Epistolary Reflections on Philosophical Translation
By Sean McConnell
Despite a considerable amount of scholarly interest in Cicero’s direct translation of Greek philosophical terms into Latin (e.g., Liscu 1930, 1937; Jones 1959; Powell 1995; Glucker 1995; Dyck 1996: 484-8), relatively little attention has been given to how his translation choices affect his own philosophical argumentation.
Murder on Display: Performance and Persuasion at Caesar's funeral
By Ida Östenberg
“Friends, Romans, countrymen, lend me your ears.” Antony’s speech at Caesar’s funeral is generally considered to be a rhetorical masterpiece, not least so due to the influence of Shakespeare (Julius Caesar Act III, Scene II). Ancient sources confirm that the speech made a profound impact on the audience and contributed to turning Rome against the assassins (Cic. Phil. 2.90–1, Att. 14.10.1; Nic. Dam. 17; App. BCiv. 2.143–7, 3.2).
Calpurnia and the Ides of March
By Josiah Osgood
The assassination of Caesar and events immediately following have largely been treated by historians as an all-male affair. I argue that Caesar’s wife Calpurnia played an important role in the aftermath of the Ides, defending her dead husband’s memory. Extant ancient accounts downplay this. Their emphasis is on Calpurnia’s futile warning to Caesar the morning of his death, which does confirm her concern for him but has skewed modern perceptions of her.
Interpreting the Omens for Caesar's Assassination
By Richard Westall
There survives more abundant and detailed documentation for the assassination of Julius Caesar than for any other event in the history of the Graeco-Roman world. This particular moment in history resonated for contemporaries in a manner akin to that of the assassination of John F. Kennedy. Typically scholars are interested in a political reading and in reconstructing the course of action that resulted in the fatal moment.
Damned with Feigned Praise: The Role of Architecture in the Death of Julius Caesar
By Penelope Davies
On the Ides of March, 44 BCE, a group of senators swarmed Pompey’s Senate House in Rome with daggers concealed in their togas. At a given signal, they lunged at the man they had appointed dictator for life, and brought his term to an end. That their action was the result of a conspiracy seems beyond doubt, and literary sources concur that the plot was long in the making. Masked as a philosophical necessity, the assassination was based in a crisis of senatorial identity and competition.
Pindar in 1896 and the Poetics of the First Modern Olympiad
By Stamatia Dova
Minas Minoides, Philostratus’ Gymnastikos and the Nineteenth Century Greek Olympic Movement
By Zinon Papakonstantinou
The Aesthetics of Hellenism in the Modern Olympics
By Charles H. Stocking
Pulling the Pieces Together: Social Capital and the Olympics, Ancient and Modern
By Paul Christesen
“The goal of Olympism is to place sport at the service of the harmonious development of humankind, with a view to promoting a peaceful society concerned with the preservation of human dignity.”
International Olympic Committee
“Serious sport … is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence: in other words it is war minus the shooting.”
George Orwell, “The Sporting Spirit”
Consular Lists as Genre
By Alan Cameron
Consular lists were a common and public genre of list throughout the imperial period, but assumed particular importance during the later empire (Bagnall, Cameron, Schwartz, Worp 1987) It was in this moment when the magisterial functions of the office were at their lowest ebb that the consulate took on an ever more important symbolic role—as the eponymous name of the year and the concomitant personae of the festivals that marked that year.