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Why Prose Fiction for Intermediate Greek Courses?

By Robert Groves, University of Arizona

As the list of quality options available for intermediate Greek instructors continues to expand, even beyond those highlighted by Trzaskoma (2011), this is perhaps an opportune moment for those of us who teach intermediate Greek to reconsider our options. This short paper will briefly outline some of the challenges facing the student of intermediate Classical Greek and articulate some of the ways that using prose fiction (the “Ancient Greek novels”) as the primary text(s) in those courses can address those challenges.

Looking Beyond Athens in the First-Year Greek Classroom

By Elizabeth Manwell, Kalamazoo College

Many standard textbooks focus explicitly (e.g., Athenaze) or implicitly (e.g., From Alpha to Omega, Greek: An Intensive Course) on preparing students to read Athenian authors of the 5th century BCE. Yet, even if students have a good command of grammar and vocabulary, the continuous prose selections introduced in many books remain challenging, because of their specialized content in genres largely unfamiliar to contemporary students (e.g., philosophy, rhetoric). And woe to those many whose grasp of the basics is less secure!

Who Wants to be Normal Anyway?: Biblical Greek and Interlingual Pedagogy

By Daniel Golde, The Jewish Theological Seminary

In the introduction to his commentary on 1 Maccabees, Jonathan Goldstein writes that the Greek of 1 Maccabees is an “extremely literal translates” making it anything but normal (1976:14). As the field of Classics continues to interrogate long held assumptions about cannon, Goldstein’s remark should encourage us to probe these atypical kinds of Greeks. The Greek of 1 Maccabees is anything but normal because it translates a now lost Hebrew Vorlage.

Erotic Objectification in the Epigrams of Philodemus

By Matthew Chaldekas, Eberhard Karls Universität Tübingen

Recent years have seen much new scholarship on the prose writings of Philodemus of Gadara. But before the decipherment of the Herculaneum papyri, Philodemus was primarily known for his epigrams, and he still has much to teach us about Hellenistic poetry.

Playing with Traditions: Lucilian Satire and Herodian Mime

By Marcie Persyn, University of Pittsburgh

In recent years, numerous studies have documented the indebtedness of early Roman comic genres to Greek antecedents, and more specifically connected Lucilius’ Satires to Greek comedy (see particularly Delignon 2004 and Pezzini 2018; cf. already Fiske 1920 and Fraenkel 1922).

Accents, Pronunciation, and Normativity of Oral Speech in Late Antiquity

By Yuliya Minets, University of Alabama

The present-day linguistic sensitivities render one’s native tongue, accent, or speech peculiarities as important aspects of their identity. A native language of a displaced person, an accent of an emigrant, or a special manner of speech typical of a certain local or social background are often among the most eloquent and truthful testifiers of who the person is, where they came from, and what they have been through.