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Posts by Ellen Bauerle

Linking Course to Production: The Oresteia Project, by Ruth Weiner and Clara Shaw Hardy

The Oresteia demands a large canvas. Its trajectory, from the end of the Trojan War to Athena's creation of the first trial by jury, is huge. It is the story of the movement from a tribal cry for blood revenge to a system of justice designed by a god but carried out by men. It addresses the struggle between male and female, chthonic and Olympian gods, tribe and polis, law and tradition, justice and revenge. When we first contemplated the notion of staging the Oresteia at Carleton College we were of course aware of the scale of this undertaking. But even so, the full magnitude of the production that resulted, and its impact on our campus and community, ended up taking us by surprise.

The Oresteia was performed in the inaugural season of Carleton’s new theater, and was one of the largest and most ambitious productions we have ever done. For the script we commissioned a new adaptation of the trilogy by Rob Hardy (classicist and poet, as well as Clara Read more …

Flipping a Coin: Building a Numismatic Database with Undergraduate Researchers, by Julie Langford

That sinking feeling when you realize you’ve completely underestimated the scope of a project? I’m far more familiar with it than I’d like to admit.

It was what I felt when I began analyzing the data I gathered in the library and vaults of the American Numismatic Society on provincial coinage minted under the Severan dynasty. I’d received a grant from my home institution to place the images and legends on provincial coinage in conversation with that of imperial coinage. I thought by doing so, I could bring to life the negotiations of ideology between local concerns and imperial propaganda.

It was a good idea, an exciting new methodology. What I failed to realize is the quantity of data I had to consider in analyzing provincial and imperial coinage. My philologically focused graduate school training had not prepared me for this—in order to analyze the relationships in any systematic way I would need to keep an impossibly large body of data in my head.

Read more …

Vera Lachmann, the Classics, and Camp Catawba, by Charles Miller

Vera Lachmann was born in Berlin in 1904 into a family of the German-Jewish aristocracy. She attended a private school for girls, following which she studied philology at the Universities of Berlin and Basel and received her Ph.D. from the University of Berlin in 1931. Although she expected to teach at a German university, the bias against women led her to take the examinations that qualified her to teach at the Gymnasium level. In April 1933, with Hitler in power, she established a private school that was held on the grounds of relatives. The Nazis closed the school shortly after Kristallnacht. With the aid of friends in Germany and the United States she was able to leave Germany in November 1939. On arriving in the United States. she taught first at Vassar. Soon after, she taught for two years at Salem College in North Carolina, one academic year at Bryn Mawr, and two years at Yale. Her most substantial employment was at Brooklyn College, where she taught large courses in Read more …

A Virtual New Page for Amphora

The editors and editorial board of the APA’s outreach publication Amphora are very pleased to announce Amphora is making itself yet more available to its readership. In coming weeks, in addition to its annual print appearance, Amphora will also publish its articles and reviews via the APA’s blog.

Articles and reviews will each have a tag of Amphora, to help readers determine which content stream is which, as usual for the blog. Such tagged pieces will also appear in the print version of the publication, possibly with minor modification as called for by a switch from one format to another.

This improvement to the availability of Amphora means we will now be able to work with authors who might have a prospective contribution with digital elements – images, perhaps, or film or sound clips, or a desire for a discussion thread or feedback – as well as with Read more …