2020-21 Pre- and Postdoctoral Fellowships and the GRI-NEH Postdoctoral Fellowship

The Fragment (Research Institute)

The 2020/2021 academic year at the Getty Research Institute will be devoted to the fragment. Issues regarding the fragment have been present since the beginning of art history and archaeology. Many objects of study survive in physically fragmented forms, and any object, artwork, or structure may be conceived of as a fragment of a broader cultural context. As such, fragments catalyze the investigative process of scholarship and the fundamental acts of the historian: conservation, reconstruction, and interpretation. The evolution of an object—its material and semiotic changes across time, space, and cultures—can offer insights into the ethics and technologies of restoration, tastes for incompleteness or completeness, politics of collection and display, and production of art historical knowledge.

While the fragment has been described as the central metaphor of modernity and the paradigmatic sign of a contemporary worldview, its history as a trope runs much deeper. Cultures of the fragment have flourished throughout history under such guises as the reuse of architectural parts and the cult of relics, the physical and conceptual image-breakings of iconoclasm, and the aesthetics of repair. Fragmentation can occur through artistic processes, acts of destruction, or forces of nature. It can be willful, accidental, or inevitable, but it is necessarily transformative.

Applicants are invited to address both the creation and reception of fragments, their mutability and mobility, and their valuation and consequence throughout history.

Phoenicians, Philistines, and Canaanites: The Levant and the Classical World (Villa)

The Getty Scholars Program at the Villa for the 2020/2021 term will focus on the ancient cultures of the Levant and their relations with the classical world. Lying on the eastern seaboard of the Mediterranean, the Levant was a crucial crossroads between the classical world of Greece and Rome and the kingdoms of the Near East. Home to the ancient peoples of Phoenicia, Ugarit, Canaan, Philistia, Jordan, Israel, and Judah, this region participated in a vibrant Bronze-Age network of trade that flourished for many centuries until a combination of warfare, migration and famine around 1200 BCE destroyed these palace societies.

In the first millennium BCE, a Greek-Phoenician rivalry for control of colonies and seaborne trade routes as far west as Spain caused considerable conflict but also bore fruit in the diffusion of alphabetic scripts and cross-influences in literature, mythology, and the arts. The conquest of the Levant by Alexander the Great in 331 BCE and its absorption into Rome in the first century BCE resulted in Greco-Roman style becoming the public face of institutional culture and Greek vying with Aramaic as the vernacular language. Rome, too, was transformed by the encounter, especially through its conflicts with Judaism and the early followers of Christ, which had tumultuous consequences for the Holy Land and the Western world.

To read more about the themes, please see our website:

http://www.getty.edu/research/scholars/years/future.html

For further information on eligibility and instructions on How To Apply, please click the following link:

https://www.getty.edu/foundation/initiatives/residential/getty_pre_postdoctoral_fellowships.html

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(Photo: "library" by Viva Vivanista, licensed under CC BY 2.0)

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The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from children’s programs to teaching Latin in a prison. In this post we focus on four programs that use the performing arts for the exploration and appreciation of Greek and Latin literature.

Observing artists who work imaginatively and freely with the ancient material encourages students to think and act in non-linear ways. Cultivating one’s imagination is particularly important for Classicists, who are constantly seeking for new interpretations and new approaches to the ancient past. The projects below funded by the SCS’ Classics Everywhere Initiative invite their audiences to examine Greek and Roman literature through dance, theater, and staged readings; to explore known stories through different lenses; to stimulate their imagination; and to satisfy the human desire for creativity, entertainment, and learning.

View full article. | Posted in on Fri, 09/27/2019 - 6:12am by Nina Papathanasopoulou.

The Ancient Mediterranean for Modern Audiences: Reception, Pedagogy, Entertainment

March 6-7, 2020
Ohio Union, Columbus, Ohio

The aim of the OSU Classics Graduate Student Colloquium is to explore various directions in which the Ancient Mediterranean has been adapted and utilized by different cultures in Modern world from the Renaissance to the present day. In recent years, the online journal “Eidolon” and other public scholarship media have already successfully demonstrated how the cultures of the Ancient Mediterranean can be accessed, interpreted, and applied through various experiences by scholars, students, writers, and by the wider communities. We believe that the reception of Ancient Mediterranean cultures has become an important element of Classical scholarship and pedagogy. It is a critical point of contact between the academic community and the general audience.

The OSU Classics Graduate Student Colloquium invites papers on a range of topics that discuss and analyze the reception of the Ancient Mediterranean from a point of view of philology, linguistics, theater and performance studies, history, pedagogy, archaeology, art history, philosophy, anthropology, political studies, media studies, and/or gender studies. Possible topics include, but are not limited to:

View full article. | Posted in Calls for Papers on Thu, 09/26/2019 - 12:34pm by Erik Shell.

Conference: Cathartic History

University of West Georgia, Carrollton, GA
February 25-27, 2021

The aim of this conference and the edited collection that will result is to propose Aristotelian catharsis as a new lens for historical inquiry. The project aims to do so, specifically, through the study of cathartic history as a phenomenon in the Greco-Roman Mediterranean and in the field of Classical history today. In the process, the project will serve as an example of the productive application of catharsis to the study of the past, and thus a model for other fields of historical research.

View full article. | Posted in Calls for Papers on Thu, 09/26/2019 - 10:22am by Erik Shell.

SCS member and Classical Studies professor at the University of Pennsylvania Emily Wilson has won a 2019 MacArthur Fellowship by the John D. and Catherine T. MacArthur Foundation.

You can read the full announcement on the UPenn page here.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Thu, 09/26/2019 - 9:55am by Erik Shell.

International Association for Presocratic Studies

Seventh Biennial Conference: 15-19 July 2020
Belo Horizonte, Brazil: Universidade Federal de Minas Gerais

Chair of Organizing Committee: Miriam Peixoto

The International Association for Presocratic Studies announces its Seventh Biennial Conference. The meeting will take place at the Universidade Federal de Minas Gerais, Belo Horizonte, Brazil 15-19 June 2020 (http://www.ufmg.br). 

View full article. | Posted in Calls for Papers on Wed, 09/25/2019 - 11:37am by Erik Shell.

Poetry, Philosophy, and Mathematics: Performance, Text, and External Representations in Ancient Greek Cultural Practices

View full article. | Posted in Calls for Papers on Wed, 09/25/2019 - 11:02am by Erik Shell.

The SCS board of directors has endorsed a statement on the use of student evaluations of teaching developed by the American Sociological Association.

The board has also reaffirmed its own statement of November 28, 2016 that condemns “the use of the texts, ideals, and images of the Greek and Roman world to promote racism or a view of the Classical world as the unique inheritance of a falsely-imagined and narrowly-conceived western civilization.” In accordance with that statement, the board has also endorsed the American Historical Association’s statement on Domestic Terrorism, Bigotry, and History and would like to draw attention to its condemnation of the “recent deployment of histories invented in the interest of bigotry, violence, and division.”

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View full article. | Posted in SCS Announcements on Wed, 09/25/2019 - 10:22am by Erik Shell.

Registration is now live for the Spatial Turn in Roman Studies Auckland conference, to be held January 22-24, 2020. For information about the conference, please see https://www.dur.ac.uk/classics/spatialturn/auckland/

If you plan to attend the Auckland conference, please fill out this registration form, including reading the event code of conduct linked to in the form.  

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 09/25/2019 - 9:09am by Erik Shell.

Here are a few important deadlines coming up at the end of this month:

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View full article. | Posted in SCS Announcements on Fri, 09/20/2019 - 8:32am by Erik Shell.

Of the slew of Disney’s new live-action remakes, perhaps the most anticipated release was this summer’s The Lion King, directed by Jon Favreau. After all, the original 1994 version was arguably the crown jewel of the ‘Disney Renaissance’, enjoying massive commercial and critical success (followed by a highly successful Broadway production). More importantly - at least for those like me who grew up in the 90’s - it was a cultural touchstone, a perennial source of references, parodies, and praise.

View full article. | Posted in on Thu, 09/19/2019 - 10:00pm by Colin MacCormack.

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