2018 Outreach Prize Citations

Introduction

This year the SCS Is proud to announce two winners of our annual Outreach Prize.

Please join us in congratulating the University of Cincinnati and Dr. Sarah Bond for their unparalleled efforts.

Winners

The Classics Outreach Program of the University of Cincinnati

The Outreach Prize Committee is very happy to award the 2018 SCS Outreach Prize to the University of Cincinnati’s Classics Outreach Program.

For a decade now, the Classics Outreach Program has been taking the “Classics for All” mission to heart. In close consultation with faculty members who serve as mentors, Cincinnati Classics graduate students have been meeting with a wide variety of local audiences and sharing with them the wonders of ancient Greece, Rome, and the Ancient Mediterranean more broadly.

Driven by their love of teaching and passion for the material, the members of the Outreach Program have devoted their time and energy to bringing the classical world in all its complexity to many who would not otherwise have such a chance to explore them: students in elementary, middle, and high schools (private and public; suburban and inner-city); community and youth centers; and the elderly in retirement communities and nursing homes. UC’s Outreach Program has thus helped cultivate interest in classical culture amongst a broad range of constituents.

A typical year in the program involves upward of 75 presentations to an average of 2,000 members of the community on topics ranging from gladiators, Pompeii, the Roman army, pot sherds, women in the Odyssey, to the classical roots of the city of Cincinnati. Topics are chosen in close consultation with requesters from the community to make sure that particular desiderata are met.

We are deeply impressed by UC Classics’ Outreach Program and their continued dedication, not just to sharing their passion for the classical world, but to using it as a vehicle for developing relationships with audiences outside of the Ivory Tower. The sheer diversity of those audiences commends the program to us especially, as do its reach, the effort and time involved in maintaining the program, and the continued fostering of an ethos of service in the profession. Its community-mindedness and warm engagement with non-elite and non-traditional audiences offers a noteworthy model for academe’s interaction with the public.

The Cincinnati Program adopts an energetic and personalized approach to creating dialogue with the local community at large. Highlighting the intrinsic value of studying antiquity is fundamental in their initiatives. Of equal importance are the exchanges and connections that the program makes possible. They take care to make every interaction dialogic, thereby recognizing that this is a two-way exchange, and enriching for all involved.

For these reasons and more we are, once again, very pleased to award the 2018 SCS Outreach Prize to the University of Cincinnati’s Classics Outreach Program.

Daniel Harris-McCoy, Chair

Emily Allen-Hornblower

Elizabeth Manwell

Sarah Bond

The individual we are honoring here is without question one of the most prolific, interesting, engaged, and courageous public voices in the field of classical studies today. She has found ways of making our discipline come alive to non-specialists and routinely addresses some of our most challenging social and moral issues. For these reasons, we are thrilled to award the 2018 SCS Outreach Prize to Prof. Sarah Bond.

Prof. Bond’s public scholarship can be found in a remarkable range of venues, through which she has been able to communicate her ideas with a large and diverse audience. Here is a small sampling: she published an op-ed piece on damnatio memoriae and the 2011 Egyptian revolution in the New York Times and another on ancient boxing in connection with the film Creed in Sports Illustrated for Kids. She also wrote a regular column for Forbes Magazine, through which she has provided a classicist’s insights into topics as wide-ranging as ancient music and modern listeners; pagan and Christian competition over New Year’s festivities; and Michael Wolff’s Fire and Fury: Inside the Trump White House. Prof. After leaving Forbes in 2018 to run the SCS Blog, she now regularly contributes to Hyperallergic and blogs occasionally for Eidolon and other online publications. Bond also maintains an active presence on Twitter, where she has more than 25,000 followers, and is a prolific blogger on her personal website, History From Below.

Prof. Bond writes on an impressive array of subjects with the varied goals of inspiring curiosity and self-reflection; offering helpful advice; and sometimes stirring the pot. In each case, the work Prof. Bond does is highly intelligent—true public scholarship—and a tribute to our discipline.

We particularly admire Prof. Bond’s ability to relate classical culture to pressing contemporary issues. For example, as her nominator points out, “Dr. Bond regularly uses her platform at Forbes to tackle ethical issues, particularly with the misuse of history” and mentions her article “A Short History of Regulating Female Dress”, in which burkini bans in the French Riviera serve as an entrée into a longer history the subject that runs from Athens through Rome, the Codex Justinianus, and the Middle Ages. Along the same lines, we could cite Prof. Bond’s articles on “What [Iowa Representative] Steve King Gets Wrong About the Dark Ages—And Western Civilization”; “Redrawing the Margins: Debating the Legalization of Prostitution”; and “Yes, Ancient Athletes Had Sponsorship Deals, Too”, among many others. We should also mention Prof. Bond’s well-known piece in Hyperallergic, “Why We Need to Start Seeing the Classical World in Color”, which became a target of white supremist attacks and a flashpoint in the current culture wars.

Prof. Bond has made several public calls for greater justice and equity in academe; for example, in her Forbes article, “Dear Scholars, Delete Your Account at Academia.edu”, which has received 350,000+ views. Prof. Bond also created the website Women of Ancient History (WOAH), a crowd-sourced digital map and catalog of women who specialize in classical and biblical history. The website serves both as a public testament to the presence of women in this field and as a corrective to a tendency to overlook women when filling academic panels and selecting keynote speakers.

In gratitude for her enormous efforts to bring classical culture to the general public in lively, engaging, and relevant ways, and for her powerful moral compass and strong sense of social justice, we are, again, delighted to award the 2018 SCS Outreach Prize to Prof. Sarah Bond.

Daniel Harris-McCoy, Chair

Emily Allen-Hornblower

Elizabeth Manwell

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(Photo: "library" by Viva Vivanista, licensed under CC BY 2.0)

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The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from after-school enrichment programs to collaborations with artists in theater and dance. In this post, we focus on four projects that engaged new audiences by allowing them to explore what it was like to do and think as the Greeks and Romans did.

View full article. | Posted in on Thu, 08/22/2019 - 10:54pm by Mallory Monaco Caterine.
NEH Logo

August, 2019

Below is a list of the most recent NEH grantees and their Classically-themed projects. The NEH helps fund a number of SCS initiatives, and their support affects the field of Classics at a national and local level.

Grantees

  • Gregory Crane (Tufts College) - "Beyond Translation: New Possibilities for Reading in a Digital Age"
  • Matthew Panciera (Gustavus Adolphus College) - "Roman Daily Life in Petronius and Pompeii"
  • Sturt Manning (Cornell University) - "Medieval Monuments and Wooden Cultural Heritage on Cyprus: Building History with Tree-Rings"
  • Elise Friedland (George Washington University) - "Classical Washington: Greece and Rome in the Art and Architecture of D.C."
  • David Konstan (New York University) - "The Legends of Barbara and Katherine in the Greek Tradition (4th - 10th Centuries)"
  • Elizabeth Samet (United States Military Academy) - "The Nine Lives of Alexander the Great"
  • Jose Bermudez (Texas A&M University, College Station) - "Reconsidering the Sources of the Self in the Ancient, Medieval, and Early Modern Periods"

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View full article. | Posted in Awards and Fellowships on Thu, 08/22/2019 - 1:15pm by Erik Shell.

Many thanks to Bill Beck for his SCS blog post on funding opportunities for undergraduates, graduate students, teachers and aspiring teachers. In September, look out for more resources on funding, specifically on funding offered by North American institutions to students enrolled in their MA / PhD programs and terminal MA / MAT programs. This forthcoming resource has been a summer project of the SCS office and our summer interns.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Mon, 08/19/2019 - 10:20am by Helen Cullyer.

Below is an annotated list of funding opportunities for undergraduate students, graduate students, and current and aspiring teachers of classical philology, ancient history, and classical archaeology. This post is divided into three parts, corresponding to the different target populations, originally discussed separately here, here, and here. The first part is relevant to undergraduate students; the second part concerns funding opportunities for graduate students; the final section is of interest to current and aspiring teachers of classics.

I. Funding Opportunities for Undergraduates

Funding opportunities for undergraduates are organized into two categories: (1) funding for undergraduate study and (2) funding for current undergraduate students who intend to pursue graduate study.

Funding for Undergraduate Study

View full article. | Posted in on Mon, 08/19/2019 - 6:01am by Bill Beck.

I bought an old book the other day. 

Used to be, that wouldn’t have been the lede for any writing designed to grab your attention, but as pastimes go, it’s getting a bit less common, so maybe it will do. 

It’s not just that old books have been crowded into a corner of the market for attention by media unimagined only yesterday, but that there are natural cycles that have also been disrupted.  When I was young, we haunted second-hand bookshops and the like because we needed books––good books––ones that had been printed before we were born and long since gone out of print.  Now we’re rich:  everything seems to stay in print forever.  I used to snap up $2 hardcover copies of Henry James novels on the assumption that someday I’d read them.  Now I wonder what I would do with a tired old hardcover when I can count on crisp new paperbacks being deliverable to my door by Amazon in 24 hours any time I want one or e-versions to my iPad in seconds.  In the 1980s, when I wanted a decent copy of Boswell’s The Life of Samuel Johnson of my own to reread, I spent a month searching for one I could purchase––in Philadelphia no less.  My Henry James anxiety only dissipated during the glory years of bookstore superstores. 

View full article. | Posted in on Thu, 08/15/2019 - 8:56pm by James J. O'Donnell.

Williams Sanders Scarborough, an 1875 graduate of Oberlin College, was a pioneering African American scholar who wrote a university-level Greek textbook. Kirk Ormand, who now teaches at Oberlin, interviewed Prof. Michele Ronnick, who has recently published a facsimile edition of Scarborough’s Greek textbook, First Lessons in Greek (1881), with Bolchazy-Carducci press. Prof. Ronnick is the world’s leading expert on Scarborough. She found, edited, and published Scarborough’s autobiography in 2005, and has researched Scarborough’s time at Oberlin and as President of Wilberforce University.[1]  

Kirk Ormand: You are publishing a facsimile edition of William Sanders Scarborough’s First Lessons in Greek.Tell us a bit about why Scarborough’s book is important to the history of the profession.

View full article. | Posted in on Thu, 08/08/2019 - 9:01pm by Michele Valerie Ronnick.

Generic Interplay in and after Vergil

Symposium Cumanum 2020

Villa Vergiliana, Cuma

June 24–26, 2020

Co-directors: Brittney Szempruch (United States Air Force Academy) and John F. Miller (University of Virginia)

Although Vergil famously opens the Aeneid with a definitive statement of poetic intent—arma virumque cano—scholarship has long highlighted the poet’s propensity for the complication of firm generic boundaries. Amid a range of theoretical responses that have shaped the past nearly one hundred years (Kroll 1924; Cairns 1972; Fowler 1982; Conte 1986; Harrison 2007), the Vergilian corpus has emerged as some of the most productive ground for the in-depth study of generic flexibility (e.g. Nelis 2004; Seider 2016).

View full article. | Posted in Calls for Papers on Wed, 08/07/2019 - 10:12am by Erik Shell.

The Fragment (Research Institute)

The 2020/2021 academic year at the Getty Research Institute will be devoted to the fragment. Issues regarding the fragment have been present since the beginning of art history and archaeology. Many objects of study survive in physically fragmented forms, and any object, artwork, or structure may be conceived of as a fragment of a broader cultural context. As such, fragments catalyze the investigative process of scholarship and the fundamental acts of the historian: conservation, reconstruction, and interpretation. The evolution of an object—its material and semiotic changes across time, space, and cultures—can offer insights into the ethics and technologies of restoration, tastes for incompleteness or completeness, politics of collection and display, and production of art historical knowledge.

While the fragment has been described as the central metaphor of modernity and the paradigmatic sign of a contemporary worldview, its history as a trope runs much deeper. Cultures of the fragment have flourished throughout history under such guises as the reuse of architectural parts and the cult of relics, the physical and conceptual image-breakings of iconoclasm, and the aesthetics of repair. Fragmentation can occur through artistic processes, acts of destruction, or forces of nature. It can be willful, accidental, or inevitable, but it is necessarily transformative.

View full article. | Posted in Awards and Fellowships on Wed, 08/07/2019 - 9:55am by Erik Shell.

The SCS Committee on the Awards for Excellence in the Teaching of Classics at the College Level has revised the guidelines for award nomination. One to three awards for excellence in the teaching of Classics will be given to college and university teachers from the United States and Canada. Thanks to a very generous gift to the Society’s Gatekeeper to Gateway Campaign for the Future of Classics from Daniel and Joanna Rose each winner will receive a certificate of award and a cash prize of $500. In addition, each winner’s institution will receive $200 to purchase educational resources selected by the winner. The awards will be presented at the Plenary Session of the Annual Meeting in Washington, D.C., in January 2020.

New nomination process for 2019: In order to simplify the nomination process, increase the number of nominations, and encourage the submission of comparable information for each candidate, a new nomination process is being piloted for 2019 (see below). Feedback on changes is welcome and may be sent to the Executive Director.

For more information about the award, you can visit the page here: https://classicalstudies.org/awards-and-fellowships/awards-excellence-teaching-classics-college-level-0

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View full article. | Posted in SCS Announcements on Fri, 08/02/2019 - 1:02pm by Erik Shell.
Header Image: Late antique mosaic likely depicting Theseus sailing away from the Labyrinth (Utica, Tunisia, 3rd C CE, now at the University of Pennsylvania Museum of Archaeology and Anthropology. Image by Sarah E. Bond).

'Addressing the Divide' is a new series of columns that looks at the ways in which the modern field of Classics was constructed and then explores ways to identify, modify, or simply abolish the lines between fields in order to embrace broader ideas of what Classics was, is, and could be. This month, Kathryn Topper addresses the divisions between Art History and Classics.

For specialists in Greek and Roman art, professional life is an endless navigation of disciplinary divides. Often it seems like we belong to a disciplinary no man’s land – too archaeological for other art historians, too art historical for field archaeologists, and too visual for text-oriented Classicists whose training has predisposed them to doubt the intellectual seriousness of scholars who study something as seemingly straightforward as pictures.

The uneasy position of ancient art historians relative to the allied disciplines arises from historical factors, but it’s also a consequence of the nature of our material. When you work in a field in which reconstruction and interpretation almost invariably go hand in hand, you tend to need all the tools in your own toolbox, and in the neighbors’ toolboxes, too. As a result, historians of ancient art spend a lot of time working in disciplines dominated by colleagues whose priorities and training are very different from our own.

View full article. | Posted in on Thu, 08/01/2019 - 9:09pm by Kathryn Topper.

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