Call for Chapters: Pseudo-Oppian's Cynegetica

CALL FOR CHAPTERS

Pseudo-Oppian’s Cynegetica ­­– On the Hunt for Ethics and Poetics

Since the beginning of the 20th century, the Cynegetica of Pseudo-Oppian has received limited scholarly attention. However, philological efforts such as Otto Rebmann’s book Sprachliche Neuerungen (1918), Wolfgang Schmitt’s commentary on book 1 (1969) and especially Manolis Papathomopoulos’ Teubneriana (2003) have all laid a solid foundation for further hermeneutical study. These works were explored in some detail by Adam Nicholas Bartley (2003) and Giuseppe Agosta (2009) in their respective monographs and are accompanied by a selection of journal articles on diverse topics such as textual criticism, meter and the question of authorship.

This volume aims to collect and develop scholarly approaches to the Cynegetica by focusing on unexplored areas of this fascinating example of Greek Imperial poetry. More precisely, this collection aims to concentrate on at least four strands of literary functionality:

    • First, how do we examine the referential function of the poem? Much of the Cynegetica relates to a reality beyond the text. One finds descriptions of animals, geographical areas, peoples and hunting methods that the author claims to know about or has possibly even seen with his own eyes. How do these observations inform us about the reality of hunting in antiquity? How do we explore the interactions between reality and fictionality within the text?

    • Second, the Cynegetica is replete with ethical comments on the vices, virtues and behaviours of animals and humans alike. At the same time, it is dedicated to both emperor and goddess. The question is this: How do we evaluate the appellative function of the text? What do we make of these moral-philosophical statements? And how do we locate them within the political framework of the Severan dynasty? What are the theological and religious implications of the text? Is there an animal ethics in the Cynegetica?

    • Third, there is still ample room for exploration with regard to the poem’s aesthetic function. What are the hermeneutical consequences of its linguistic innovations? How do the intertextual relations to older didactic poetry (esp. the Halieutica) and other hunting manuals (e.g. Grattius, Nemesianus, Xenophon, etc.) manifest themselves? Is there a way to navigate between the observed mosaic character of the piece and a more coherent overarching structure?

    • Fourth, and finally, the project invites contributions on the creative and scholarly reception of the Cynegetica as well as the cultural and intellectual environment and implications of the poem’s reception history. Why was the text so popular in the 16th century? How do we judge its value as a philosophical argument within the contemporary Cartesian view of animals? What led to its neglect throughout the following centuries? How do we read the poem in light of the modern animal-rights debate?

In sum, the goal of this volume is to function as a prism by bringing together scholars from various academic levels, backgrounds, and study directions in order to develop a diverse portfolio of ideas, approaches and perspectives to this challenging yet understudied text.

If you would like to contribute a chapter to this volume, I would kindly ask you to submit your title, an English-language abstract (no longer than 500 words), and a short biographical note, preferably by

1 December 2020. Please send this to stephan.renker@gmail.com.

The deadline for the final chapters (6,000–9,000 words) will be 1 March 2021.

Konstanz/Shanghai, 28 September 2020 Stephan Renker (SISU, Shanghai)

Categories

Follow SCS News for information about the SCS and all things classical.

Use this field to search SCS News
Select a category from this list to limit the content on this page.
A white circle on a black background with green leaves and white flowers. Around the circle is a yellow vine border, and in the middle there is a palm tree. On the left side of the tree, an abstract figure in drapery stands, and on the right side, a simil

As I strolled one day in the old center of Tel Aviv, I entered the house of Haim Nachman Bialik, the Hebrew national poet. An imposing building, it constitutes a manifesto of Jewish art in the early 20th century: the architectural style reprises oriental shapes, alternating arches and square forms; the decoration aims to express a quintessentially Jewish art. As I daydreamed about the poet holding private meetings and public receptions with the foremost representatives of culture and politics of his day, my eye was caught by two decorative tiles. These tiles, located at opposite ends of an arch that leads into the salon, represent two opposite moments of Jewish history: on one hand, a tile reproduces the Judaea capta coin minted by Vespasian after the First Jewish War; on the other, another tile mirrors Vespasian’s coin, proclaiming, in Hebrew letters, “Judaea liberated.”

View full article. | Posted in on Fri, 10/22/2021 - 12:13pm by .

Dear members,

We have a number of deadlines that fall prior to mid-November. Please see the following:

October 31: Nominations for the Forum Prize

November 1: Applications for annual meeting participation stipends and childcare / dependent care funding

November 1: Nominations and applications for the K-12 Teaching Excellence Award

View full article. | Posted in SCS Announcements on Thu, 10/21/2021 - 11:40am by Erik Shell.
A bronze bust of a man with short, wavy hair and a slightly pained expression on his face.

The Seleucid empire has long stood on the fringes of Classical scholarship. Following the conquest of the east by Alexander, the vast, multicultural construction lasted from 312–64 BCE, stretching from modern Turkey south to the Levantine coast and east into Afghanistan. Interdisciplinary by its very nature, Seleucid history straddles the boundaries of academic disciplines, languages, and methodologies, further fragmenting the study of an already fractured power. Recent holistic studies are rare, making the 2014 publication of Paul Kosmin’s comprehensive The Land of the Elephant Kings something of a groundbreaking study. The examination of what Kosmin calls the “territorialization” of the empire—the ideological constructions and experiences that bounded, ordered, and defined the imperial realms—changed the nature of Seleucid studies by intensifying the focus of the recent “spatial turn” in the humanities.

View full article. | Posted in on Mon, 10/18/2021 - 9:53am by .

(From the Classics Department at Princeton)

View full article. | Posted in In Memoriam on Fri, 10/15/2021 - 9:14am by Erik Shell.
Poster for the play, Plautus's Casina. A minimalist digital design with a blue background; mountain shapes in pink, yellow, and orange; walls with windows in the same colors; and an ancient statue of a woman.

In the Spring of 2021, as her undergraduate UIC Honors College Capstone project, my student Luana Davila adapted and produced a version of Plautus’ Casina in the style of a telenovela. Due to COVID, she was not able to stage the play, but she produced a filmed version in collaboration with theater students at Columbia College in Chicago. For safety reasons, each actor’s scenes were filmed separately, then edited together. Below is an interview with Luana and the play’s director, Amy Gerwert Valdez, a Theater Directing major at Columbia.  [Editor’s note: the transcript has been lightly edited for clarity.]

Krishni Burns: Can we start with a description of your project?

Luana Davila: The project aimed to tie together patriarchal society in ancient Rome and in Latinx cultures (or in the case of this production, Mexico). My play was adapted in such a way that the original storyline was changed as little as possible, proving that its seemingly ridiculous events made for a believable tale in modern Mexico. This was done to show how interconnected the two cultures are, even though they existed thousands of years apart.

View full article. | Posted in on Mon, 10/11/2021 - 10:33am by Krishni Burns.

The members of the Committee on the C. J. Goodwin Award of Merit are delighted to announce that the 2021 winners of the Goodwin Awards are Aileen R. Das (University of Michigan), Ellen Oliensis (University of California Berkeley), and Andreas Willi (University of Oxford).

Please click on the names below to read the full award citations written by committee members David Konstan and James I. Porter (co-chairs), Harriet Flower, Richard Hunter, and Amy Richlin.

Aileen R. Das

Ellen Oliensis

Andreas Willi

Citation for Aileen R. Das, Galen and the Arabic Reception of Plato’s Timaeus, Cambridge University Press, 2020

View full article. | Posted in Awards and Fellowships on Sun, 10/10/2021 - 6:52pm by Helen Cullyer.
A Greek red-figure cup depicting the disembodied torso of a man, arms outstretched, and women on either side holding the torso

The Ancient Worlds, Modern Communities initiative (AnWoMoCo), launched by the SCS in 2019 as the Classics Everywhere initiative, supports projects that seek to engage broader publics — individuals, groups, and communities — in critical discussion of and creative expression related to the ancient Mediterranean, the global reception of Greek and Roman culture, and the history of teaching and scholarship in the field of classical studies. As part of this initiative, the SCS has funded 111 projects, ranging from school programming to reading groups, prison programs, public talks and conferences, digital projects, and collaborations with artists in theater, opera, music, dance, and the visual arts. The initiative welcomes applications from all over the world. To date, it has funded projects in 25 states and 11 countries, including Canada, U.K., Italy, Greece, Spain, Belgium, Ghana, Puerto Rico, Argentina, and India.

View full article. | Posted in on Fri, 10/08/2021 - 1:50pm by .
San Francisco

Hotel reservations are now open! 

The Hilton San Francisco Union Square is the official hotel for the 2022 Annual Meeting and will host the exhibit hall, all academic sessions, the opening night reception, and most related events.  The discounted group rate is $169 per night (plus applicable taxes). Additional rooms are available at the Hilton Parc 55 across the street.  A limited number are available for $159 per night (plus applicable taxes) for reservations made by October 31st.  Click on the links below to make your reservations. You can also make a reservation by calling 1-800-HILTONS and using code AIA or SCS to make your reservation. 

View full article. | Posted in SCS Announcements on Thu, 10/07/2021 - 3:26pm by Erik Shell.

Online Conference: “The Genre of Hymn in Antiquity”

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 10/06/2021 - 10:00am by Erik Shell.

The New England Classical Journal (NECJ) invites applications for the position of Book Review Editor, with the appointment to begin in December 2021.

The deadline for applications is 11:59 pm Eastern Time on Oct. 22, 2021. 

A publication of the Classical Association of New England (CANE), NECJ is a biannual, peer-reviewed journal that publishes articles, notes, and reviews on all aspects of classical antiquity. The journal is an Open Access Publication and is available at https://crossworks.holycross.edu/necj/ 

NECJ aims to publish reviews of books on a wide range of topics related to classical antiquity. Each issue of NECJ contains 4-6 book reviews of 1,200-1,500 words each, and the Book Review Editor is responsible for selecting books for review; finding reviewers; and working with reviewers to help them submit their completed reviews by the deadline. In this position the successful candidate will work with the journal’s Editor, Aaron Seider, and Managing Editor, Ruth Breindel, and will receive an honorarium of $1,000/per year for their work on the journal.

View full article. | Posted in Organizations on Wed, 10/06/2021 - 9:51am by Erik Shell.

Pages

Latest Stories

SCS Announcements
In Memoriam
Awards and Fellowships
The members of the Committee on the C. J.
SCS Announcements
Hotel reservations are now open! 

© 2020, Society for Classical Studies Privacy Policy