CFP: Greek Literary Topographies in the Roman Imperial World

GREEK LITERARY TOPOGRAPHIES IN THE ROMAN IMPERIAL WORLD

The Pennsylvania State University, 16-18 April 2021

Workshop Organizers:

Anna Peterson, Penn State

Janet Downie, UNC-Chapel Hill

Keynote Speaker:

Jason König, University of St. Andrews

Confirmed Speakers:

Pavlos Avlamis

Artemis Brod

William Hutton

Bryant Kirkland

Kate Gilhuly

Karen ní Mheallaigh

Estelle Strazdins

As spatial theorists like Lefebvre, Foucault, and Soja have shown, space is not static, but dynamic – both reflecting and engendering processes of interpretation and cultural construction. By extension, in a literary context, space does not simply provide the backdrop against which events “take place.” Rather, literary topographies create relationships – both within the text and beyond it – connecting individuals to one another and to shared social worlds, both real and imagined. For scholars of Classics, this means that the representation of space in ancient literature offers another way of understanding the shape of ancient society, its political, religious and cultural concerns. There is now a considerable body of scholarship on the literary topographies of the city of Rome and on the geography of empire in Latin literature, as well as important work on spatial perspectives in Greek literature of the Archaic, Classical, and Hellenistic periods. Prominent examples of the latter include Alex Purves’ Space and Time in Ancient Greek Narrative, Kate Gilhuly’s Erotic Geographies in Ancient Greek Literature and Culture, William Thalmann’s Apollonius of Rhodes and the Spaces of Hellenism and Irene de Jong’s volume, Space in Ancient Greek Literature.

This workshop aims to broaden the discussion to include Greek literature of the Imperial period. While space has been explored in relation to explicitly topographical writers (e.g., Pausanias, Strabo) and in the context of the Greek novel, spatial descriptions outside of these genres have been treated as primarily as scene-setting devices or ekphrastic excursus. Beginning from the essential questions of how authors of the imperial period evoke different spaces and why they describe them in the ways that they do, this workshop will interrogate the relationship between lived space, society, and power and its depiction in literature.

Participants are encouraged to think about these issues as they relate not just to explicitly topographical writers but also to the rhetorical, philosophical, and fictional literature of the period. We are interested both in papers that probe the specifics of a given author or text and that think more theoretically about spatiality at this time. In addition, we also invite approaches that draw comparisons to other periods of literature – whether earlier or later – and to other traditions (e.g. Latin, Jewish and Christian).

Workshop Format:

Participants will pre-circulate papers at the end of February 2021, and the workshop will include brief presentations with formal responses and discussion. We are currently planning for a hybrid format, including both in-person and online participation, so that we can adapt as necessary to institutional and personal circumstances relating to travel and gathering.

Abstract Submission:

Please submit abstracts of no more than 800 words (including bibliography), as well as a CV, by 15 September 2020 to either of the Workshop Organizers by email: Anna Peterson, aip12@psu.edu; Janet Downie, jdownie@email.unc.edu. Notification of acceptance will be given in early October.

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As I strolled one day in the old center of Tel Aviv, I entered the house of Haim Nachman Bialik, the Hebrew national poet. An imposing building, it constitutes a manifesto of Jewish art in the early 20th century: the architectural style reprises oriental shapes, alternating arches and square forms; the decoration aims to express a quintessentially Jewish art. As I daydreamed about the poet holding private meetings and public receptions with the foremost representatives of culture and politics of his day, my eye was caught by two decorative tiles. These tiles, located at opposite ends of an arch that leads into the salon, represent two opposite moments of Jewish history: on one hand, a tile reproduces the Judaea capta coin minted by Vespasian after the First Jewish War; on the other, another tile mirrors Vespasian’s coin, proclaiming, in Hebrew letters, “Judaea liberated.”

View full article. | Posted in on Fri, 10/22/2021 - 12:13pm by .

Dear members,

We have a number of deadlines that fall prior to mid-November. Please see the following:

October 31: Nominations for the Forum Prize

November 1: Applications for annual meeting participation stipends and childcare / dependent care funding

November 1: Nominations and applications for the K-12 Teaching Excellence Award

View full article. | Posted in SCS Announcements on Thu, 10/21/2021 - 11:40am by Erik Shell.
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View full article. | Posted in on Mon, 10/18/2021 - 9:53am by .

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View full article. | Posted in In Memoriam on Fri, 10/15/2021 - 9:14am by Erik Shell.
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Krishni Burns: Can we start with a description of your project?

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View full article. | Posted in on Mon, 10/11/2021 - 10:33am by Krishni Burns.

The members of the Committee on the C. J. Goodwin Award of Merit are delighted to announce that the 2021 winners of the Goodwin Awards are Aileen R. Das (University of Michigan), Ellen Oliensis (University of California Berkeley), and Andreas Willi (University of Oxford).

Please click on the names below to read the full award citations written by committee members David Konstan and James I. Porter (co-chairs), Harriet Flower, Richard Hunter, and Amy Richlin.

Aileen R. Das

Ellen Oliensis

Andreas Willi

Citation for Aileen R. Das, Galen and the Arabic Reception of Plato’s Timaeus, Cambridge University Press, 2020

View full article. | Posted in Awards and Fellowships on Sun, 10/10/2021 - 6:52pm by Helen Cullyer.
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View full article. | Posted in on Fri, 10/08/2021 - 1:50pm by .
San Francisco

Hotel reservations are now open! 

The Hilton San Francisco Union Square is the official hotel for the 2022 Annual Meeting and will host the exhibit hall, all academic sessions, the opening night reception, and most related events.  The discounted group rate is $169 per night (plus applicable taxes). Additional rooms are available at the Hilton Parc 55 across the street.  A limited number are available for $159 per night (plus applicable taxes) for reservations made by October 31st.  Click on the links below to make your reservations. You can also make a reservation by calling 1-800-HILTONS and using code AIA or SCS to make your reservation. 

View full article. | Posted in SCS Announcements on Thu, 10/07/2021 - 3:26pm by Erik Shell.

Online Conference: “The Genre of Hymn in Antiquity”

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 10/06/2021 - 10:00am by Erik Shell.

The New England Classical Journal (NECJ) invites applications for the position of Book Review Editor, with the appointment to begin in December 2021.

The deadline for applications is 11:59 pm Eastern Time on Oct. 22, 2021. 

A publication of the Classical Association of New England (CANE), NECJ is a biannual, peer-reviewed journal that publishes articles, notes, and reviews on all aspects of classical antiquity. The journal is an Open Access Publication and is available at https://crossworks.holycross.edu/necj/ 

NECJ aims to publish reviews of books on a wide range of topics related to classical antiquity. Each issue of NECJ contains 4-6 book reviews of 1,200-1,500 words each, and the Book Review Editor is responsible for selecting books for review; finding reviewers; and working with reviewers to help them submit their completed reviews by the deadline. In this position the successful candidate will work with the journal’s Editor, Aaron Seider, and Managing Editor, Ruth Breindel, and will receive an honorarium of $1,000/per year for their work on the journal.

View full article. | Posted in Organizations on Wed, 10/06/2021 - 9:51am by Erik Shell.

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