreams were something more, signs from outside, indeed an important channel for divine-human communication. And so incubation – sleeping in a place where dreams may come – was a multi-faceted practice throughout the ancient world from earliest times to late antiquity: a practice undertaken for therapy, for cures, for enlightenment, and for revelations.

Gil Renberg's Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World, in two ample volumes from Brill, is a dream come true for all students of ancient religion and healing: a systematic, exhaustive, beautifully organized, and highly readable exploration of incubation from the Mesopotamian, Anatolian, Greco-Roman, and Egyptian worlds, from the bronze age to late antiquity, masterfully assembling and analyzing a vast amount of data and testimony literary, epigraphical, and archaeological, all anchored to a full bibliography. Along the way Gil Renberg brings to life a great many details of the incubatory experience: who knew that Asclepius could send a snake to lick your ears to cure hearing loss? Or that mere water could play such a central and complex role? This work’s combination of systematic inventory and revelatory analysis reminds us that in classical studies, creative excellence manifests itself in a variety of ways.

Gil Renberg, who has spent many years on this project, emphatically stresses at the outset that a far-flung and generous scholarly community has made his work possible, thanking more than a hundred scholars for their helpfulness. His aim is not so much to solve all of the many issues that a century and more of incubation studies have raised as it is to clear the ground for future work by separating what is definitely known from what still needs to be learned, distinguishing also what can only be the object of speculative argument or the product of imagination. In the process, he brings to life an important aspect of ancient experience in the Greco-Roman and wider world, and also provides a model of meticulous, lucid, and generous scholarship for the present. Like all great works of scholarship, Where Dreams May Come has handsomely – even dreamily – set the table for all future work in this central and fascinating area of ancient religion and healing.

Amy RichlinSlave Theater in the Roman Republic:  Plautus and Popular Comedy.  Cambridge:  Cambridge University Press, 2017.

All comedy starts with anger.  That leitmotif runs through the pages of Amy Richlin’s Slave Theater in the Roman Republic:  Plautus and Popular Comedy, Richlin’s summa, one might say, product of a distinguished career that began with a similar theme in The Garden of Priapus:  Sexuality and Aggression in Roman Humor thirty-five years ago, and that has ranged widely through explorations of subjects once left discreetly aside or veiled in the obscurity of a learned language. 

Now she rewrites the history and meaning of the fabula palliata, mastering, but not enslaved to, a long scholarly tradition, from Eduard Fraenkel to Sandra Joshel and Kathy Gaca.  But her reach is wide as well as deep, engaging recent and contemporary work in anthropology, folklore, and modern pop culture.  One very instructive and relevant footnote pursues the details of the Latin curriculum of Dulwich College in the student days of P.G. Wodehouse.  The book offers a paradigm of traditional philological scholarship at its very best, enriched by a broad view, a keen eye for the telling detail, and a passionate commitment to hearing and letting us hear the voices of the downtrodden. 

The story that unfolds is set in a beleaguered Italy, a land of constant warfare and mass enslavement.  We never forget that Plautus’ career unfolded during Hannibal’s years in Italy and we are challenged to keep in mind that the actors and spectators of these funny things that happened on the way to the forum included survivors of the carnage at Cannae.  The actors, the spectators, and the characters literally embodied the culture and horrors of the time.  Too often beaten, raped, and starved, they made of their experience occasions for laughter – for whatever little laughter can do to assuage or avenge or almost make sense of the effects of violence.

The stage – often not more than a wide spot in the road – set slaves and masters, prostitutes and pimps, in whirling motion.  The palliata gave the slave, the freed slave, and just the wretchedly impoverished free citizen a chance to act out the open secrets that possessed them, through double-entendre, irony, verbal duels, slapstick, role reversals and knowing asides to the audience – and a little song and dance.  This was their opportunity to speak shtick to power and and they do so with a will, giving us glimpses of their shimmering dreams of home and freedom.  We come away with a renewed sense of our good fortune in having these plays survive, disguised as classical literature, to enable Richlin to bring us closer to Roman lives that were marked by much sadness, much anger … and even much laughter. 

Harriet I. Flower, The Dancing Lares and the Serpent in the Garden: Religion at the Roman Street Corner. Princeton 2017

A dense and rich account of an understudied aspect of Roman religion, Harriet Flower’s The Dancing Lares and the Serpent in the Garden: Religion at the Roman Street Corner weaves together strands from complex and variegated sources into a coherent picture. The book opens with its own act of pietas: a striking photograph of the book’s distinguished dedicatee, standing nonchalantly before a surviving compitum, brings the Roman street-corner to life. Comparison of inscriptions, altars, and painting from Rome, Pompeii, and elsewhere on the Italian peninsula with literary works written by elites shows that lares, consistently gods of place, were worshipped differently depending on locale, but with an overall constancy that has escaped prior scholarship. Because those primarily responsible for the daily worship of the domestic gods of the hearth were often women or the master’s delegate and the vicomagistri of the lares compitalia were often freedmen, they fly below the radar of elite experience and hence the literary record. Reconstructing their history has required Flower to demonstrate expertise in material culture and to survey her subject across disparate and demanding fields.

The interpretation of most of her materials was controversial in antiquity and remains so now. Flower grabs the nettle. She is generous in taking her reader through her thought processes and fearless about advancing novel views. She bats away suggestions that the lares were spirits of the dead. Cult of Augustus’ genius at Rome? Flower answers a resounding “no.” Surely that’s Aeneas or perhaps Numa on the Ara pacis Augustae? Unlikely. She thinks a better candidate for the figure is Titus Tatius. Not all her conjectures will win assent, but she is intellectually forthcoming about making them and they raise the bar for future scholars, who will have to reexamine questions they thought were settled and argue for competing interpretations within a more capacious evidentiary frame.

Learned and confident, Flower offers a page-turner that sheds light on inaccessible aspects of Roman daily life with vividness and sympathy. Her intersecting paths of research culminate in her reassessment of the Augustan religious revival. By giving responsibility for local worship of the gods of the street corners to the lower classes of society, Augustus provides a vehicle through which they may share and invest, emotionally and financially, in his declaration of a new age of peace and prosperity. Scholars interested in Roman religion, in social history, and in the Augustan program will refer to this book for years.

---

(Photo: "library" by Viva Vivanista, licensed under CC BY 2.0)

Categories

Follow SCS News for information about the SCS and all things classical.

Use this field to search SCS News
Select a category from this list to limit the content on this page.

(Submitted by Mark Possanza)

View full article. | Posted in In Memoriam on Wed, 02/19/2020 - 8:56am by Erik Shell.
Bellum ex altera parte: Social Status, Gender and Ethnicity in Ancient Warfare
(21st UNISA Classics Colloquium)
 
We are pleased to announce our first call for papers, inviting abstracts for the annual Unisa Classics Colloquium, to be held in Pretoria from 15 to 18 October 2020.
 
Ancient artists and writers focused heavily on the role of elite male citizens in their representations of warfare in the ancient world, and this was for the most part also the focus of scholarship on warfare up to the mid-20th century.  But an interest in ideologically excluded groups, often called the ‘other’ or the ‘subaltern’ in scholarship, gained ground in the second half of the 20th century, and in the last decade or two the subject of war itself is now being examined for information on groups that were not at the top of the social hierarchy (although from the 8th century BC to the 5th century CE the composition of these groups was certainly subject to fluctuation). Our theme this year therefore focuses on those who populated these categories within the context of warfare in the ancient world.
 
View full article. | Posted in Calls for Papers on Wed, 02/19/2020 - 8:54am by Erik Shell.

The Hill Museum & Manuscript Library (HMML)

Saint John’s University
Collegeville, Minnesota  56321

Heckman Stipends, made possible by the A.A. Heckman Endowed Fund, are awarded semi-annually. Up to 10 stipends in amounts up to $2,000 are available each year. Funds may be applied toward travel to and from Collegeville, housing and meals at Saint John’s University, and costs related to duplication of HMML’s microfilm or digital resources (up to $250). The Stipend may be supplemented by other sources of funding but may not be held simultaneously with another HMML Stipend or Fellowship. Holders of the Stipend must wait at least two years before applying again.

The program is specifically intended to help scholars who have not yet established themselves professionally and whose research cannot progress satisfactorily without consulting materials to be found in the collections of the Hill Museum & Manuscript Library.

Applications:
Applications must be submitted by March 15 for residencies between July and December of the same year, or by October 15 for residencies between January and June of the following year.

Applicants are asked to provide:

View full article. | Posted in Awards and Fellowships on Wed, 02/19/2020 - 8:51am by Erik Shell.

Call for Abstracts: The 2020 meeting of the International Society for Neoplatonic Studies in Athens, Greece (June 10-14, 2020), held in conjunction with the American College of Greece.

The International Society for Neoplatonic Studies (ISNS) invites submissions of abstracts for the 2020 meeting in Athens, Greece (June 10-14, 2020).This year’s panels embrace a wide range of themes and topics in the Platonic tradition, spanning from antiquity to the modern period.

People may present in English, French, German, Italian, Portuguese, Spanish, or Greek. Speakers presenting in a language other than English are encouraged to give printed copies of their papers.

All abstracts are due by February 24, 2020. Please submit abstracts (a maximum of one page) directly to the panel organizers’ emails, as listed on the official call for abstracts: https://www.isns.us/2020PanelsforAthensConference.pdf. Those presenting must be ISNS members before the meeting.

The ISNS also will be offering travel grants for students and early career scholars to attend this year’s meeting. More information about these awards can be found here: https://preview.tinyurl.com/ISNSTravelGrant.

For more information please visit the ISNS website: https://www.isns.us/.

View full article. | Posted in Calls for Papers on Tue, 02/18/2020 - 11:23am by Erik Shell.

Judith Peller Hallett is Professor of Classics and Distinguished Scholar-Teacher Emerita at the University of Maryland, College Park. Judy was born in Chicago, grew up in the suburbs of Philadelphia, and earned her B.A. in Latin from Wellesley College in 1966. She received her M.A. in 1967 and her Ph.D. in Classical Philology in 1971, both from Harvard University. Her research focuses on women, the family, and sexuality in ancient Greece and Rome, particularly in Latin literature. She is also an expert on Classical education and reception in the nineteenth and twentieth centuries. Her publications include Fathers and Daughters in Roman Society: Women and the Elite Family (1984) and a special edition of the journal The Classical World, entitled “Six North American Women Classicists,” with William M. Calder III (1996-1997). A lifelong feminist, she has edited or contributed to numerous collections that focus on women in the ancient world and in the discipline of Classics, such as Roman Sexualities (1997), the Blackwell Companion to Women in the Ancient World (2012), and Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly (2016).

CC: How did you come to Classics?

View full article. | Posted in on Tue, 02/18/2020 - 6:10am by Claire Catenaccio.

Greek vases, with their distinctive red and black, are one of the most recognizable faces of ancient Greece. Their decorative scenes of deities, myth, and everyday life offer a beautiful and informative window into classical culture. With the Panoply Vase Animation Project we’re encouraging people to enjoy and learn about ancient vases and society by placing the artifacts center-stage in short, lively animations made from the vase-scenes themselves. The animations keep as close as possible to the original artwork, using the existing figures and decoration and drawing on existing iconography. But the figures can now move, and the animations explore the possibilities within the vase scenes: runners can sprint past, dice are thrown, and those poised to strike can use their weapons. The tone of the animations varies. The Cheat is a light-hearted romp; Hoplites! Greeks at War will send shivers down your spine.

View full article. | Posted in on Fri, 02/14/2020 - 6:06am by .

The Classical Association of the Atlantic States
Call for Papers: 2020 Annual Meeting, October 8-10, 2020

Hotel DuPont, Wilmington, DE

We invite individual and group proposals on all aspects of the classical world and classical reception, and on new strategies and resources for improved teaching.  Especially welcome are presentations that aim at maximum audience participation and integrate the concerns of K-12 and college faculty, that consider ways of communicating about ancient Greece and Rome beyond our discipline and profession, and that reflect on the past, present, and future of classical studies in the CAAS region.

View full article. | Posted in Calls for Papers on Thu, 02/13/2020 - 8:44am by Erik Shell.

Hybrid Epicenters: Peripheral Adaptation in Flavian Literature

With a response by Antony Augoustakis

Adaptation and change in Imperial Rome tend to aggregate on the margins and at the edges of things, in extremis as it were. In Flavian literature, various dynamic changes have been observed, in the textual space as well as in the socio-political background under which this literature is being produced. One example is the sudden transition between books 11 and 12 in Statius’ Thebaid wherein the fraternas acies of the first 11 books gives way to (attempted) reconciliation. Or from a geographical stance, one example is Scipio Africanus’ rapid rise to power as he pushes Rome’s military might to her future imperial edges in Spain and North Africa in books 16 and 17 of the Punica; from a sociocultural angle, the complex dynamics in the Silvae between Campania and Rome causes difficulties in recognizing which location is central and which peripheral in Statius’ conceptualization of the geography of Roman power in Italy.

View full article. | Posted in Calls for Papers on Tue, 02/11/2020 - 2:13pm by Erik Shell.

The following was approved by the SCS board of directors on February 7, 2020.

The Society for Classical Studies joins the Society of Architectural Historians in opposing the proposed Executive Order “Making Federal Buildings Beautiful Again.”  As students and scholars of the ancient Greco-Roman world and its ongoing cultural impact, we recognize that classical antiquity provided some of the many traditions that have shaped this nation, and we appreciate the examples of neo-classical architecture, both public and private, to be found throughout the United States.  But we firmly believe that the architectural style of public buildings should not be dictated in advance, but rather freely and deliberately chosen in view of all relevant considerations, and we reject the supposition that a style derived from classical models is necessarily better suited than any other to express the history, values, and aspirations of the American people.

Please see the letter below from the Society of Architectural Historians and a number of other scholarly societies, including SCS.

February 10, 2020

The President
The White House
1600 Pennsylvania Avenue, N.W.
Washington, DC 20500

Re: Opposition to proposed Executive Order “Making Federal Buildings Beautiful Again”

Dear Mr. President,

View full article. | Posted in Public Statements on Mon, 02/10/2020 - 11:49am by Helen Cullyer.

The deadline to apply for Classics Everywhere is February 14, 2020.

Applications can be submitted through the above link by filling out the application form linked half way down the page.

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Mon, 02/10/2020 - 8:29am by Erik Shell.

Pages

Latest Stories

© 2019, Society for Classical Studies Privacy Policy