Call for Student Nominations: Emory Summer Seminar in Material Culture

The Use of Art and Material Culture in Scholarship and Teaching:
Greek and Roman Art: an Introduction
A Seminar in Material Culture for Graduate Students in Classics and Ancient History
Directed by Dr Jasper Gaunt, Curator of Greek and Roman Art, Michael C. Carlos Museum,
Emory University
22 May – 30 June 2017
Emory University, Atlanta GA
Supported by generous grants from the Samuel H. Kress and Henry Luce Foundations, and Emory University
 
The Society for Classical Studies (SCS) invites doctoral programs in Classics or Ancient History to nominate a student to participate in a 6-week seminar that will introduce ten graduate students to the use of material culture in their scholarship and teaching. The aim of this seminar is to familiarize students with archaeological material that goes hand in hand with the historical and literary records, and how to incorporate such evidence into historical or philological research. This seminar will be the second of three with the same purpose but with different foci and at different institutions. The first took place at the J. Paul Getty Museum in 2016; the third will be held in 2018. Background. Despite new awareness of the scope of material evidence, and the ready availability of excellent images, all too often literary scholars treat images as decoration or illustration, while historians exploit the material record only gingerly. Probably more important than “literature” was the oral tradition, and the essential web of images that arose from it. Conversely, it has been wisely said of archaeology that it is a branch of ancient history.
 
This seminar offers students an opportunity to engage with the material record on a daily basis. Over the six weeks, every effort will be made to introduce the widest range of possibilities encountered in the archaeological record. Not only pottery and sculpture in bronze and marble will be considered, but also works in precious or exotic materials like ivory, gold, silver, amber, gems, glass, faience, and colored stones. Questions of facture and circulation will predominate: how these objects were made, by whom, for whom, why, and how to recognize them in the literary, historical and epigraphic record.
 
Resources and Faculty.
Participants will have access to the Museum’s collections of Egyptian, Nubian, Near Eastern, Greek, Etruscan and Roman antiquities, both those on view in the galleries and those in storage. The latter, which will be used daily for teaching, include notably rich holdings of fine pottery and gems. The Karen Mariea Madsen Parsons Conservation Laboratory, the Thalia N. Carlos Education Center and its staff are also participants, as are Emory faculty members. An extensive collection of plaster casts of ancient sculpture, and models of the sanctuaries at Delphi, Olympia and the Athenian Acropolis on long-term loan from the Metropolitan Museum of Art are sprinkled among several buildings on campus. Further resources include the two principal campus libraries, the Robert W. Woodruff together with the Stuart A. Rose Manuscripts and Rare Books Library; and The Pitts Theology Library. Besides resources at Emory, the course will include the participation of Prof. Patricia Butz, Savannah College of Art and Design, on treasuries and their inscriptions; Prof. Mark Abbe, University of Georgia at Athens, on polychromy and color on ancient sculpture; and Prof. Peter Bing, University of Toronto, on the new Posidippos papyrus and hellenistic gems.
 
The course is co-ordinated by Jasper Gaunt, Curator of Greek and Roman Art at the Michael C. Carlos Museum. He is the joint editor with A.J. Clark of Essays in Honor of Dietrich von Bothmer (Amsterdam 2002), and has published widely on Greek vase-painting (including a volume of the Corpus Vasorum Antiquorum: Great Britain 21: Harrow School, 2005), vessels in bronze and marble, metrical inscriptions on pottery, and reception studies.
 
Schedule.
The seminar is structured in broadly chronological terms. The importance of time allocated for students to absorb material in the galleries in their own ways cannot be overstated. Three two-hour classes are planned each week around an over-arching theme, outlined in the synopsis. Provision is also made each afternoon for further opportunities to handle original objects. Excursions to local artists’ workshops – such as glass-blowing, gold working and a bronze foundry – are planned on Friday afternoons, as is a day trip to see the Nashville Parthenon and its life-size reproduction of the chryselephantine cult statue.
 
Expectations of Students.
It is proposed that students will undertake small assignments on an on-going basis, intended primarily to foster familiarity with the world of objects. These will include informal mini-presentations on objects in the Carlos Museum’s collections, gallery talks, and some sketching. Over the course of the seminar, participants will work on a paper to be presented in the last week. The subject will be of the student’s choice, rising out of their research interests, but in conjunction with the course co-ordinator, who will allocate generous weekly time to meet with students individually.
 
Logistics and Funding.
Students selected for the seminar will be offered free accommodation at the Clairmont Campus of Emory University. A shuttle service operates between this campus and the main one where the seminar will be held. Both on campus and within walking distance of campus can be found a variety of shops, grocery stores and places to eat. Some public transportation, and taxi services like Uber, work well. In other words, the use of a car is not essential. The cost of car rental is greatly reduced if the airport is avoided. In addition, thanks to the generosity of the Samuel H. Kress and Henry Luce Foundations, the SCS will provide a stipend of up to $2,000 to cover the cost of travel to and from Atlanta, and modest out of pocket expenses. The SCS believes that these arrangements will offset many but by no means all of the costs of attendance at the seminar.
 
Nomination Process.
Each doctoral program may nominate only one student for the seminar. The focus of the student’s academic work should be classical languages, literatures, and/or history and not archaeology or other areas of material culture. Preference will be given to graduate students who are still taking coursework or in the early stages of writing their dissertation. Nominators should elicit from potential applicants a CV and a statement of the value that the student expects to derive from attending the seminar, choose one applicant to nominate, and forward the CV and statement to the SCS Executive Director (xd@classicalstudies.org), along with a brief endorsement. The student’s statement should be 500 to 700 words in length and should describe how the seminar would advance the applicant’s education and scholarly interests. The student him or herself should also email the Executive Director (xd@classicalstudies.org) with full name, mailing address, phone number.
A committee consisting of Dr Gaunt as chair and Professors Mary English (SCS Vice President for Education) and Donald Mastronarde (SCS VP for Publications and Research) will select participants from ten different academic institutions and a variety of countries of origin. Although many applicants from North America are expected, students from all countries are equally welcome. Reasonable fluency in English is the only requirement. Nominations by departments and emails from student nominees including their full contact information should be submitted electronically to xd@classicalstudies.org no later than 1 January 2017. The SCS will announce the decisions of the selection committee in early February 2017. Questions about the seminar program may be directed to Dr Gaunt at jgaunt@emory.edu or by telephone at 404 727 1146.
 
Synopsis of Curriculum
 
Each week has an over-arching (chronological) theme that is explored in a two-hour class on Monday, Wednesday and Friday 9.30–11.30. On Mondays through Thursdays, an afternoon session 2.30–4:00 is offered during which original works of art that are relevant to the topics discussed during the week are handled, and questions of manufacture discussed. On Friday afternoons, excursions are planned to studios of artists working in different media.
 
Week One: Monday May 22 – Friday May 26: Homer between Bronze Age and Geometric Greece
The Heroon at Lefkandi - Nestor’s Cup from Pithekoussai – Early artistic responses to the Epic Cycle
 
Week Two: Monday May 29 – Friday June 2: Archaic Greece: The symposium: how to throw a party in archaic Greece
Myths on vases, myths in “literature” - History and heroes - Herodotus and the Vix krater
 
Week Three: Monday June 5 – Friday June 9: Classical Greece
Inscriptions and the Parthenon Inventories – Polychromy on Greek sculpture - Textiles
Guest speakers: Dr Patricia Butz, Savannah College of Art and Design (inscriptions); Dr Mark Abbe, University of Georgia at Athens (polychromy)
 
Week Four: Monday June 12 – Friday June 16: Alexander the Great and the Hellenistic World
Macedonian Tombs - The Posidippos Papyrus and gems – Ptolemaic Egypt
Guest speaker: Dr Peter Bing, University of Toronto (Posidippos)
 
Week Five: Monday June 19 – Friday June 23: The Roman World
Trimalchio’s dinner party - Portraiture - Glass
 
Week Six: Monday June 26 – Friday June 30: Pulling Things Together
Student reports
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(Photo: Michael C. Carlos Museum. Carlos Collection of Ancient Art, Atlanta, used with permission)

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The departments of Classics, Music, and Comparative Literature at King’s College London are delighted to announce a call for papers for an upcoming conference:

‘Amplifying Antiquity: Music as Classical Reception’
Strand Campus, King’s College London, December 12th-13th 2018

The focus of the conference is deliberately wide, and we welcome proposals to speak on any aspect of how the culture, history, and myth of the Greek and Roman worlds have influenced the music of the 17th-21st centuries. We hope that papers will demonstrate the scope for fresh work and new collaborations in this area.

Musical works addressed need not be conventionally viewed as part of the classical tradition. Papers might touch on topics such as: the use of antiquity in the invention of new musical genres and development of aesthetic priorities; the relationship between performative speech and song, past and present; the gendering of ancient voices in modern productions; the social contexts of musical commissioning and performance; the conservative and radical political potential in music inspired by the classical world.

Speakers already confirmed include Sina Dell’Anno (Basel), Edith Hall (KCL), Wendy Heller (Princeton), Sarah Hibberd (Bristol), and Stephanie Oade (Oxford).

View full article. | Posted in Calls for Papers on Tue, 06/26/2018 - 3:42pm by Erik Shell.

Inscriptions in Historiography and Historiography in Inscriptions. Two Sides of the Same Coin: History

King’s College London, 28th September 2018

Organisers: Steven Cosnett, Dr Giulia Donelli, Federica Scicolone

How reliable are literary quotations of inscribed texts? Why are they included in, or excluded from, historiographical narratives? Conversely, how reliable are inscriptional accounts of historical events? The issue of the relationship between epigraphic and literary texts has recently been brought into sharp relief by the publication of an inscribed dedication from the sanctuary of Apollo Ismenios at Thebes (Papazarkadas 2014: 233-48) and ensuing debate over the light it casts on Herodotus’ use of inscriptional sources (see e.g. Thonemann 2016).

View full article. | Posted in Calls for Papers on Tue, 06/26/2018 - 11:42am by Erik Shell.
Olivia Sutherland stars in MacMillan Films staging of Medea. James MacMillan (Image via Wikimedia under a CC-BY-SA 4.0 License).

In our third ‘Letters from CAMP’ blogpost, Prof. Emily Jusino discusses the trials and tribulations of picking a translation of an ancient drama for live performance.

“People expect Greek tragedy to sound a little stilted and awkward.” This is a paraphrase of a comment made to me recently by a director planning on staging the Medea. It was his defense of the translation he had chosen when I said that I disliked his choice. What made this translation appeal to him was precisely what made it seem terrible to me: the stiltedness and awkward English that comes across both as “translation-ese” and as a refusal to update any references in the text for a modern audience. But, of course, he could get the rights to use this translation for free.

View full article. | Posted in on Thu, 06/21/2018 - 3:23pm by Emily Jusino.

We have updated our "Related Careers" page to include information on career paths open to Classicists and professional academics who study the ancient world.

This update includes a write-up from the Career Networking event at our 2018 Annual Meeting in Boston, as well as past conversations about academic career paths and new online resources.

You can view the new page here: https://classicalstudies.org/placement-service/related-careers

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 06/20/2018 - 2:57pm by Erik Shell.
NZ

(Message sent to SCS by James McNamara)

The New Zealand Qualifications Authority is proposing to drop the scholarship exam in Latin (for final year pupils) in 2019. The exam offers students recognition and a monetary award for high achievement. It may be that this would be a precursor to dropping Latin in New Zealand schools altogether.

If you are interested in submitting a proposal in support of continuing the scholarship exam in Latin, it would be greatly appreciated if you could submit feedback to the review, which closes this Friday 22 June, NZ time.

Details of the scholarship review are here:

http://www.nzqa.govt.nz/about-us/publications/newsletters-and-circulars/assessment-matters/consultation-on-the-nz-scholarship-subject-list/

The feedback form and details of where to send it are here:

View full article. | Posted in Classics in the News on Tue, 06/19/2018 - 8:14am by Erik Shell.

ἀγών agōn: struggle, contest, trial, conflict, challenge, strife

with a pre-conference seminar on Empedocles’ Poem on nature and an Empedocles-themed post-conference tour

Sicily Center for International Education
Syracuse, Sicily, 12-15 June , 2019

The cultural and intellectual legacy of Western Greece—the coastal areas of Southern Italy and Sicily settled by Hellenes in the 8th and 7th centuries BCE—is sometimes overlooked in academia.  Yet evidence suggests that poets, playwrights, philosophers, and other maverick intellectuals found fertile ground here for the growth of their ideas and the harvesting of their work.  The goal of the Fonte Aretusa organization is to revive the distinctive spirit of Western Greece by exploring it from a variety of disciplinary perspectives including art history, archaeology, classics, drama, epigraphy, history, philosophy and religion.

View full article. | Posted in Calls for Papers on Mon, 06/18/2018 - 9:54am by Erik Shell.
Façade of the Celsus library, in Ephesus, near Selçuk, west Turkey. Benh Lieu Song (Image via Wikimedia under a CC-BY-SA 3.0 License).

SCS’s Executive Director reflects on the experiences, challenges, and future of independent scholarship in our ongoing series on the subject.

All of our Independent Scholar blogposts have drawn on personal experiences, and mine is also personal.  Your posts have certainly helped me think more deeply and creatively about how the national classical society can support independent scholarship. My response falls into two parts: a celebration of the scholarly work that independent scholars are all currently doing in different ways, and some constructive responses to the challenges that independent scholars face.  


Now to address some challenges:

1. Access to Scholarly Resources

View full article. | Posted in on Thu, 06/14/2018 - 4:46pm by Helen Cullyer.

Plato's Alcibiades I

20-22 Sept. 2018, Cambridge (UK)
Abstract submission deadline: 15 July 2018

Although the Platonic dialogue Alcibiades I was highly regarded in late antiquity and occupied a prominent place within the Neoplatonist curriculum, the dialogue has suffered from relative neglect both within classical and philosophical scholarship ever since Schleiermacher denounced it as spurious at the beginning of the 19th century. This conference will be dedicated wholly to the Alcibiades I, bringing together scholars who have been central in rekindling recent interest in the dialogue while also welcoming contributions from new researchers on the dialogue, including early career researchers and graduate students. Questions that might be addressed include, but are not limited to, questions about self-hood and self-knowledge, the soul-body relationship, politics and political influence, love, the role of the divine within the dialogue, as well as questions about authenticity and the place of the Alcibiades I within – or outside of – the Platonic corpus.

View full article. | Posted in Calls for Papers on Wed, 06/13/2018 - 2:08pm by Erik Shell.
Gravestone of a woman with her attendant (100 BCE). Getty Villa (Image via Wikimedia under a CC-BY-SA 3.0 License).

Hackathons, events where software developers gather together to create in community a usable piece of computer programming in a short frame of time, are common occurrences in tech circles. One hosted this past February by the College of the Holy Cross, however, was the first time I’d seen this type of group work applied to translating ancient manuscripts.

View full article. | Posted in on Wed, 06/06/2018 - 4:38pm by Liz Penland.

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