Call for Papers: New Approaches to Ancient Greco-Roman Mediterranean

NEW APPROACHES TO THE ANCIENT GRECO-ROMAN MEDITERRANEAN

A GRADUATE SYMPOSIUM

September 28 – 30, 2018

The Program in Classical and Medieval Studies at Bates College invites papers on any topic related to new approaches to the cultures of the ancient Greco-Roman Mediterranean, for a day-long graduate symposium showcasing the work of emerging scholars (recent PhD or ABD) from historically underrepresented groups.

The symposium will showcase new work by individuals from underrepresented groups in the professoriate, specifically defined as including African Americans, Alaska Natives, Arab Americans, Asian Americans, Latinx, Native Americans, Native Hawaiians, and other Pacific Islanders.

We seek papers that examine how people (ancient through modern) have maintained or deployed the power and prestige of Greek and/or Roman culture through texts, objects, rituals, or other means. In the ancient world, Greeks and Romans interacted with each other, and with many other populations, and in these layered interactions they negotiated identities, cultural hierarchies, and relationships including to their own past. We will consider papers on such layered interactions as well as historical or contemporary adaptations of classicism. We are interested also in papers that expand the theoretical lens through which such cultural and linguistic interactions—ancient or modern—are studied. Fields may include literature, history, medicine, philosophy, religion, art, linguistics, or politics, among others.

Invited speakers will have their travel expenses covered and will be guests of the College from the evening of 9/28 through breakfast on 9/30, with all paper presentations to occur on 9/29. Twenty-minute papers will be grouped into thematic panels, with additional roundtable and Q&A formats running throughout the day. We aim to create an intellectually enriching experience for all interlocutors, including the selected speakers and the faculty and students of Bates College.

What to Submit:

  • A 300-word abstract describing the paper’s argument, critical context, and significance
  • A current cv
  • A brief statement confirming self-identification as a member of a historically underrepresented group

Where to Submit:

Abstract, cv, and statement should be submitted in PDF format by email to lmaurizi@bates.edu by April 1. Speakers will be notified of acceptance by the end of May.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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It has now been nearly two weeks since the SCS-AIA annual meeting in San Diego, and many have written evocative, emotional, and important pieces about the racist events that occurred there. Instead of posting each separately on our social media or blog, I have tried to compile as many as I could in this post.
 

In their own words:

Dan-el Padilla Peralta, “Some thoughts on AIA-SCS 2019,” Medium (January 7, 2019).

----- "SCS 2019: The Future of Classics: Racial Equity and the Production of Knowledge,” Future of Classics Panel (January 5, 2019).

Emma Pettit, “‘My Merit and My Blackness Are Fused to Each Other,” The Chronicle of Higher Education (January 11, 2019).

View full article. | Posted in on Fri, 01/18/2019 - 6:19am by Sarah Bond.

14th Moisa Research Seminar on Ancient Greek and Roman Music Bressanone/Brixen, 2-6 July 2019

The 14th Moisa Research Seminar will take place from July 2nd to July 6th, 2019 in Bressanone/Brixen (Italy) with the commitment of Padua University and of its Department of Cultural Heritage (https://www.brixen.org/en/bressanone/city-centre.html). 

View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 01/17/2019 - 12:29pm by Erik Shell.

Vergilian Society Seeks Directors for Oct 2020 Symposium in Italy 

(deadline Tuesday April 30, 2019)

View full article. | Posted in Calls for Papers on Wed, 01/16/2019 - 9:52am by Erik Shell.

INDA - Italy's National Institute for Ancient Drama, based in Siracusa (http://www.indafondazione.org) and the journal "Dioniso. Rivista di studi sul teatro antico" are happy to announce the programme of their yearly conference on ancient drama introducing the traditional festival, which will take place in Siracusa from May 9 to Jul. 6. 

The conference will be held from Jan. 31 to Feb. 2 in Siracusa (Salone Amorelli, Palazzo Greco, Corso Matteotti), and its title will be The representation of the divine in ancient theatre. Please find below the full programme: 

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 01/15/2019 - 2:00pm by Erik Shell.

David D. and Rosemary H. Coffin Fellowship for Travel in Classical Lands

The Fellowship is intended to recognize secondary-school teachers of Greek or Latin who are as dedicated to their students as the Coffins themselves by giving them the opportunity to enrich their teaching and their lives through direct acquaintance with the classical world.

All materials must be received no later than 5:00 p.m. (Eastern Time) on February 27, 2019.

Pedagogy Award

Open to both collegiate and pre-collegiate teachers of classics

The application deadline is March 4, 2019.

Zeph Stewart Latin Teacher Training Award

Open to those preparing for Latin teacher certification.

The application deadline is March 4, 2019.

View full article. | Posted in SCS Announcements on Tue, 01/15/2019 - 10:46am by Erik Shell.
CfP: Song, Lament, Love: Harking Back to the Sounds of Elegy 
(submission deadline: 28.02.2019)
 
University of Coimbra, June 26-29, 2019

Panel coordinators:
Eva Anagnostou-Laoutides (Macquarie University, NSW) Email: Eva.Anagnostou-Laoutides@mq.edu.au
Bill Gladhill (McGill University) Email: charles.gladhill@mcgill.ca
Micah Myers (Kenyon College) Email: myersm1@kenyon.edu

The nature of archaic Greek elegy and its performative culture, its interface with other Greek literary genres as well as its Hellenistic and Roman adaptation(s) have already commanded an impressive amount of scholarship. Despite, however, appreciating that the functions of elegy were hugely diversified early on (Nagy 2010; Barbantani 2018), despite overcoming the simplistic classification of elegies to subjective and objective (Cairns 1979; Murray 2010; Miller 2012), and even despite doubting Quintilian’s criticism of Propertius as an obscure poet (Inst.Or.10.1.93), foundational questions on the origins, nature, and meaning(s) of Elegy remain unanswered. Elegy, one of the oldest Greek poetic genres, remains the most elusive.  

View full article. | Posted in Calls for Papers on Mon, 01/14/2019 - 2:35pm by Erik Shell.

Untold and Inexpressible: Gaps and Ambiguities in the Medicine as an Epistemological Challenge

39th meeting of the Ancient Medicine Interdisciplinary Working Group

Date: 15-16 June 2019
Place: Johannes Gutenberg University Mainz, Institute for History, Theory and Ethics of Medicine of the University Medical Center Mainz, Am Pulverturm 13, basement (lecture hall U1125)
Deadline: 31 January 2019
Organisation: Norbert W. Paul, Tanja Pommerening

Medical treatments aim to improve the patient’s health. From the patient’s perspective, the elimination of the suffering and the restitution of “normal” life is a crucial part of the process. Patients express this in communication with the practitioner by describing symptoms on one side and impairments affecting their lives on the other. Much of this can hardly be described in words, especially embodied experiences which do not correlate with medical findings and thus are often not deemed relevant. In this regard, the patient faces the rigid and rational diagnostical categories of the practitioner that sometimes do not at all coincide with the patient’s own categories. However, how the gap between the concepts used by the practitioner and the patient could be bridged does rarely come up for discussion.

View full article. | Posted in Calls for Papers on Mon, 01/14/2019 - 1:33pm by Erik Shell.

(Sent via Giustina Monti)

We cordially invite you to the upcoming conference, Revisiting Authority and Tradition in Ancient Historiography: A Conference in Honour of John Marincola, organized by Giustina Monti (Oxford) and Scarlett Kingsley (Agnes Scott). The conference will take place at the Masseria Chiancone Torricella in Puglia, Italy, on April 5-6, 2019.

Speakers include:

KeynoteChris Pelling (Oxford), ‘The Authority to Be Untraditional’

Rhiannon Ash (Oxford), ‘Do or Die! Marcus Terentius’ Bold Virgilian Allusion (Tacitus Annals 6.8)’

Lucia Athanassaki (Crete), ‘Singing and dancing Pindar’s authority’

Deborah Boedeker (Brown), ‘Through Barbarian Eyes: Hellenes as ‘Others’ in Herodotus’

Ewen Bowie (Oxford), ‘Tradition and authority in Philostratus in the Lives of the Sophists

Carolyn Dewald (Bard), ‘Ambiguity and Paradox in Herodotus’ Histories

Harriet Flower (Princeton), ‘Veni, Vidi, Vici: When did Roman politicians use the first person?’

View full article. | Posted in Conferences, Lectures, and Meetings on Mon, 01/14/2019 - 10:27am by Erik Shell.
D.C.

Please see the following important information about the 2020 Annual Meeting in Washington DC.

We plan to supplement our existing harassment policies by appointing an ombuds to whom issues of bias and harassment can be reported.  As we run a joint meeting, we will be working with the AIA on this.

The program submission system will open in late February. The deadline for panel, workshop, and seminar proposals, and for reports on peer-reviewed affiliated group and organizer-refereed panels will fall in early April. The deadline for submission of individual abstracts and lightning talks will be in late April. We will publish the specific deadlines by the end of January.

There are already many calls for abstracts available from our affiliated groups and organizer-refereed panels. Many of these have submission deadlines in early February or March. In addition to calls from longstanding affiliated groups, including WCC and LCC, please see in particular the two following announcements from affiliated groups chartered in the last couple of years:

View full article. | Posted in SCS Announcements on Mon, 01/14/2019 - 9:38am by Erik Shell.

Chanel took over New York’s Metropolitan Museum of Arts on December 4 for its annual Arts et Métiers fashion show. This year’s theme? Egypt. Except that, in many ways, it was not. What, and most importantly, who was showcased, then? The answer is unsurprisingly predictable, yet for this very reason, it powerfully illuminates the current, Orientalist and colonial reception of ancient Egypt in contemporary fashion and pop culture, and the ways in which this reception hasn’t changed much (if at all) since Napoleon Bonaparte’s invasion of the country in the late 18th century.

View full article. | Posted in on Mon, 01/14/2019 - 5:40am by Katherine Blouin.

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