1.1 |
Rebuilding, Reconnecting, Restructuring: The Future(s) of Classical Studies Post-COVID |
Resources for Fostering Interdisciplinarity |
Nicholas Cross (Illinois Mathematics and Science Academy) |
153 |
1.2 |
Rebuilding, Reconnecting, Restructuring: The Future(s) of Classical Studies Post-COVID |
Approaches, Not Content: Ancient Studies in South Africa |
Samantha Masters (University of Stellenbosch) |
153 |
1.3 |
Rebuilding, Reconnecting, Restructuring: The Future(s) of Classical Studies Post-COVID |
Redefining "Relevance": "Classics" in the Classroom |
Hallie Franks (NYU - Gallatin) |
153 |
1.4 |
Rebuilding, Reconnecting, Restructuring: The Future(s) of Classical Studies Post-COVID |
Collaboration on the Macro- and Micro- Scale |
Elizabeth Heintges (Columbia University) |
153 |
2.1 |
IOS Panel Ovid and the Natural World, SCS 2022 |
Mind the Splinters: The Clear-Felling of Ovid’s Daphne(Kate MacDowell, ‘Daphne’ 2007, Porcelain) |
Peter Kelly (Lecturer in Classics at the National University of Ireland, Galway) |
153 |
2.2 |
IOS Panel Ovid and the Natural World, SCS 2022 |
Flood and Fire: Human-Induced Disaster in Metamorphoses 1 and 2 |
Patrick O Glauthier (Dartmouth College) |
153 |
2.3 |
IOS Panel Ovid and the Natural World, SCS 2022 |
Vegetative suffering in Ovid’s Metamorphoses |
Alison Sharrock (University of Manchester) |
153 |
2.3 |
IOS Panel Ovid and the Natural World, SCS 2022 |
Lichas and the Ovidian Anthropocene |
Francesca Martelli (University of California, Los Angeles) |
153 |
2.4 |
IOS Panel Ovid and the Natural World, SCS 2022 |
Up the Garden Path: Reading and Inscribing Ovid in the Garden Art of Ian Hamilton Finlay |
Joanna Paul (Open University) |
153 |
2.5 |
IOS Panel Ovid and the Natural World, SCS 2022 |
Ab averso amne deus: an ecocritical reading of rivers and fluid identities in the Fasti |
Kresho Vukovic (University of Munich) |
153 |
3.2 |
Ancient Music and the Visual Arts |
Things that Sing: objectified music in archaic and early classical Greece |
Deborah Steiner (Professor, Columbia University, Department of Classics) |
153 |
3.3 |
Ancient Music and the Visual Arts |
Thamyris, Odysseus, and the Perils of thespesios |
Stamatia Dova (Professor and chair, Hellenic College, Brookline, Classics and Greek Studies) |
153 |
3.4 |
Ancient Music and the Visual Arts |
Mark the Words: Early Music’s Representation in Writing |
Ronald Blankenborg (Assistant professor, Radboud University Nijmegen, Netherlands) |
153 |
3.6 |
Ancient Music and the Visual Arts |
Sympotic Metamorphoses: Seeing, Hearing, and Becoming the Poets in Athenian Vase-Painting |
Carolyn M. Laferrière (Postdoctoral Scholar, Center for the Premodern World, University of Southern California) |
153 |
4.1 |
Greek Tragedy in the Early Empire |
Iphigenia in Tauris in the Early Empire |
C, W, Marshall (University of British Columbia) |
153 |
4.2 |
Greek Tragedy in the Early Empire |
Euripides saver of Athens and the Athenians in Two Plutarchean Anecdotes (Nic. 29; Lys. 15) |
Giovanna Pace (University of Salerno) |
153 |
4.3 |
Greek Tragedy in the Early Empire |
An (A)Political Hero and a Tragic Mother: Plutarch’s Life of Coriolanus |
Federico Ingretolli (University of Oxford) |
153 |
4.4 |
Greek Tragedy in the Early Empire |
A Tragic Variety Show: Reversal in Lucian’s Necyomantia |
Stephen Hill (University of Virginia) |
153 |
4.5 |
Greek Tragedy in the Early Empire |
The Atreus and Thyestes Dramas in the Imperial Age: Reflections on Tyranny, Conviviality, and Cannibalism |
Matthew Roller (Johns Hopkins University) |
153 |
5.2 |
Enslavement and Literary Work in the Roman Mediterranean |
Illegible Transcripts: Greek Shorthand and Enslaved Secretarial Technology |
Candida Moss (University of Birmingham) |
153 |
5.3 |
Enslavement and Literary Work in the Roman Mediterranean |
A Slip of the Tongue: An Exploration of Enslaved Visibility in Roman Book Work |
Brett L. Stine (Columbia University) |
153 |
5.4 |
Enslavement and Literary Work in the Roman Mediterranean |
Micro-Conflation and Invisible Labor in Roman Compositional Practices |
Jeremiah Coogan (University of Oxford) |
153 |
5.5 |
Enslavement and Literary Work in the Roman Mediterranean |
Tiro Beyond the Ciceros: The Social Standing of a Freed Literary Worker |
Nicole Giannella (Cornell University) |
153 |
5.6 |
Enslavement and Literary Work in the Roman Mediterranean |
Enslavement and the Reader(s) in Seneca’s Moral Epistles |
Cat Lambert (Columbia University) |
153 |
5.7 |
Enslavement and Literary Work in the Roman Mediterranean |
The amanuensis as vilicus: Enslaved Labor in Roman Agriculture and Authorship |
Joseph Howley (Columbia University) |
153 |
6.2 |
Queer Representations and Receptions of Amazons |
Acca Soror: Queer Kinship and the Amazon/Huntress Band |
Jay Oliver (University of Toronto) |
153 |
6.3 |
Queer Representations and Receptions of Amazons |
Amazons in Christa Wolf's Troy |
Nancy Sorkin Rabinowitz (Hamilton College) |
153 |
6.4 |
Queer Representations and Receptions of Amazons |
Rosa Bonnheur the Amazon? Victorian-era Fashion, Female Masculinity, and the Horse Fair (1855) |
Michael Anthony Fowler (East Tennessee State University) |
153 |
6.5 |
Queer Representations and Receptions of Amazons |
What Do We Call Courageous Women? |
Donna Dodson (Brandeis University) |
153 |
6.6 |
Queer Representations and Receptions of Amazons |
A Tale of Two Dianas: Bisexuality, Dual Identity, and Censorship in Representations of Wonder Woman |
Natasha Rao (University College London) |
153 |
6.7 |
Queer Representations and Receptions of Amazons |
From Diana to Arya: Lesbian Gaze and Postmodern Amazons |
Sara Palermo (Universidad Autónoma de Madrid) |
153 |
7.2 |
Herculanean Studies: The Next Generation |
The place of Philodemus’s On Rhetoric in ancient rhetorical theory |
Sviatoslav Dmitriev (Ball State University) |
153 |
7.3 |
Herculanean Studies: The Next Generation |
Race, Representation, and Provenance in Roman Art: A Relief of an African Charioteer "from Herculaneum" |
Sinclair Bell (Northern Ill. University) |
153 |
7.4 |
Herculanean Studies: The Next Generation |
Comparative Viewing in the House of the Stags: New Approaches in Roman Sculptural Aesthetics |
Roko Rumora (University of Chicago) |
153 |
7.5 |
Herculanean Studies: The Next Generation |
Archaistic Statuary in the Villa dei Papiri: Antiquarianism and Revivalism |
Daniel Healey (Princeton Unicersity) |
153 |
7.6 |
Herculanean Studies: The Next Generation |
The Player and the Playwrights (MANN 9019) |
Marden Nichols (Georgetown University) |
153 |
7.7 |
Herculanean Studies: The Next Generation |
Trumpian Bureaucracy in 62 CE: Junian Latins, Wax Tablets, and Procedural Barriers to Citizenship |
Alex Cushing (University of Toronto) |
153 |
8.1 |
Religion |
Rend, Repurpose, Recycle: Religious Materialities of the Liber Linteus Zagrabiensis |
Lauryn M. Hanley (University of Washington) |
153 |
8.2 |
Religion |
Sacred Bandages: The Fillet as Instrument of Epiphany in the Epidaurian Miracle Inscriptions |
Mary C Danisi (Cornell University) |
153 |
8.3 |
Religion |
Impious Melodies. Philodemus and the “Distractions” (περισπασμοί) of Music |
Enrico Piergiacomi (University of Trento - Bruno Kessler Foundation) |
153 |
8.4 |
Religion |
The Strength of Ambiguity: Constructing Belief in the Apotheosis of Julia, daughter of Nikias (IG Bulg. I2 345) |
Colleen Kron (The Ohio State University) |
153 |
8.5 |
Religion |
Semi-pagans? Some mutations of belief in late antiquity |
Mattias Gassman (University of Oxford) |
153 |
8.6 |
Religion |
Devotion is sacrifice, but it is not sacrificium |
Celia E. Schultz (University of Michigan) |
153 |
9.1 |
The Poetics and Pragmatics of Hellenistic Aesthetics |
[Theocritus], Idyll 23: A Stony Aesthetic |
Thomas J. Nelson (University of Cambridge) |
153 |
9.2 |
The Poetics and Pragmatics of Hellenistic Aesthetics |
Situational Aesthetics in Ptolemaic Culture |
Peter Bing (University of Toronto) |
153 |
9.3 |
The Poetics and Pragmatics of Hellenistic Aesthetics |
The Aesthetics of Manual Labor: Ecphrastic Representations of Woodwork in Leonidas |
Matthew Chaldekas (Eberhard Karls Universität Tübingen) |
153 |
9.4 |
The Poetics and Pragmatics of Hellenistic Aesthetics |
Art and its Purpose in Hellenistic Stoicism |
Aiste Celkyte (Vrije Universiteit Amsterdam) |
153 |
10.2 |
Transformations of classical rhetoric in the Renaissance |
Auctor, Autor, Author: Arguing from Authority in the Classical Tradition |
Stephanie Ann Frampton (MIT) |
153 |
10.3 |
Transformations of classical rhetoric in the Renaissance |
William Tyndale and the Rhetoric of Translation |
Daniel Sutton (St John's College, Oxford) |
153 |
10.4 |
Transformations of classical rhetoric in the Renaissance |
The Protean Pathways of Enargeia: Renaissance Epic and the Theory of Blank Verse |
Richard H Armstrong (University of Houston) |
153 |