Call for Student Nominations: Emory Summer Seminar in Material Culture

The Use of Art and Material Culture in Scholarship and Teaching:
Greek and Roman Art: an Introduction
A Seminar in Material Culture for Graduate Students in Classics and Ancient History
Directed by Dr Jasper Gaunt, Curator of Greek and Roman Art, Michael C. Carlos Museum,
Emory University
22 May – 30 June 2017
Emory University, Atlanta GA
Supported by generous grants from the Samuel H. Kress and Henry Luce Foundations, and Emory University
 
The Society for Classical Studies (SCS) invites doctoral programs in Classics or Ancient History to nominate a student to participate in a 6-week seminar that will introduce ten graduate students to the use of material culture in their scholarship and teaching. The aim of this seminar is to familiarize students with archaeological material that goes hand in hand with the historical and literary records, and how to incorporate such evidence into historical or philological research. This seminar will be the second of three with the same purpose but with different foci and at different institutions. The first took place at the J. Paul Getty Museum in 2016; the third will be held in 2018. Background. Despite new awareness of the scope of material evidence, and the ready availability of excellent images, all too often literary scholars treat images as decoration or illustration, while historians exploit the material record only gingerly. Probably more important than “literature” was the oral tradition, and the essential web of images that arose from it. Conversely, it has been wisely said of archaeology that it is a branch of ancient history.
 
This seminar offers students an opportunity to engage with the material record on a daily basis. Over the six weeks, every effort will be made to introduce the widest range of possibilities encountered in the archaeological record. Not only pottery and sculpture in bronze and marble will be considered, but also works in precious or exotic materials like ivory, gold, silver, amber, gems, glass, faience, and colored stones. Questions of facture and circulation will predominate: how these objects were made, by whom, for whom, why, and how to recognize them in the literary, historical and epigraphic record.
 
Resources and Faculty.
Participants will have access to the Museum’s collections of Egyptian, Nubian, Near Eastern, Greek, Etruscan and Roman antiquities, both those on view in the galleries and those in storage. The latter, which will be used daily for teaching, include notably rich holdings of fine pottery and gems. The Karen Mariea Madsen Parsons Conservation Laboratory, the Thalia N. Carlos Education Center and its staff are also participants, as are Emory faculty members. An extensive collection of plaster casts of ancient sculpture, and models of the sanctuaries at Delphi, Olympia and the Athenian Acropolis on long-term loan from the Metropolitan Museum of Art are sprinkled among several buildings on campus. Further resources include the two principal campus libraries, the Robert W. Woodruff together with the Stuart A. Rose Manuscripts and Rare Books Library; and The Pitts Theology Library. Besides resources at Emory, the course will include the participation of Prof. Patricia Butz, Savannah College of Art and Design, on treasuries and their inscriptions; Prof. Mark Abbe, University of Georgia at Athens, on polychromy and color on ancient sculpture; and Prof. Peter Bing, University of Toronto, on the new Posidippos papyrus and hellenistic gems.
 
The course is co-ordinated by Jasper Gaunt, Curator of Greek and Roman Art at the Michael C. Carlos Museum. He is the joint editor with A.J. Clark of Essays in Honor of Dietrich von Bothmer (Amsterdam 2002), and has published widely on Greek vase-painting (including a volume of the Corpus Vasorum Antiquorum: Great Britain 21: Harrow School, 2005), vessels in bronze and marble, metrical inscriptions on pottery, and reception studies.
 
Schedule.
The seminar is structured in broadly chronological terms. The importance of time allocated for students to absorb material in the galleries in their own ways cannot be overstated. Three two-hour classes are planned each week around an over-arching theme, outlined in the synopsis. Provision is also made each afternoon for further opportunities to handle original objects. Excursions to local artists’ workshops – such as glass-blowing, gold working and a bronze foundry – are planned on Friday afternoons, as is a day trip to see the Nashville Parthenon and its life-size reproduction of the chryselephantine cult statue.
 
Expectations of Students.
It is proposed that students will undertake small assignments on an on-going basis, intended primarily to foster familiarity with the world of objects. These will include informal mini-presentations on objects in the Carlos Museum’s collections, gallery talks, and some sketching. Over the course of the seminar, participants will work on a paper to be presented in the last week. The subject will be of the student’s choice, rising out of their research interests, but in conjunction with the course co-ordinator, who will allocate generous weekly time to meet with students individually.
 
Logistics and Funding.
Students selected for the seminar will be offered free accommodation at the Clairmont Campus of Emory University. A shuttle service operates between this campus and the main one where the seminar will be held. Both on campus and within walking distance of campus can be found a variety of shops, grocery stores and places to eat. Some public transportation, and taxi services like Uber, work well. In other words, the use of a car is not essential. The cost of car rental is greatly reduced if the airport is avoided. In addition, thanks to the generosity of the Samuel H. Kress and Henry Luce Foundations, the SCS will provide a stipend of up to $2,000 to cover the cost of travel to and from Atlanta, and modest out of pocket expenses. The SCS believes that these arrangements will offset many but by no means all of the costs of attendance at the seminar.
 
Nomination Process.
Each doctoral program may nominate only one student for the seminar. The focus of the student’s academic work should be classical languages, literatures, and/or history and not archaeology or other areas of material culture. Preference will be given to graduate students who are still taking coursework or in the early stages of writing their dissertation. Nominators should elicit from potential applicants a CV and a statement of the value that the student expects to derive from attending the seminar, choose one applicant to nominate, and forward the CV and statement to the SCS Executive Director (xd@classicalstudies.org), along with a brief endorsement. The student’s statement should be 500 to 700 words in length and should describe how the seminar would advance the applicant’s education and scholarly interests. The student him or herself should also email the Executive Director (xd@classicalstudies.org) with full name, mailing address, phone number.
A committee consisting of Dr Gaunt as chair and Professors Mary English (SCS Vice President for Education) and Donald Mastronarde (SCS VP for Publications and Research) will select participants from ten different academic institutions and a variety of countries of origin. Although many applicants from North America are expected, students from all countries are equally welcome. Reasonable fluency in English is the only requirement. Nominations by departments and emails from student nominees including their full contact information should be submitted electronically to xd@classicalstudies.org no later than 1 January 2017. The SCS will announce the decisions of the selection committee in early February 2017. Questions about the seminar program may be directed to Dr Gaunt at jgaunt@emory.edu or by telephone at 404 727 1146.
 
Synopsis of Curriculum
 
Each week has an over-arching (chronological) theme that is explored in a two-hour class on Monday, Wednesday and Friday 9.30–11.30. On Mondays through Thursdays, an afternoon session 2.30–4:00 is offered during which original works of art that are relevant to the topics discussed during the week are handled, and questions of manufacture discussed. On Friday afternoons, excursions are planned to studios of artists working in different media.
 
Week One: Monday May 22 – Friday May 26: Homer between Bronze Age and Geometric Greece
The Heroon at Lefkandi - Nestor’s Cup from Pithekoussai – Early artistic responses to the Epic Cycle
 
Week Two: Monday May 29 – Friday June 2: Archaic Greece: The symposium: how to throw a party in archaic Greece
Myths on vases, myths in “literature” - History and heroes - Herodotus and the Vix krater
 
Week Three: Monday June 5 – Friday June 9: Classical Greece
Inscriptions and the Parthenon Inventories – Polychromy on Greek sculpture - Textiles
Guest speakers: Dr Patricia Butz, Savannah College of Art and Design (inscriptions); Dr Mark Abbe, University of Georgia at Athens (polychromy)
 
Week Four: Monday June 12 – Friday June 16: Alexander the Great and the Hellenistic World
Macedonian Tombs - The Posidippos Papyrus and gems – Ptolemaic Egypt
Guest speaker: Dr Peter Bing, University of Toronto (Posidippos)
 
Week Five: Monday June 19 – Friday June 23: The Roman World
Trimalchio’s dinner party - Portraiture - Glass
 
Week Six: Monday June 26 – Friday June 30: Pulling Things Together
Student reports
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(Photo: Michael C. Carlos Museum. Carlos Collection of Ancient Art, Atlanta, used with permission)

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Battle

(From the Dartmouth News blog)

SCS Outreach Prize winner Roberta Stewart, founder of book discussion groups for veterans, held a workshop recently with Classicists from other states hoping to start similar programs.

"The workshop represents a pilot to test the ability to develop a national network of co-facilitators who work pro bono to run groups nationwide."

You can read the full article here: https://news.dartmouth.edu/news/2018/07/classics-professors-book-group-v...

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(Photo: "Painted slab of tomb with 'Duel'" by Carlo Raso, public domain)

View full article. | Posted in Classics in the News on Mon, 07/16/2018 - 9:54am by Erik Shell.

When you do study abroad trips with college or high school students, teaching happens on-site and draws upon the artifacts that surround you. We found this out firsthand while leading the first ever 3-week study abroad summer session in Greece from 21 May to 12 June for the University of Tennessee-Knoxville’s Classics department this summer. I co-led the trip with classicist Thomas Rose. We both specialize in different areas, which really gave breadth to the teaching. Whereas Prof. Rose is an expert in Greco-Roman historiography and epigraphy, I specialize in poetry and translation while teaching at the University of Iowa. The itinerary was loosely inspired by the trips we both took to central and northern Greece as regular and student associate members of the American School for Classical Studies at Athens (ASCSA) in 2012 with our Mellon professor, Margaret M. Miles.

View full article. | Posted in on Thu, 07/12/2018 - 6:52pm by Adrienne K.H. Rose.

The American Academy in Berlin invites applications for its residential fellowships for the academic year 2019/2020.

The Academy seeks to enrich transatlantic dialogue in the arts, humanities, and public policy through the development and communication of projects of the highest scholarly merit. For 2019/2020, the Academy is also interested in considering projects that address the themes of migration and social integration, questions of race in comparative perspective, and the interplay of exile and return.

For all projects, the Academy asks that candidates explain the relevance of a stay in Berlin to the development of their work.

Approximately 20 Berlin Prizes are conferred annually. Past recipients have included art historians, anthropologists, historians, musicologists, journalists, writers, filmmakers, sociologists, legal scholars, economists, and public policy experts, among others. Fellowships are typically awarded for an academic semester, but shorter stays of six to eight weeks are also possible. Benefits include round-trip airfare, partial board, a $5,000 monthly stipend, and accommodations at the Academy’s lakeside Hans Arnhold Center in the Berlin-Wannsee district.

View full article. | Posted in Awards and Fellowships on Wed, 07/11/2018 - 11:33am by Erik Shell.
Ancient Greek football player balancing the ball. Part of a marble grave stele, found in Piraeus, 400-375 BC. Item (NAMA) 873 of the National Archaeological Museum, Athens. Image via Wikimedia under Public Domain.

“For as long as he lives, a man has no greater glory
than that which he wins with his own hands and feet”

οὐ μὲν γὰρ μεῖζον κλέος ἀνέρος, ὄφρα κεν ᾖσιν,
ἢ ὅ τι ποσσίν τε ῥέξῃ καὶ χερσὶν ἑῇσιν.
Homer, Odyssey 8.147-148

Salve, My ancient Roman friend—I know that much of this world of ours confuses you. Not if I had ten thousand mouths and as many years could I cover the histories of the centuries between your world and ours, nor could I catalog and explain airplanes, televisions, cell phones, and the droning chorus of wonders and horrors you see around you.

But maybe I can start with something which will help bridge the gulf between your world and ours—sport. Even though the younger Pliny mocked his contemporaries for their passion for horse races, passion for sport is an ancient inheritance.

View full article. | Posted in on Tue, 07/10/2018 - 1:22pm by Joel Perry Christensen.

CFP: “Virgil and the Feminine” Vergilian Society’s Symposium Cumanum 2019

June 20-22, Villa Vergiliana, Cuma

Co-Directors: Elena Giusti (Warwick) and Victoria Rimell (Warwick)

View full article. | Posted in Calls for Papers on Mon, 07/09/2018 - 1:25pm by Erik Shell.

The Circus Maximus, the Colosseum, and the Roman Fora. What could be more Roman? These sites typically exemplify the power of the ancient Roman Empire and its lasting impact on the modern world. These are some of the definitive sites to visit on any trip to the eternal city, but how did these sites contribute to imperial propaganda and memory?

Lauren Donovan Ginsberg, Assistant Professor of Classics at the University of Cincinnati and Fellow in Ancient Studies at the American Academy in Rome and I recently organized and led a tour in Rome, entitled “Sites of Memory and Memories of Conflict: Imperial Rome, Jerusalem, and Nero,” asking just this question with the trustees of the American Academy in Rome. The Flavian dynasty, after the fall of Nero and the disastrous Year of the Four Emperors, built or added to many of modern day Rome’s most iconic buildings: the Colosseum, the Arch of Titus, the Circus Maximus (adding a triumphal arch at the eastern end), and the Templum Pacis (Temple of Peace).

View full article. | Posted in on Thu, 07/05/2018 - 3:53pm by Catherine Bonesho.

Call for Papers

Classics and Global Humanities

Extended Deadline: 8th July, 2018

University of Ghana, Legon, Ghana

 11-12 October, 2018

Keynote Speaker

      Prof. Barbara Goff, University of Reading, Reading, UK

Studies have explored the cross-cultural engagement between Western civilisation and other cultures (Stephens and Vasunia 2010) as well as the legacy and reception of the Classics in the Arab world (Pormann 2015), India (Vasunia 2013), West Africa (Goff 2013; Goff and Simpson 2007) and recently, South Africa (Parker 2017). Classical reception studies thus continue to play a key role in bringing different parts of the world into greater dialogue with each other.

We invite abstracts for papers not only from Classics but also from other disciplines and sub-disciplines which explore ways in which reception studies is giving a new voice to classical research in West Africa, consider ways in which Classics in West Africa engages with the legacies of Egypt, Greece, and Rome or examine cross-cultural themes in both ancient and modern traditions. We also welcome papers which draw lessons from other parts of Africa and the world.

View full article. | Posted in Calls for Papers on Tue, 07/03/2018 - 2:35pm by Helen Cullyer.

In spring 2018, students enrolled in the upper-level seminar “Antiquity Through a Lens” at Miami University engaged in critical study of the ways the classical world and, more specifically, ancient war narratives have been used in modern film and television to reflect on contemporary society and its conflicts.  Alongside study of ancient primary sources, students thus explored a range of concepts such as gender, class, race, religion, and even the meaning of victory itself in Troy (2004), 300 (2007), 300:  Rise of an Empire (2014), Spartacus (1960), Masada (1981), and Dragon Blade (2015).  It was the latter film, however, that provoked the most intriguing reactions from students in the course, since it forced them to view classical history for the first time through a distinctly non-Western lens. Please note that quotations in italics are taken with permission from comments students wrote when asked to reflect on what their encounter with Dragon Blade contributed to the course, CLS 361. 

View full article. | Posted in on Wed, 06/27/2018 - 4:46pm by Denise Eileen McCoskey.

XVII International ARYS Colloquium

"DRESSING DIVINELY: clothed or naked deities and devotees"

V Centenario Residence (UNEX)
Jarandilla de la Vera, 13-14 December 2018

The development of a theoretical framework for the understanding of the links between religious identity and clothing depends both on a careful terminological selection and on a broad and holistic definition of the social aspects of wear. Through the use of trappings as an effective means of communication in social interaction, it is possible to activate identities based on and assigned by social structures, especially those built on kinship, economic, religious and political activities. At the same time, clothing represents for the individual an inexhaustible source of expressive creativity that can even break the “iconographic vocabulary” of a particular social group. Moreover, the specific types and properties of clothing that convey identity may change over time in response to economic, demographic, aesthetic and technological changes. A comprehensive definition of clothing includes both body modifications and complements, the properties of which have to be analyzed together with the sensory stimuli they may evoke.

View full article. | Posted in Calls for Papers on Wed, 06/27/2018 - 11:02am by Erik Shell.

The departments of Classics, Music, and Comparative Literature at King’s College London are delighted to announce a call for papers for an upcoming conference:

‘Amplifying Antiquity: Music as Classical Reception’
Strand Campus, King’s College London, December 12th-13th 2018

The focus of the conference is deliberately wide, and we welcome proposals to speak on any aspect of how the culture, history, and myth of the Greek and Roman worlds have influenced the music of the 17th-21st centuries. We hope that papers will demonstrate the scope for fresh work and new collaborations in this area.

Musical works addressed need not be conventionally viewed as part of the classical tradition. Papers might touch on topics such as: the use of antiquity in the invention of new musical genres and development of aesthetic priorities; the relationship between performative speech and song, past and present; the gendering of ancient voices in modern productions; the social contexts of musical commissioning and performance; the conservative and radical political potential in music inspired by the classical world.

Speakers already confirmed include Sina Dell’Anno (Basel), Edith Hall (KCL), Wendy Heller (Princeton), Sarah Hibberd (Bristol), and Stephanie Oade (Oxford).

View full article. | Posted in Calls for Papers on Tue, 06/26/2018 - 3:42pm by Erik Shell.

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