CFP: Poetics and politics: New approaches to Euripides

Poetics and politics. New approaches to Euripides

Lyon International Conference
June 27th-29th, 2019

In the last hundred years, scholars have approached the relation between poetics and politics in Euripides's dramas from different perspectives. Characteristic of the French-Belgian school of the middle of the 20th century was the attention paid to formal, dramatic or structural inconsistencies, which were thought to be justified by and to point to allusions to contemporary events or people. Severely criticized for the circularity of its argumentation and its disregard of poetic interpretations, this ‘old historicist’ approach was followed by the anthropological turn of J.-P. Vernant and P. Vidal-Naquet's work, which led to a new trend of studies often labelled ‘New Historicism’. This approach became particularly influential in 1990 with the publication of the collective volume Nothing To Do With Dionysus. This mode of historicism was concerned primarily with the tragedies' ideological functions in the context of Athenian democracy; it endeavored to show that tragedy reflected democratic ideology while also displaying resistance to it – a « broken mirror » as P. Vidal-Naquet put it. The attention paid by New Historicism to the social context of performance and to the political institutions that were in charge of the plays' productions, as well as to the audience of the plays, was an important and fruitful innovation, but it has been duly criticized for its short-comings, especially for its disregard of poetic form and of individual authorship. Some scholars, feeling that the plays were reduced to being a somewhat vague and passive reflection of general socio-political tensions, reacted by a renewed kind of formalism and a surge of interest in the meaning of individual plays.

In recent years, the tragic art of Euripides has been examined in more eclectic ways involving not only social, political, anthropological and religious but also (meta-)poetic, structural, dramaturgical and musical considerations. These perspectives are either juxtaposed to encompass the complexity of Euripides's drama or articulated to each other, aesthetic form being seen as a mode of political thought. The context within which drama needs to be interpreted has been expanded to include not only the institutions and dynamics of the Athenian city, but also other forms of poetry, art and thought to which the poet alludes in a constantly creative way or with which he competes. The conference aims at bringing together such diverse approaches to reexamine the relation between Euripides's poetics and the politics of his time.

Some of the questions that the conference hopes to raise are the following:

  • How would we define today the political meaning of Euripides's plays?
  • How is this meaning articulated to their form, structure, rhythm and other poetic aspects? How do studies on the materiality of Greek drama contribute to the question of politics?
  • How does performance actualize or enhance the political impact of the tragic text and how do performance studies contribute to the political interpretation of Euripides's plays?
  • Should we renounce the idea that Euripides is conveying a precise political message in a given play or does the combination of new methods allow us to identify his voice in a more subtle way than before? What is the specificity of his tragedies and of his approach to politics?
  • Does a political interpretation preclude a search for a universal human meaning? When both meanings coexist, what are the poetical or dramaturgical means that unite or distinguish them?
  • How can we integrate the fragmentary plays in the interpretation of Euripides's politics?
  • Can the political reception of Euripides's plays throughout the centuries help us frame in a fresh way the relation between Euripides's poetics and the politics of his time?

Questions and abstracts (no more than half a page) should be sent before October 12th, 2018 to: pascale.brillet@mom.fr

Submissions will be examined by the members of the scientific committee: Pascale Brillet-Dubois (Université Lumière Lyon 2), Anna Beltrametti (Università di Pavia), Donald Mastronarde (UC Berkeley), Boris Nikolsky (RANEPA, Moscow), Anne-Sophie Noel (ENS Lyon), Victoria Wohl (University of Toronto).

PhD students' and young scholars' submissions are particularly welcome.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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Call for Papers
October, 26th 2019.
University of Florida, Gainesville, FL.
Third University of Florida Classics Graduate Student Symposium
 
Justice turns the balance scales
Δίκα δὲ τοῖς μὲν παθοῦσιν μαθεῖν ἐπιρρέπει (Aeschylus, Agamemnon, 250-1)
“But Justice turns the balance scales,
sees that we suffer and we suffer and we learn.” (trans. Robert Fagles)

The importance of the concept of justice in ancient literature and culture set the foundation for the philosophical, social, and political reflections on the subject in the centuries that followed. From archaic theodicy, to the great plays of the Tragedians, from Caesar’s debate with Cato, to life under tyrannical emperors, δίκη [dīke] and iustitia (νόμος [nomos] and ius…) come to the fore as key ideas to interpret the world and man’s role/duty in it.  Many human experiences that ancient literature describes broached the issue of justice, be it at a personal level (the problem of suffering, retribution, progress, etc.) or at a societal and historical level (administration of justice, redistribution of land, great legal cases of ancient history, etc.). These ideas have been the point of reference for many literary works and philosophical/political reflections in the cultural tradition that reaches us today.

View full article. | Posted in Calls for Papers on Thu, 03/21/2019 - 11:15am by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

The Department of Classics and the Ancient Theater Performance Group of Cornell University present....

TROADES 
“The Trojan Women”
by Seneca

In the original Latin
 
Directed by Daniel Gallagher and Nathan Chazan
  
Sunday, April 21, 2019 – 7:30 p.m.
Wednesday, April 24, 2019 – 7: 30 p.m.

Rhodes-Rawlings Auditorium – Klarman Hall
 
Admission is free.
For more information:lmb296@cornell.edu

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(Photo: "Empty Theatre (almost)" by Kevin Jaako, licensed under CC BY 2.0)

View full article. | Posted in Performances on Thu, 03/21/2019 - 8:20am by Erik Shell.

The Many Faces of War V: An annual interdisciplinary symposium on the experience and impact of war throughout history

 October 17th-18th, 2019 at South Dakota State University

This annual interdisciplinary conference aims to address both the experience and impact of war for those fighting as well as for those on the periphery of combat.  

The conference is aimed equally at postgraduate students, researchers in the early stages of their careers and established academics. There are no specific geographical or temporal parameters regarding the subject matter of papers, and scholars and students of ancient, medieval and modern warfare are encouraged to submit proposals. We would also encourage the proposal of panels of three papers.

 This year we encourage a focus on veterans and associated studies or experiences. Suggested topics are: PTSD; the social stigma of retreat or cowardice; social security systems for war widows and orphans; the effect of training on a soldier’s mindset and actions (before, during and after combat); the social position of soldiers and veterans;  literature and poetry of war; the art and architecture of war and remembrance. 

Proposals/abstracts should be no longer than 250 words and should be sent to:

View full article. | Posted in Calls for Papers on Wed, 03/20/2019 - 8:42am by Erik Shell.

SCS is pleased to announce the addition of a candidate to the 2019 election slate for President-Elect. Professor Shelley P. Haley has received the support of over 30 SCS members, and, in accordance with Bylaw 30, she has been added as a candidate in the upcoming summer elections. You can view the updated slate here.

View full article. | Posted in SCS Announcements on Mon, 03/18/2019 - 1:34pm by Helen Cullyer.

The 2019 Election Slate is now available. Please click here for a list of candidates nominated by the Nominating Committee and for instructions for those members who wish to petition to be added to the ballot. 

View full article. | Posted in SCS Announcements on Mon, 03/18/2019 - 11:41am by Helen Cullyer.
Three Roman votive offering representing faces. Credit: Wellcome Collection. CC BY 4.0: https://wellcomecollection.org/works/vy2engnk

Emma-Jayne Graham discusses her newly launched digital project with Jessica Hughes called The Votives Project, which examines ancient religion, medicine, and the divine through the lens of votive offerings in ancient sanctuaries and beyond. 

“There must be lots of people working on material like this – wouldn’t it be great to be able to talk to them too?” This was the gist of a conversation with my colleague Jessica Hughes which eventually led to the creation of The Votives Project: a website and network of people from different backgrounds who study, create, or use votive offerings or other related ways of communicating with the divine.

View full article. | Posted in on Thu, 03/14/2019 - 3:45pm by Emma-Jayne Graham.

11–14 November 2019
Faculty of Arts, Masaryk University, Brno

The event represents a unique opportunity to bring together scholars from various disciplines of Classical Studies and other Humanities to share ideas on the playwriting of Titus Maccius Plautus, especially the performative aspects of his comedies and the process of their reception and adaptation to different languages and for the stage.

The participants are invited to fit their talk into one of the following panels:

1) Plautus on Page
Possible issues: How does the linguistics, art history, social/cultural/judicial studies, etc. contribute to our understanding of Plautine comedies as play texts? What are the sources and limits of reconstructing the actual stage practices of the ancient Roman theatre performances? Ancient intradialogical and extradialogical stage directions – how to read and understand them? And other.

View full article. | Posted in Calls for Papers on Tue, 03/12/2019 - 2:30pm by Erik Shell.
Blue Women

All tickets are now reserved for the free staged reading and discussion of Emily Wilson's Odyssey translation at BAM on March 15 at 7.30pm. There will be a standby line. Reserved seats must be claimed by 7:20 p.m. Unclaimed seats will then be released to those on the standby line. 

Doors open at BAM Fisher (321 Ashland Pl, Brooklyn, NY 11217) at 6:30 p.m. for a book signing by Emily Wilson. Please bring your own copies for signing, as we will not be selling books.

View full article. | Posted in SCS Announcements on Mon, 03/11/2019 - 8:51am by Erik Shell.

March 6, 2019

RE: Statement to the Field about the State of Classics at the University of Vermont (UVM)

Dear Friends and Colleagues,

After receiving a number of concerned queries about recent cutbacks to Classics at UVM (Universitas Viridis Montis), the department’s faculty have composed the following statement:

Jeffrey Henderson and Richard Thomas, conducting our Academic Program Review of 2014–2015, concluded their positive assessment as follows:

View full article. | Posted in on Thu, 03/07/2019 - 9:08pm by University of Vermont.

The World Upside-Down: Absurdities, Inversions, and Alternate Realities

Columbia University Ancient Mediterranean Graduate Student Conference
November 1-2, 2019. Columbia University in the City of New York, USA.                           

Keynote Speaker:  Patrick R. Crowley (University of Chicago)

In an era of ‘fake news’ and ‘alternative facts’ it can seem like no form of media should be entirely trusted. While these issues are a modern problem, exacerbated by the unprecedented rise of social media, evidence from the ancient world produces a similar ‘truthiness’: an upside-down world or alternate reality that is latent, barely below the surface of the present and just beyond the borders of civilization and norms. Unlike utopias, which are placeless or displaced, many of these imagined dystopic or feigned worlds are presented as dangerously close to their contemporaries.

We invite papers from graduate students working across disciplines related to the ancient world––and interdisciplinary approaches are encouraged––for a conference that will explore the relationships between fact and fiction, order and chaos. From representations of alternate realities in ancient drama, painting, and sculpture, to disparate histories and archaeological evidence, we hope to discuss the motivations behind, and effects of, the absurd, inverted, and alternative.

View full article. | Posted in Calls for Papers on Wed, 03/06/2019 - 3:04pm by Erik Shell.

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The Department of Classics and the Ancient Theater Performance Group of Corne
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The Many Faces of War V: An annual interdisciplinary symposium on the
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SCS is pleased to announce the addition of a candidate to the 2019 election s

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