CFP: The Moon in Human Imagination

"Fly me to the moon" The moon in human imagination
University of Genova (Italy) December 12th-13th 2019

From October 2018 through December 2022, NASA will mark the 50th anniversary of the Apollo Program that landed a dozen Americans on the moon between July 1969 and December 1972.

All kind of events, activities, exhibitions, seminars dedicated to celebrating the first moon landing are understandably spreading everywhere and we want to join the celebrations in our own way.

The moon has always been a source of mystery and enchantment to people of all times and has lit up our imagination for centuries: for writers and poets, the moon has been at one moment a beneficent and comforting presence offering refuge in nocturnal and idyllic landscapes, at the next a silent confidante to secret loves, but also a witness of misdeeds, crimes and mysterious adventures, as well as a power capable of generating werewolves and creatures of the night. From ancient times to modern Western art and literature, the Moon is a recurring subject of poetry and all sorts of artistic representations, an inspiration for mythologies and mysticism, the object of scientific inquiries and a crucial destination for science-­‐‑fiction fantasies. We might say that the attraction our satellite exerts on literature is at least as powerful as its pull on the tides.

The importance of the Moon as a source for the visual arts and literature in all times has long been recognized and, although the theme has been explored before, its influence is inexhaustible.

An international conference is an excellent opportunity for researchers in many different fields to keep exploring our various images of the Moon and to exchange ideas and share experiences and research methodologies.

The University of Genova, and in particular its Departments of Classics and Italian studies (DAFIST and DIRAAS), invites submissions of articles on the subject of the Moon to be presented at an international conference to be held in Genova on 12-­‐‑13 December 2019.

The deadline for submission is July 20th 20:17 UTC (date and time when the lunar module Eagle landed on the lunar surface).

Using the Moon as a source of inspiration, we invite scholars of Classical Studies, Medieval and Renaissance culture, Modern and Contemporary Literature, History and Philosophy, Music and Musicology, Cinema and Media Studies, to explore and discuss the many different ways that writers, poets, historians, artists, film makers have tried to capture the image of our satellite.

We welcome submissions from scholars at all levels of career, but especially encourage doctoral and advanced students.

Please send a brief curriculum vitae, and a proposal of approximately 500 words to lara.nicolini@unige.it, luca.beltrami@unige.it, lara.pagani@unige.it.

Topics of interest include, but are not limited to, the following topic areas:

  • the Moon in mythology / lunar myths / the Moon and the Poets
  • the Moon in Ancient and Modern Novel and in Scientific literature
  • the Moon in Greek and Roman Literature
  • the Moon in Religion and History of religions
  • Magic of the Moon. The Moon in Magic
  • the Moon in Linguistic, Sociology etc. / Questioning the Grammar: Genre and Gender of the Moon
  • Science of the Moon / Knowledge and Science about the Moon (from Aristotle to Galileo to NASA) /. Animals and the Moon
  • Iconography of the Moon (from the ancient times to space-­‐‑age art) / Moon in Art History / Moon and Moonlight in the visual arts / Lunar landscapes / Visions of the night
  • the Moon in Science fiction, Cinema and media studies (from Verne to Hollywood)
  • Music by Moonlight: the Moon in the Music / Songs about the Moon

Submission guidelines

Authors from all over the world are invited to submit original and unpublished papers, which are not under review for any other conference or journal. All papers will be peer reviewed by the program committee and selected on the basis of their originality, significance, and methodological soundness.

Submitted abstracts can be written in Italian or English (the same goes for the papers).

The length of contributions must be between 4 and 8 pages (about 20/25-­‐‑minutes papers). Submission implies that the contributor is willing to attend the conference and present the paper.

The organizing committee looks forward to welcoming you all to a fruitful conference, open discussion and networking.

Key Dates

Submission deadline for abstracts: 20 July 2019

Author notification: 30 September 2019

Conference dates: 12-­‐‑13 December 2019

Conference venue

Genoa is one of the most beautiful Italian cities and a Mediterranean seaport. It embraces different cultures and traditions from the past, combined in a unique and original architecture. Its vast old town is an intricate maze of narrow alleys extending up to the seafront of the Old Harbour. The city center boasts Medieval buildings next to rich Renaissance noble palaces (a UNESCO World Heritage Site), museums and several churches hosting important art masterpieces, in a unique cohesion of past splendor and contemporary everyday life.

www.visitgenoa.it

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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(Submitted by Mark Possanza)

View full article. | Posted in In Memoriam on Wed, 02/19/2020 - 8:56am by Erik Shell.
Bellum ex altera parte: Social Status, Gender and Ethnicity in Ancient Warfare
(21st UNISA Classics Colloquium)
 
We are pleased to announce our first call for papers, inviting abstracts for the annual Unisa Classics Colloquium, to be held in Pretoria from 15 to 18 October 2020.
 
Ancient artists and writers focused heavily on the role of elite male citizens in their representations of warfare in the ancient world, and this was for the most part also the focus of scholarship on warfare up to the mid-20th century.  But an interest in ideologically excluded groups, often called the ‘other’ or the ‘subaltern’ in scholarship, gained ground in the second half of the 20th century, and in the last decade or two the subject of war itself is now being examined for information on groups that were not at the top of the social hierarchy (although from the 8th century BC to the 5th century CE the composition of these groups was certainly subject to fluctuation). Our theme this year therefore focuses on those who populated these categories within the context of warfare in the ancient world.
 
View full article. | Posted in Calls for Papers on Wed, 02/19/2020 - 8:54am by Erik Shell.

The Hill Museum & Manuscript Library (HMML)

Saint John’s University
Collegeville, Minnesota  56321

Heckman Stipends, made possible by the A.A. Heckman Endowed Fund, are awarded semi-annually. Up to 10 stipends in amounts up to $2,000 are available each year. Funds may be applied toward travel to and from Collegeville, housing and meals at Saint John’s University, and costs related to duplication of HMML’s microfilm or digital resources (up to $250). The Stipend may be supplemented by other sources of funding but may not be held simultaneously with another HMML Stipend or Fellowship. Holders of the Stipend must wait at least two years before applying again.

The program is specifically intended to help scholars who have not yet established themselves professionally and whose research cannot progress satisfactorily without consulting materials to be found in the collections of the Hill Museum & Manuscript Library.

Applications:
Applications must be submitted by March 15 for residencies between July and December of the same year, or by October 15 for residencies between January and June of the following year.

Applicants are asked to provide:

View full article. | Posted in Awards and Fellowships on Wed, 02/19/2020 - 8:51am by Erik Shell.

Call for Abstracts: The 2020 meeting of the International Society for Neoplatonic Studies in Athens, Greece (June 10-14, 2020), held in conjunction with the American College of Greece.

The International Society for Neoplatonic Studies (ISNS) invites submissions of abstracts for the 2020 meeting in Athens, Greece (June 10-14, 2020).This year’s panels embrace a wide range of themes and topics in the Platonic tradition, spanning from antiquity to the modern period.

People may present in English, French, German, Italian, Portuguese, Spanish, or Greek. Speakers presenting in a language other than English are encouraged to give printed copies of their papers.

All abstracts are due by February 24, 2020. Please submit abstracts (a maximum of one page) directly to the panel organizers’ emails, as listed on the official call for abstracts: https://www.isns.us/2020PanelsforAthensConference.pdf. Those presenting must be ISNS members before the meeting.

The ISNS also will be offering travel grants for students and early career scholars to attend this year’s meeting. More information about these awards can be found here: https://preview.tinyurl.com/ISNSTravelGrant.

For more information please visit the ISNS website: https://www.isns.us/.

View full article. | Posted in Calls for Papers on Tue, 02/18/2020 - 11:23am by Erik Shell.

Judith Peller Hallett is Professor of Classics and Distinguished Scholar-Teacher Emerita at the University of Maryland, College Park. Judy was born in Chicago, grew up in the suburbs of Philadelphia, and earned her B.A. in Latin from Wellesley College in 1966. She received her M.A. in 1967 and her Ph.D. in Classical Philology in 1971, both from Harvard University. Her research focuses on women, the family, and sexuality in ancient Greece and Rome, particularly in Latin literature. She is also an expert on Classical education and reception in the nineteenth and twentieth centuries. Her publications include Fathers and Daughters in Roman Society: Women and the Elite Family (1984) and a special edition of the journal The Classical World, entitled “Six North American Women Classicists,” with William M. Calder III (1996-1997). A lifelong feminist, she has edited or contributed to numerous collections that focus on women in the ancient world and in the discipline of Classics, such as Roman Sexualities (1997), the Blackwell Companion to Women in the Ancient World (2012), and Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly (2016).

CC: How did you come to Classics?

View full article. | Posted in on Tue, 02/18/2020 - 6:10am by Claire Catenaccio.

Greek vases, with their distinctive red and black, are one of the most recognizable faces of ancient Greece. Their decorative scenes of deities, myth, and everyday life offer a beautiful and informative window into classical culture. With the Panoply Vase Animation Project we’re encouraging people to enjoy and learn about ancient vases and society by placing the artifacts center-stage in short, lively animations made from the vase-scenes themselves. The animations keep as close as possible to the original artwork, using the existing figures and decoration and drawing on existing iconography. But the figures can now move, and the animations explore the possibilities within the vase scenes: runners can sprint past, dice are thrown, and those poised to strike can use their weapons. The tone of the animations varies. The Cheat is a light-hearted romp; Hoplites! Greeks at War will send shivers down your spine.

View full article. | Posted in on Fri, 02/14/2020 - 6:06am by .

The Classical Association of the Atlantic States
Call for Papers: 2020 Annual Meeting, October 8-10, 2020

Hotel DuPont, Wilmington, DE

We invite individual and group proposals on all aspects of the classical world and classical reception, and on new strategies and resources for improved teaching.  Especially welcome are presentations that aim at maximum audience participation and integrate the concerns of K-12 and college faculty, that consider ways of communicating about ancient Greece and Rome beyond our discipline and profession, and that reflect on the past, present, and future of classical studies in the CAAS region.

View full article. | Posted in Calls for Papers on Thu, 02/13/2020 - 8:44am by Erik Shell.

Hybrid Epicenters: Peripheral Adaptation in Flavian Literature

With a response by Antony Augoustakis

Adaptation and change in Imperial Rome tend to aggregate on the margins and at the edges of things, in extremis as it were. In Flavian literature, various dynamic changes have been observed, in the textual space as well as in the socio-political background under which this literature is being produced. One example is the sudden transition between books 11 and 12 in Statius’ Thebaid wherein the fraternas acies of the first 11 books gives way to (attempted) reconciliation. Or from a geographical stance, one example is Scipio Africanus’ rapid rise to power as he pushes Rome’s military might to her future imperial edges in Spain and North Africa in books 16 and 17 of the Punica; from a sociocultural angle, the complex dynamics in the Silvae between Campania and Rome causes difficulties in recognizing which location is central and which peripheral in Statius’ conceptualization of the geography of Roman power in Italy.

View full article. | Posted in Calls for Papers on Tue, 02/11/2020 - 2:13pm by Erik Shell.

The following was approved by the SCS board of directors on February 7, 2020.

The Society for Classical Studies joins the Society of Architectural Historians in opposing the proposed Executive Order “Making Federal Buildings Beautiful Again.”  As students and scholars of the ancient Greco-Roman world and its ongoing cultural impact, we recognize that classical antiquity provided some of the many traditions that have shaped this nation, and we appreciate the examples of neo-classical architecture, both public and private, to be found throughout the United States.  But we firmly believe that the architectural style of public buildings should not be dictated in advance, but rather freely and deliberately chosen in view of all relevant considerations, and we reject the supposition that a style derived from classical models is necessarily better suited than any other to express the history, values, and aspirations of the American people.

Please see the letter below from the Society of Architectural Historians and a number of other scholarly societies, including SCS.

February 10, 2020

The President
The White House
1600 Pennsylvania Avenue, N.W.
Washington, DC 20500

Re: Opposition to proposed Executive Order “Making Federal Buildings Beautiful Again”

Dear Mr. President,

View full article. | Posted in Public Statements on Mon, 02/10/2020 - 11:49am by Helen Cullyer.

The deadline to apply for Classics Everywhere is February 14, 2020.

Applications can be submitted through the above link by filling out the application form linked half way down the page.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Mon, 02/10/2020 - 8:29am by Erik Shell.

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