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Logo of the Women's Classical Caucus

Blog: An Interview with Peopling the Past, Recipient of the WCC 2020–2021 Public Scholarship Award

Caroline Cheung, Suzanne_Lye |
Banner of the Women's Classical Caucus, est. 1972

Blog: An Interview with Suzanne Lye, Recipient of the WCC 2020–2021 Leadership Award

Caroline Cheung, Suzanne_Lye |
Women's Classical Caucus logo

Blog: An interview with the AAACC, Recipient of the WCC 2020-2021 Professional Equity Award

Suzanne_Lye, Caroline Cheung |

Blog: Women in Classics: A Conversation with Judith Hallett

Claire Catenaccio |

Blog: Are We Orpheus or Eurydice? Singing Salvation in Popular Music

Eleonora Colli |

Blog: Why is Heavy Metal Music Obsessed with Ancient Sparta?

Jeremy Swist |

Blog: How to Kill a Canon: Sourcebooks that Address the Silence

Sarah Bond |

Blog: Global Feminism and the Classics at the SCS Sesquicentennial

Andrea Gatzke |

Blog: Inside the Roman Vault: An Interview with Lynne Lancaster of the American Academy in Rome

Catherine Bonesho |
Photo by Christopher Trinacty and used by permission.

Blog: Music and Mythology: A Classics Playlist for the End of Summer

Christopher Trinacty |
Roman Triumphal arch panel copy from Beth Hatefutsoth, showing spoils of Jerusalem temple. Image via Wikimedia under a CC BY-SA 3.0 License.

Blog: Roman Festivals in Rabbinic Literature and the intersection of Judaism and Rome

Catherine Bonesho |

Blog: Sites of Memory and Memories of Conflict: Imperial Rome, Jerusalem, and Nero

Catherine Bonesho |
Trajan’s Column: detail of frieze reliefs (image via Flickr by MCAD under a CC BY 2.0)

Blog: Roma, Amor: Inside the Column of Trajan and Under the Pantheon Oculus

Catherine Bonesho |
Close-up of the statue base of “Silent Sam” on campus at UNC-Chapel Hill with ink and blood running down (Image by permission of the Workers Union at UNC-CH).

Blog: Removing "Silent Sam": Confederate Statues and the Misuse of Classics at UNC-Chapel Hill

Kelly McArdle |
Dancers and musicians, tomb of the leopards, Monterozzi necropolis, Tarquinia, Italy. UNESCO World Heritage Site. Fresco a secco. Height (of the wall): 1.70 m. 475 BCE. from Le Musée absolu, Phaidon, 10-2012, photographer Yann Forget. CC By 1.0.

Blog: Finding and Teaching Latin Later in Life: A Memoir

Ann Patty |
John Ochsendorf via MacArthur Foundation. Provided to Bonesho by John Ochsendorf.

Blog: An Interview with John Ochsendorf, New Director of the American Academy in Rome

Catherine Bonesho |

Blog: Addressing Harassment in Academia at the SCS in Boston

Rebecca Kennedy |
Detail of bust in the Centrale Monemartini Museum

Amphora: The Metal Age—The Use of Classics in Heavy Metal Music

Kristopher Fletcher |

From Euterpe to YouTube: Popular music and the classics

T. H. M. Gellar-Goad |