9.1 |
Truth to Power: Literary Rhetorical and Philosophical Responses to Autocratic Rule in the Roman Empire |
Creating polytopic and de-centered identities: A Greek answer to exile imposed by the Roman Policy? |
Maria Vamvouri Ruffy |
150 |
9.2 |
Truth to Power: Literary Rhetorical and Philosophical Responses to Autocratic Rule in the Roman Empire |
Political Παρρησία in Plutarch: When Does It Work? |
Brad Buszard |
150 |
9.3 |
Truth to Power: Literary Rhetorical and Philosophical Responses to Autocratic Rule in the Roman Empire |
Roman Governors, "Greek Failings," and the Political World of Plutarch and Dio Chrysostom |
Christopher Fuhrmann |
150 |
9.4 |
Truth to Power: Literary Rhetorical and Philosophical Responses to Autocratic Rule in the Roman Empire |
Poetics of Political Fear: Lucan and the Neronian Age of Anxiety |
Irene Morrison-Moncure |
150 |
9.5 |
Truth to Power: Literary Rhetorical and Philosophical Responses to Autocratic Rule in the Roman Empire |
Friendship with the powerful? Perspectives pro and con in the Roman empire |
Zsuzsa Varhelyi |
150 |
10.2 |
Classical and Early Modern Epic: Comparative Approahces and New Perspectives |
Emerging Markets and Transnational Interactions in Translation and Epicization: the Case of Spain 1549-1569 |
Richard H. Armstrong |
150 |
10.3 |
Classical and Early Modern Epic: Comparative Approahces and New Perspectives |
The Epics of Lepanto: Between Tradition and Innovation |
Maxim Rigaux |
150 |
10.4 |
Classical and Early Modern Epic: Comparative Approahces and New Perspectives |
Virgil’s Venus-virgo in Christian Early Modern Epic |
Viola Starnone |
150 |
10.5 |
Classical and Early Modern Epic: Comparative Approahces and New Perspectives |
Travesty: the ultimate domestication of epic |
Susanna Braund |
150 |
11.2 |
Theatre and Social Justice: The Work of Luis Alfaro |
Family, Fate, and Magic: An Introduction to the Greek Adaptations of Luis Alfaro |
Mary Louise Hart |
150 |
11.3 |
Theatre and Social Justice: The Work of Luis Alfaro |
Immigrants in Time |
Amy Richlin |
150 |
11.4 |
Theatre and Social Justice: The Work of Luis Alfaro |
9-1-1 is a Joke in Yo Town: Justice in Alfaro’s Borderlands |
Tom Hawkins |
150 |
11.5 |
Theatre and Social Justice: The Work of Luis Alfaro |
Chorus and Comunidad in Alfaro’s Electricidad and Oedipus El Rey |
Name: Rosa Andújar |
150 |
11.6 |
Theatre and Social Justice: The Work of Luis Alfaro |
Directing Mojada: A Medea in Los Angeles |
Jessica Kubzansky |
150 |
12.1 |
The Next Generation: Papers by Undergraduate Classics Students |
The Role of Parmenides’ Goddess as Θέα Δαίμων |
David Bicknell |
150 |
12.2 |
The Next Generation: Papers by Undergraduate Classics Students |
'Your Marriage Murders Mine': The Moral Consciousness of the Tragic Virgin |
M. Katherine Pyne-Jaeger |
150 |
12.3 |
The Next Generation: Papers by Undergraduate Classics Students |
Hot Topics: Aristophanes’ Acharnians and Charcoal Production |
Molly Schaub |
150 |
12.4 |
The Next Generation: Papers by Undergraduate Classics Students |
Dorians are Allowed to Speak Doric: Theocritus' Idyll XV in the Context of Panhellenization |
Sophia Decker |
150 |
12.5 |
The Next Generation: Papers by Undergraduate Classics Students |
Advancing an Eschatological Conversation: An Interpretation of Via Latina’s “Hercules Cycle” through the Eyes of the Late Antique Roman Viewer |
Katie Hillery |
150 |
13.1 |
Reception and National Traditions |
Greek Andes: Briceño Guerrero and the Latin America Tragedy |
Jacobo Myerston |
150 |
13.2 |
Reception and National Traditions |
Ventriloquizing the Classics: Cicero and Early American Gothic |
James Uden |
150 |
13.3 |
Reception and National Traditions |
From Homer to Lescarbot: The Iliad’s Influence on the First North American Drama |
Andrew E. Porter |
150 |
13.4 |
Reception and National Traditions |
"Ne quid detrimenti capiat res publica": The Senatus Consultum Ultimum and a Print of George Washington |
Emilio Capettini |
150 |
13.5 |
Reception and National Traditions |
Classical Reception within the Vietnamese Diaspora |
Kelly Nguyen |
150 |
14.1 |
Greek Political Thought |
"Philanthrōpia, Democracy, and the Proof of Power" |
Ted Parker |
150 |
14.2 |
Greek Political Thought |
Citizens’ wisdom and (other arguments for) the defence of moderate democracy in Aristotle’s Politics |
Georgia Tsouni |
150 |
14.3 |
Greek Political Thought |
Plutarch’s Hellish Cures for Ardiaeus: The Myth of Thespesius and the Occlusion of Plato’s ‘Incurables’ |
Collin Miles Hilton |
150 |
14.4 |
Greek Political Thought |
Kritias and Plato's Ur-Athens as Oligarchy |
William S. Morison |
150 |
14.5 |
Greek Political Thought |
Law's Measure: Aischines 3.199–200 |
Edwin Carawan |
150 |
15.1 |
Playing with Time |
Swerving Atoms and Changing Times: Lucretius and his Readers in Late Antiquity |
Abigail Kate Buglass |
150 |
15.2 |
Playing with Time |
Unlucky in Love: Games of Chance and Amatory Strategies in Roman Elegy |
Christopher S Dobbs |
150 |
15.3 |
Playing with Time |
Stop the Clock! Time in Apuleius' "Apology" |
Lauren Miller |
150 |
15.4 |
Playing with Time |
Rebuilding Rome: Reading Ovid’s Fasti as a Chronological History of the City of Rome |
Samuel L. Kindick |
150 |
15.5 |
Playing with Time |
‘To Be Completed: The Poetry of July to December in Neo-Latin Fasti-poems’ |
Bobby Xinyue |
150 |
16.2 |
From APA to SCS: 150 Years of Professional Classics in North America |
1869: The Year That Changed Classical Studies in America |
Eric Adler |
150 |
16.3 |
From APA to SCS: 150 Years of Professional Classics in North America |
African American Members of the Society for Classical Studies: A Census of Affiliations (1875-1938) |
Michele Valerie Ronnick |
150 |
16.4 |
From APA to SCS: 150 Years of Professional Classics in North America |
Speaking as a Classicist: The APA/SCS and American Politics |
Lee T Pearcy |
150 |
16.5 |
From APA to SCS: 150 Years of Professional Classics in North America |
Opening the Gates: The American Philological Association/Society for Classical Studies 1970-2019 |
Ward Briggs |
150 |
17.1 |
Theorizing Africana Receptions |
The reception of St. Augustine in modern Maghrebian novels |
Anja Bettenworth |
150 |
17.2 |
Theorizing Africana Receptions |
Reader-Response to Racism: Audre Lorde and Seneca on Anger |
Ellen Cole Lee |
150 |
17.3 |
Theorizing Africana Receptions |
Bodies in Dissent |
Sarah Derbew |
150 |
18.1 |
Academic Mentoring in Classics |
School Without Walls Internship Program |
Jane Brinley |
150 |
18.2 |
Academic Mentoring in Classics |
Mentoring in Independent Schools |
Giselle Furlonge |
150 |
19.2 |
The Cosmic-Text: Metapoetics and Philosophy in Latin Literature |
Summoning Forth the Gods in Lucretius: an Idealist Interpretation of Venus and Mars |
Gordon Campbell |
150 |
19.3 |
The Cosmic-Text: Metapoetics and Philosophy in Latin Literature |
Designing Materialism: Ovid’s Armillary Sphere and the Phaedo |
Peter Kelly |
150 |
19.4 |
The Cosmic-Text: Metapoetics and Philosophy in Latin Literature |
Sailing the High(er) Seas: Manilius’s Celestial Traces in Valerius Flaccus’s Argonautica |
Darcy Krasne |
150 |
19.5 |
The Cosmic-Text: Metapoetics and Philosophy in Latin Literature |
Another Look at Proserpina's Cosmic Text in Claudian's De raptu Proserpinae |
Stephen Wheeler |
150 |
21.2 |
Re-evaluating Herakles-Hercules in the Twenty-first Century |
Herakles/Vajrapani, the companion of Buddha |
Karl Galinsky |
150 |
21.3 |
Re-evaluating Herakles-Hercules in the Twenty-first Century |
Hercules' birthday suit: performing heroic nudity between Athens and Amsterdam |
Lloyd Llewellyn-Jones |
150 |
21.4 |
Re-evaluating Herakles-Hercules in the Twenty-first Century |
“I shall sing of Herakles”: writing a Hercules oratorio for the twenty-first century |
Emma Stafford |
150 |