CFP: Harking Back to the Sounds of Elegy

CfP: Song, Lament, Love: Harking Back to the Sounds of Elegy 
(submission deadline: 28.02.2019)
 
University of Coimbra, June 26-29, 2019

Panel coordinators:
Eva Anagnostou-Laoutides (Macquarie University, NSW) Email: Eva.Anagnostou-Laoutides@mq.edu.au
Bill Gladhill (McGill University) Email: charles.gladhill@mcgill.ca
Micah Myers (Kenyon College) Email: myersm1@kenyon.edu

The nature of archaic Greek elegy and its performative culture, its interface with other Greek literary genres as well as its Hellenistic and Roman adaptation(s) have already commanded an impressive amount of scholarship. Despite, however, appreciating that the functions of elegy were hugely diversified early on (Nagy 2010; Barbantani 2018), despite overcoming the simplistic classification of elegies to subjective and objective (Cairns 1979; Murray 2010; Miller 2012), and even despite doubting Quintilian’s criticism of Propertius as an obscure poet (Inst.Or.10.1.93), foundational questions on the origins, nature, and meaning(s) of Elegy remain unanswered. Elegy, one of the oldest Greek poetic genres, remains the most elusive.  

Drawing on Karen Weisman’s definition of post-classical elegy as “the framing of loss” (2010: 1) and on Horace’s appreciation of elegy in connection with mourning and the Greek elegos (AP 75-8), a connection reflected on the lost genre of Roman female poetry called the nenia, the panel aims to reorient research and debates on elegy by focusing on its sounds –mimicked, described, or alluded to– and the emotions they evoke. This alternative perspective on elegy goes beyond generic and metric definitions, seeking instead to uncover the basic sounds (sighing, sobbing, groaning, muttering, etc.) which the Greeks and the Romans identified with elegiac concepts (e.g. love, death, loss) and to reflect on the cultural processes associated with them, especially memorialization and ritualization. By placing elegy in its original context, that of the lived, but unrecorded Greek and later Roman song culture (Habinek 2005; Sbardella 2018), we can reassess its association with Greco-Roman literary genres, all of whom place special emphasis on the sounds of love and death, as well as epigrams, funerary inscriptions and rhetoric. Furthermore, by shifting the methodological focus we can revisit elegy’s connection with issues of gender, including the role and social ramifications of ancient female experience(s). The panel welcomes papers dealing with (but not limited to):

-How did lived, oral song culture influence Greek and/or Roman elegy?
-What methodologies can be used to retrieve oral song cultures from written texts, including elegy?
-Which sounds define the Greek/Roman elegiac experience and how are they represented in other genres? 
-What are the emotional and psychological implications of the elegiac experience as the Greeks/Romans conceptualized it?
-What is the connection between Greek/Roman elegy and spirituality? 
-How elegiac is Greek/Roman elegy?
-Is there a connection between Greek elegy and Near Eastern song cultures?
-How Roman is the Roman elegiac experience?

The panel hopes to broaden the discussion on elegy by situating it within the wider social and cultural contexts in which it developed. We invite papers on all aspects of Greek and Roman auditory culture as it pertains to expressing sentiments about love, death, loss, life and the afterlife in ancient literature and inscriptions. The central question this panel aims to address is the connection between ancient sound culture and the deeper psycho-social implications of elegy.

Each paper (25 minutes) will be followed by a 10-minute discussion. Abstracts must not exceed 300 words. The submission deadline for abstracts is 28th February 2019. Please include a short biography and specify your affiliation.

Submissions are to be sent to the following email address: hsonglamentlove@gmail.com
Notification of acceptance will be given by 15th March 2019.

 
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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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Like many others, I'm trying to funnel the anger and frustration that I felt at our panel on the "Future of Classics" at the Annual Meeting in San Diego toward taking action that can make a difference, even on a small scale.  At the panel Professor Sarah Bond and Professor Dan-el Padilla Peralta promptly condemned the comments a speaker from the audience made about Dan-el as well as her intellectually and politically regressive defense of classical studies.   My thoughts here are intended to carry forward their energetic advocacy. 

To combat racist attitudes and assumptions that persist not only at the margins of the field but among and around us, we must act now on our home campuses and schools.  Here are five ideas to get us started.  There are many more.  It’s important to note that at some schools, faculty and students are already acting on these ideas or better versions of them.  They arise from my experience as a university administrator, where I've seen countless discussions about diversity go in circles until faculty, students, and staff commit together to do specific things within a short time frame.  They are designed for use at college and university campuses, the world I know best, but K-12 teachers and scholars are included here, and I welcome ideas from this crucially important sector of our field. 

Ideas for action in the coming 30-60 days 
 

View full article. | Posted in on Fri, 02/15/2019 - 7:16am by Joy Connolly.

We have now reviewed the video of the Panel on the Future of Classics, which will be disseminated online today, February 14, 2019. 

The video makes it clear that what was said to Prof. Padilla Peralta was: “You may have got your job because you’re black, but I would prefer to think you got your job because of merit.”

Despite this factual correction to Presidential letter of 1/10/19, the SCS leadership stands by the substance of the Presidential letter and the actions taken onsite in San Diego, which have been reviewed by the Professional Ethics Committee. We repeat here that the future of classical studies depends on expansion, inclusion, and focused attention on and action to remedy the under-representation of people of color in Classics.

Mary T. Boatwright

SCS President

(Update: the Future of Classics video is now available on the SCS YouTube Channel)

View full article. | Posted in Presidential Letters on Thu, 02/14/2019 - 9:27am by Helen Cullyer.

Celebrating the Divine — Roman Festivals in Art, Religion, and Literature

University of Virginia, 30–31 August 2019

Festivals are ubiquitous in the life of the Roman world, and so are their depictions in ancient art and texts. Reliefs, mosaics and paintings, but also coins all show scenes of festivity. Very often, these images reflect on the relationship of humans and gods and the special encounter between both spheres that takes place in a festive context. In literary texts, feast days often occupy a prominent position: they are crucial for the preservation of memory and identity, but they also mark fateful beginnings or momentous endings in a narrative and act as privileged sites of self-definition for individuals or the community.

This interdisciplinary conference aims to bring together scholars of literature, art, and religion to examine how Roman festivals are represented in different media and to explore the functions of such representations.

Possible questions include, but are by no means limited to the following:

How does one depict the particular type of event that is the festival? Is there a typical ‘festive scenery,’ and what are its elements? What are the techniques used for depicting the festive encounter of mortals and gods? How can the secret rites of the Mysteries be represented?

View full article. | Posted in Calls for Papers on Mon, 02/11/2019 - 10:06am by Erik Shell.

The conference is organized under the auspices of the Ministry of Science of Montenegro and will be held in Herceg Novi, an ancient town on the coast of the Adriatic Sea, and an intersecting point of different cultures during ancient and medieval times.

As one of the institutions participating in the COST (European Cooperation in Science and Technology) Action entitled Reappraising Intellectual Debates on Civic Rights and Democracy in Europe, the Center for Hellenic Studies organized a series of lectures, presentations and round tables, participated by eminent experts in philosophy, history, political theory, theology, classics, and other disciplines. As the final phase of the project, the Center deemed opportune to initiate a debate on the achievements, values and guide marks that Hellenic political philosophy can have for contemporary Europe, in which the apprehension of the political is chiefly reduced to the interests of powers and corporations, being thus exclusively linked to the technique of conquering and maintaining dominance.

Ancient Hellenic conception, that gave birth to notions like freedom, democracy, parrhesia, publicity and other, reminds us that ancient Greeks understood politics not only as a fundamental designation of human beings – as, according to Aristotle, anyone who does not partake of society is either a beast or a god – but also as inseparably linked to ethics.

View full article. | Posted in Calls for Papers on Mon, 02/11/2019 - 10:02am by Erik Shell.

The program submission system is now open and accepting proposals.

You can visit the main page at https://program.classicalstudies.org/

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Mon, 02/11/2019 - 9:31am by Erik Shell.
Apadana Hall, 5th century BC carving of Persian and Median soldiers in traditional costume. CC BY-SA 3.0.

'Addressing the Divide' is a new column that looks at the ways in which the modern field of Classics was constructed and then explores ways to identify, modify, or simply abolish the lines between fields in order to embrace broader ideas of what Classics was, is, and could be. This month, Prof. Catherine Bonesho, an Assistant Professor at UCLA who specializes in the ancient history of Judaism and the Near East, speaks to classicist and Herodotus scholar Prof. Rachel Hart. 

Where you work—and who you work with—can make a world of difference. A good chair, a charged computer, and my books were at one point all I thought I needed in my research. However, while still a graduate student at the University of Wisconsin-Madison, I realized that it’s not just where you work or what your work is, but the colleagues you work with. 

View full article. | Posted in on Thu, 02/07/2019 - 8:15pm by Catherine Bonesho.

Resolution approved by the Board of Directors of the SCS, Jan. 6, 2019

The SCS Board of Directors approved the following recommendation at its meeting on January 6, 2019. It will be communicated to journal editors and to classics editors at relevant presses, that is, those whose publications fall under the responsibility of the American Office. We will also investigate whether the recommendation can be more widely discussed and adopted.

Board Resolution

In view of the ever-growing number of articles and chapters in collective volumes that the American Office for L’Année philologique is responsible for processing, it is the strong recommendation of the SCS that journal and volume editors regard it as a best practice and a routine adjunct of the publication process that each article or chapter be accompanied by a brief abstract and a list of keywords.

To ensure the utility of abstracts and keywords for the efficient compilation of data for APh, please take note of the following guidelines:

1. The abstract should give a concise but informative summary of the article’s or chapter’s content, indicating important points of argumentation and main conclusions.

2. The abstract should refer to the types of evidence adduced in drawing these conclusions, and give specific information about the most important items.

View full article. | Posted in SCS Announcements on Mon, 02/04/2019 - 2:03pm by Erik Shell.

Classical Charleston 2019: Diversifying Classics

The Department of Classics at the College of Charleston is pleased to announce the eighth annual colloquium of the Theodore B. Guérard Lecture Series, Classical Charleston: “Diversifying Classics.”

This colloquium focuses upon the ways in which Classics opens a window into a diverse and multicultural world, and how this diversity allows for a variety of methodological approaches and applications for cross-comparative cultural study. Discussion also turns to the structural elements that historically have constrained these approaches, and a wider discussion on how to move the discipline (and the perception of the discipline) forward into a redefinition of Classics for the 21st century.

View full article. | Posted in Conferences, Lectures, and Meetings on Mon, 02/04/2019 - 9:11am by Erik Shell.
The Classical Association of New England Summer Institute
July 8-13, 2019 / Brown University, Providence, Rhode Island

E Pluribus Unum

The organizers of the 2019 CANE Summer Institute invite you to join us for a weeklong examination of peoples and cultures that comprised the Classical Greek and Roman worlds.  We will not only look at the various components of the ancient world, but we will also consider what it meant for those components to be unum.  The institute’s events and discussions will also consider modern and contemporary reflections of nationhood. 

Whether you are a high school or college teacher of Latin and/or Greek, History, English, the Arts, or other related disciplines, an undergraduate or graduate student, or a devoted lifelong learner, you will enjoy a thoughtful and enriching experience that includes a wide variety of mini-courses, lectures, workshops, reading groups, and special events while also offering many opportunities for conversation and collegial interaction among participants. CE credits available.

For more information www.caneweb.org

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View full article. | Posted in Conferences, Lectures, and Meetings on Fri, 02/01/2019 - 8:08am by Erik Shell.
Pieter Coecke van Aelst, the elder (Flemish, 1502-1550). 'Saint Jerome in His Study,' ca. 1530. oil on panel. Walters Art Museum (37.256): Acquired by Henry Walters. Image via Wikimedia under Public Domain.

Literary translation is a scholarly and a creative act in which a reader of the Greek or Latin becomes the writer for new readers. Like all readers, translators interpret the text, and in the field of classics, apply their scholarship and their poetic abilities to put the text into a modern language. Since many readers of our translations cannot read the original, they depend on us to transmit the voice of the original writer and to be transparent in our choices. By that I mean that the translator should proclaim whether the translation is aiming for accuracy (and what that means in particular), whether it adds or subtracts from the source text (such as Richmond Lattimore inserting his own lines into Sappho’s fragments), whether the work is an adaptation rather than a translation (clearly proclaimed in Luis Alfaro’s “Mojada: A Medea in Los Angelos”).

Diane Arnson Svarlien and I co-organized “A Century of Translating Poetry” (the first panel sponsored by the Committee on the Translation of Classical Authors). The panel had a good mix of scholars, including active translators (both organizers, Gonçalves, Hadas, and Wilson), two non-translators (graduate student Lee and professor Vandiver), a poet (Hadas) and a performer of Latin poetry (Gonçalves). We had a lively discussion after the five talks with about forty audience members in a packed small room.

View full article. | Posted in on Thu, 01/31/2019 - 8:37pm by Diane Rayor.

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