Call for Student Nominations: Emory Summer Seminar in Material Culture

The Use of Art and Material Culture in Scholarship and Teaching:
Greek and Roman Art: an Introduction
A Seminar in Material Culture for Graduate Students in Classics and Ancient History
Directed by Dr Jasper Gaunt, Curator of Greek and Roman Art, Michael C. Carlos Museum,
Emory University
22 May – 30 June 2017
Emory University, Atlanta GA
Supported by generous grants from the Samuel H. Kress and Henry Luce Foundations, and Emory University
 
The Society for Classical Studies (SCS) invites doctoral programs in Classics or Ancient History to nominate a student to participate in a 6-week seminar that will introduce ten graduate students to the use of material culture in their scholarship and teaching. The aim of this seminar is to familiarize students with archaeological material that goes hand in hand with the historical and literary records, and how to incorporate such evidence into historical or philological research. This seminar will be the second of three with the same purpose but with different foci and at different institutions. The first took place at the J. Paul Getty Museum in 2016; the third will be held in 2018. Background. Despite new awareness of the scope of material evidence, and the ready availability of excellent images, all too often literary scholars treat images as decoration or illustration, while historians exploit the material record only gingerly. Probably more important than “literature” was the oral tradition, and the essential web of images that arose from it. Conversely, it has been wisely said of archaeology that it is a branch of ancient history.
 
This seminar offers students an opportunity to engage with the material record on a daily basis. Over the six weeks, every effort will be made to introduce the widest range of possibilities encountered in the archaeological record. Not only pottery and sculpture in bronze and marble will be considered, but also works in precious or exotic materials like ivory, gold, silver, amber, gems, glass, faience, and colored stones. Questions of facture and circulation will predominate: how these objects were made, by whom, for whom, why, and how to recognize them in the literary, historical and epigraphic record.
 
Resources and Faculty.
Participants will have access to the Museum’s collections of Egyptian, Nubian, Near Eastern, Greek, Etruscan and Roman antiquities, both those on view in the galleries and those in storage. The latter, which will be used daily for teaching, include notably rich holdings of fine pottery and gems. The Karen Mariea Madsen Parsons Conservation Laboratory, the Thalia N. Carlos Education Center and its staff are also participants, as are Emory faculty members. An extensive collection of plaster casts of ancient sculpture, and models of the sanctuaries at Delphi, Olympia and the Athenian Acropolis on long-term loan from the Metropolitan Museum of Art are sprinkled among several buildings on campus. Further resources include the two principal campus libraries, the Robert W. Woodruff together with the Stuart A. Rose Manuscripts and Rare Books Library; and The Pitts Theology Library. Besides resources at Emory, the course will include the participation of Prof. Patricia Butz, Savannah College of Art and Design, on treasuries and their inscriptions; Prof. Mark Abbe, University of Georgia at Athens, on polychromy and color on ancient sculpture; and Prof. Peter Bing, University of Toronto, on the new Posidippos papyrus and hellenistic gems.
 
The course is co-ordinated by Jasper Gaunt, Curator of Greek and Roman Art at the Michael C. Carlos Museum. He is the joint editor with A.J. Clark of Essays in Honor of Dietrich von Bothmer (Amsterdam 2002), and has published widely on Greek vase-painting (including a volume of the Corpus Vasorum Antiquorum: Great Britain 21: Harrow School, 2005), vessels in bronze and marble, metrical inscriptions on pottery, and reception studies.
 
Schedule.
The seminar is structured in broadly chronological terms. The importance of time allocated for students to absorb material in the galleries in their own ways cannot be overstated. Three two-hour classes are planned each week around an over-arching theme, outlined in the synopsis. Provision is also made each afternoon for further opportunities to handle original objects. Excursions to local artists’ workshops – such as glass-blowing, gold working and a bronze foundry – are planned on Friday afternoons, as is a day trip to see the Nashville Parthenon and its life-size reproduction of the chryselephantine cult statue.
 
Expectations of Students.
It is proposed that students will undertake small assignments on an on-going basis, intended primarily to foster familiarity with the world of objects. These will include informal mini-presentations on objects in the Carlos Museum’s collections, gallery talks, and some sketching. Over the course of the seminar, participants will work on a paper to be presented in the last week. The subject will be of the student’s choice, rising out of their research interests, but in conjunction with the course co-ordinator, who will allocate generous weekly time to meet with students individually.
 
Logistics and Funding.
Students selected for the seminar will be offered free accommodation at the Clairmont Campus of Emory University. A shuttle service operates between this campus and the main one where the seminar will be held. Both on campus and within walking distance of campus can be found a variety of shops, grocery stores and places to eat. Some public transportation, and taxi services like Uber, work well. In other words, the use of a car is not essential. The cost of car rental is greatly reduced if the airport is avoided. In addition, thanks to the generosity of the Samuel H. Kress and Henry Luce Foundations, the SCS will provide a stipend of up to $2,000 to cover the cost of travel to and from Atlanta, and modest out of pocket expenses. The SCS believes that these arrangements will offset many but by no means all of the costs of attendance at the seminar.
 
Nomination Process.
Each doctoral program may nominate only one student for the seminar. The focus of the student’s academic work should be classical languages, literatures, and/or history and not archaeology or other areas of material culture. Preference will be given to graduate students who are still taking coursework or in the early stages of writing their dissertation. Nominators should elicit from potential applicants a CV and a statement of the value that the student expects to derive from attending the seminar, choose one applicant to nominate, and forward the CV and statement to the SCS Executive Director (xd@classicalstudies.org), along with a brief endorsement. The student’s statement should be 500 to 700 words in length and should describe how the seminar would advance the applicant’s education and scholarly interests. The student him or herself should also email the Executive Director (xd@classicalstudies.org) with full name, mailing address, phone number.
A committee consisting of Dr Gaunt as chair and Professors Mary English (SCS Vice President for Education) and Donald Mastronarde (SCS VP for Publications and Research) will select participants from ten different academic institutions and a variety of countries of origin. Although many applicants from North America are expected, students from all countries are equally welcome. Reasonable fluency in English is the only requirement. Nominations by departments and emails from student nominees including their full contact information should be submitted electronically to xd@classicalstudies.org no later than 1 January 2017. The SCS will announce the decisions of the selection committee in early February 2017. Questions about the seminar program may be directed to Dr Gaunt at jgaunt@emory.edu or by telephone at 404 727 1146.
 
Synopsis of Curriculum
 
Each week has an over-arching (chronological) theme that is explored in a two-hour class on Monday, Wednesday and Friday 9.30–11.30. On Mondays through Thursdays, an afternoon session 2.30–4:00 is offered during which original works of art that are relevant to the topics discussed during the week are handled, and questions of manufacture discussed. On Friday afternoons, excursions are planned to studios of artists working in different media.
 
Week One: Monday May 22 – Friday May 26: Homer between Bronze Age and Geometric Greece
The Heroon at Lefkandi - Nestor’s Cup from Pithekoussai – Early artistic responses to the Epic Cycle
 
Week Two: Monday May 29 – Friday June 2: Archaic Greece: The symposium: how to throw a party in archaic Greece
Myths on vases, myths in “literature” - History and heroes - Herodotus and the Vix krater
 
Week Three: Monday June 5 – Friday June 9: Classical Greece
Inscriptions and the Parthenon Inventories – Polychromy on Greek sculpture - Textiles
Guest speakers: Dr Patricia Butz, Savannah College of Art and Design (inscriptions); Dr Mark Abbe, University of Georgia at Athens (polychromy)
 
Week Four: Monday June 12 – Friday June 16: Alexander the Great and the Hellenistic World
Macedonian Tombs - The Posidippos Papyrus and gems – Ptolemaic Egypt
Guest speaker: Dr Peter Bing, University of Toronto (Posidippos)
 
Week Five: Monday June 19 – Friday June 23: The Roman World
Trimalchio’s dinner party - Portraiture - Glass
 
Week Six: Monday June 26 – Friday June 30: Pulling Things Together
Student reports
---
(Photo: Michael C. Carlos Museum. Carlos Collection of Ancient Art, Atlanta, used with permission)

Categories

Follow SCS News for information about the SCS and all things classical.

Use this field to search SCS News
Select a category from this list to limit the content on this page.

(From John Finamore, University of Iowa)

Dear ISNS Colleagues,

I am pleased to announce the call for panels for the 16th annual ISNS conference, to be held in Los Angeles on June 13-16, 2018, in conjunction with Loyola Marymount University.

Anyone interested in organizing a panel at the conference should send a brief description of the panel along with its title and the name(s) and email address(es) of the contact person(s) to the conference organizers:

Panel descriptions are due to us by January 22, 2018.  I will email the list of proposed panels to the ISNS membership before February 5. Panel organizers are responsible for choosing and collecting abstracts for their panels. They should notify the organizers of their decisions by February 26.  Abstracts should be no more than one page, single spaced.

We also welcome individual abstracts for papers that do not fall under any of the announced panels.  Please send those abstracts (again, one-page maximum) to the four conference organizers above.

View full article. | Posted in Calls for Papers on Mon, 10/16/2017 - 9:11am by Erik Shell.

Roman Inscriptions of Britain is a digitally-enhanced version of R.G. Collingwood and R.P. Wright’s Roman Inscriptions of Britain, vol. 1 (1965), and its 2,400 inscriptions. It includes all subsequent Addenda and Corrigenda to volume 1. Volumes 2 (1990–1995, instrumentum domesticum) and 3 (2009, more recent finds) are not yet available online, but all the major Roman inscriptions of Britain are included here. Since the work of editing, preparing, and composing commentary for the inscriptions had already been done, the site’s creator, Scott Vanderbilt, could focus the interface, and on applying TEI and EpiDoc markups. The result is a rich, interactive website: a powerful tool for scholars and students, and a delight to even casual visitors.

View full article. | Posted in on Mon, 10/16/2017 - 12:00am by Rebecca R. Benefiel.

Ancient Philosophy Society
18th Annual Independent Meeting

Emory University, Atlanta, Georgia
April 26-April 29, 2018

Honoring the richness of the American and European philosophical traditions, the Ancient Philosophy Society encourages submissions from a variety of interpretive perspectives. Phenomenological, postmodern, Anglo-American, Straussian, Tübingen School, hermeneutic, psychoanalytic, queer, feminist, and any other interpretations of ancient Greek and Roman philosophical and literary works are welcome.
Please submit papers by e-mail attachment to APS2018@emory.edu. Deadline: November 22, 2017. The author’s name, institution, and references pertaining to the identity of the author must be omitted from the paper, notes, and bibliography. The e-mail accompanying the submission must include the author’s name, the title of the paper, address, telephone, e-mail address, and institutional affiliation.

View full article. | Posted in Calls for Papers on Fri, 10/13/2017 - 8:24am by Erik Shell.

The Annual Meeting page for our 150th meeting in San Diego, CA is now live. This page will be the hub for all news and developments for our 2019 meeting, which marks our historic Sesquicentennial.

Listed there already are the Calls for Abstracts for the Affiiliated Group Panels, the Organizer-Refereed Panels, and the Committee on Ancient and Modern Performance.

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 10/11/2017 - 2:29pm by Erik Shell.

Seventh Annual Tennessee Undergraduate Classics Research Conference--Call for Papers

This conference will pertain to a wide variety of topics concerning the classical world, with paper sessions being divided by theme based on the papers accepted. Abstracts will be considered from any discipline within classical studies (archaeology, history, philology, art, etc.) or a related field, including interdisciplinary topics or topics in Egyptology and the ancient Near East. Examples range from an analysis of the rhetoric of a Demosthenic speech to a report of the findings of a current excavation to a commentary on the hybridization of style in Pompeian wall painting (this is not an exhaustive list).

Submission of Abstracts

Abstracts are due by 5:00pm EST on Monday, November 13, 2017 to clasclub@utk.edu. You must also fill out and submit an information sheet via Google Forms. The Google Form can be found here. Notifications of acceptance will be sent on Friday, December 1, 2017. Click here for a guide for abstract submissions.

Abstract Details

View full article. | Posted in Calls for Papers on Wed, 10/11/2017 - 10:24am by Erik Shell.

Thresholds in Literature and the Arts
International Conference

Centre for Classical Studies – Centre for Comparative Studies
School of Arts and Humanities, University of Lisbon (Portugal)
June 2018, 7-8

During the last century the concept of “liminality” has gained increasing attention in many disciplines, from psychology to anthropology, from philosophy to literary and cultural studies. But the state that the word defines is much older than the word itself. Suffice it to think of the myths, heroes and gods related to the katabasis and other forms of passage in ancient Greek and Latin cultures, to get a hint of the historical depth of such a concept.

View full article. | Posted in Calls for Papers on Wed, 10/11/2017 - 8:56am by Erik Shell.

August 2012: a Latinist, a scholar of Chinese martial arts novels, a classical Persianist, a historian of early Vietnam, a Renaissance literature scholar, an archaeologist of pre-modern Malaya, and a post-colonial literature specialist assembled in New Haven. It was just like a gathering of Marvel’s AvengersTM, but with less spandex. We gathered not to save the world, but to read it: in their Olympian wisdom (to mix mythological universes), President Richard Levin of Yale University and President Tan Chorh Chuan of National University of Singapore had decided to establish Yale-NUS College, a jointly founded small liberal arts college located in Singapore. Their goal was to create a new model for higher education in a globalized future (or something Davos-y like that): our job was to design and eventually teach an interdisciplinary humanities first-year course called “Literature and Humanities,” one half of a yearlong Great Works sequence.

View full article. | Posted in on Mon, 10/09/2017 - 12:00am by Mira Seo.

Cyprus: a Place and Topos in Ancient Literature

Whether it was love, war, struggle or simply a breathtaking landscape that inspired authors in antiquity, Cyprus had it all. Greek and Latin literature abounds with references to the island: the land of kings and heroes and, most importantly, the birthplace of Aphrodite/Venus, Cyprus offers to ancient authors numerous sources of inspiration - Teucer, Evagoras, Pygmalion, Cinyras, Myrrha, Adonis, to name but a few. At the same time, Cyprus the place has a unique cultural identity, shaped under the multiple interrelations, contacts and assimilations of indigenous Cypriot, Greek, and Eastern elements. Similar is the shaping of the linguistic landscape of the island.

View full article. | Posted in Calls for Papers on Wed, 10/04/2017 - 2:38pm by Erik Shell.

Call for Applications to the 2018-2019 Shohet Scholars Grant Program for Research on the Ancient Mediterranean
by International Catacomb Society

The Shohet Scholars Grant Program of the International Catacomb Society is now accepting applications to the Shohet Scholars cohort of 2018-2019. Submission deadline is January 15, 2018.

This annual grant program funds research on the Ancient Mediterranean from the Hellenistic Era to the Early Middle Ages. Shohet Scholars may do their research in the fields of archeology, art history, classical studies, history, comparative religions, or related subjects. Of special interest are interdisciplinary projects that approach traditional topics from new perspectives.

View full article. | Posted in Awards and Fellowships on Wed, 10/04/2017 - 2:25pm by Erik Shell.

Nature and the Divine in Ancient Greek Thought

Discussions of ancient Greek conceptions of nature and the divine have not been as plentiful recently as they once were.  This may be due to disciplinary demarcations.  There is no lack of discussion of either topic, of course, but discussion of the relations between the two concepts, or the lack thereof, is welcome if not needed.  

The interdisciplinary conference, Nature and the Divine in Ancient Greek Thought, will take place March 2-4, 2018 at the University of South Florida Tampa campus.   The conference is sponsored by the University of South Florida Interdisciplinary Center for Hellenic Studies and the University of South Florida Department of Philosophy. There will be three plenary lectures: one by Simon Trépanier of the University of Edinburgh, author of Empedocles: An Interpretation, another by Mor Segev of the University of South Florida, author of Aristotle on Religion, and a third by Wilson Shearin of the University of Miami, author of The Language of Atoms.

If you wish to participate please send an abstract of 1-2 pages by December 17, 2017 to eturner1@usf.edu.  If submissions permit, there will be a session featuring the work of graduate and undergraduate students.  Notification regarding acceptance of abstracts will be made by January 7, 2018.

View full article. | Posted in Calls for Papers on Wed, 10/04/2017 - 10:43am by Erik Shell.

Pages

Latest Stories

Calls for Papers
SCS Announcements
Calls for Papers
Seventh Annual Tennessee Undergraduate Classics Research Conference--

© 2017, Society for Classical Studies Privacy Policy