CFP: Race and Racism: Beyond the Spectacular

Revised 7/30/20

As previously announced, Patrice Rankine and Sasha-Mae Eccleston will serve as guest editors of a future issue of TAPA with the theme of race, racism, and Classics (issue 153:1, to appear April 2023). Covid-19 and the global Movement 4 Black Lives have highlighted the extent to which racism is a public health emergency whose reach extends across the Black Atlantic and far beyond. In light of these deeply imbricated developments of 2020, this volume becomes even more timely. A detailed call for papers, along with instructions and deadlines for submission in 2021, follows.

Race and Racism: Beyond the Spectacular

 

…the “cultural logic” of lynching enables it to emerge and persist throughout the modern era because its violence “fit” within the broader, national cultural developments. This synchronicity captures why I refer to lynching as “spectacular”: the violence made certain cultural developments and tensions visible for Americans to confront.

Jacqueline Goldsby, A Spectacular Secret: Lynching in American Life and Literature

 

The last few annual meetings of the Society for Classical Studies (SCS) have been the staging ground for long overdue discussions about race and other marginalized identities within the discipline of Classics. These discussions have taken place in spectacular fashion, to borrow from Jacqueline Goldsby’s analysis of the cultural logic of lynching, a violent example of the pervasive yet less visible realities structuring American life. This heightened awareness of race and racism might be a new watershed, but it recalls the polarizing controversies that revolved around Bernal’s Black Athena during the culture wars of the 1980s and 90s. That is, having escaped notice for a time, Classical Studies is once again being made to confront its relationship to broader cultural developments. Through keynotes, presidential panels, award ceremonies, and gatherings of caucus groups, classicists have sought of late to counter the public and blatant acts of racism that have drawn the attention of outlets outside of the regular disciplinary orbit. SCS sessions such as Robin DiAngelo’s “white fragility” workshop have revealed the stability of majoritarian, white supremacist practices, exposing what minoritized members of the field have long known: spectacular acts of bigotry and endangerment are not exceptional, not a blip in the otherwise ‘civilized’ rhythms of scholarly life. They are better publicized iterations of everyday experiences.

For Classical Studies, the spectacular is also prismatic. Modern instantiations of whiteness, race, and racism project back onto the past, so that scholarship regularly and unremarkably advances the cultural logic. This logic likewise recurs in conversations about representational diversity and inclusion. The academy at large has only recently begun to systematically interrogate how professional routines normalize racism and racialize other forms of discrimination.  As a field, the Classics must also imagine a full-throated response to the realities of this discrimination in both its spectacular and mundane manifestations. 

This issue of TAPA intends to be a catalyst for transformative ideas regarding the reality of race and racism within all aspects of Greek and Roman Studies. We seek contributions that analyze and critically engage phenomena which have been considered unrelated to race, have been so familiar as to remain un-critiqued as spectacular, have not yet been brought to light, or that have tended to be avoided for being too disruptive of the disciplinary status quo. Rather than cordon off advances from other branches of scholarship, this issue welcomes reflections on Classical Studies from other disciplines. We remain attentive to the discipline’s self-declared roots in philology. But the scope of this endeavor demands that we also open ourselves up to other models of critique and to the insights that those models produce. To that end, scholars from fields with similar disciplinary trajectories, with research interests that dovetail with Classics, or whose work is assumed to have no relationship to race and/in the Classics are especially encouraged to submit abstracts.

We offer the following clusters of questions as non-exhaustive entry points into a longer conversation:

What, if any, is the semantic force of the term ‘Classical Studies,’ as opposed to other potential rubrics, e.g., Greek and Roman Studies, Mediterranean Studies, etc.? What is the force of ‘Classical Studies’ in relation to Indigenous Studies, Asian American Studies, Arab American Studies, Latinx Studies and so on?

Are there disciplinary transformations we might use as guides for an anti-racist restructuring of the field?

Though it is often posited as objective and therefore outside of or resistant to so-called 'cultural difference', how can philology and other formalisms shed the garb of objectivity to operationalize racial competence?

How has the elasticity of whiteness manifested in periods when the discipline of Classical Studies has been most self-conscious? Has the warm reception of postcolonial studies within the field obscured the relationship between Classical Studies and contemporary forms of imperial conquest, e.g., global markets, philanthropy and humanitarian relief in the Global South, and American educational expansionism?

How can critical approaches to work and other institutions—universities, prisons, the healthcare industry and so on—inform our understanding of the entanglements of our field and its practitioners? What coalitions does such an approach make possible, perhaps at both the local/regional and national levels?

Submission deadlines and instructions:

  • Articles for this issue should be submitted no earlier than August 1, 2021, and no later than January 1, 2022.
  • Submissions should be directed to the regular TAPA editor (tapa@uci.edu).
  • Contributors should consult the current TAPA guidelines for authors and style sheet.
  • All submissions will receive double-blind refereeing as is usual for TAPA.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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"Wrestling announcer Ed Aliverti often spiced up the NCAA Division I wrestling tournament by yelling that wrestling was 'the world's oldest and greatest sport.' Prints sold at wrestling events depict biblical figure Jacob wrestling an angel, and Abraham Lincoln engaged in his own wrestling match before becoming president. The sport has always been proud of the ancient origins of the sport.

"Now, wrestling has proof of its long history, as researchers at Columbia University found an instructional manual on wrestling that dates back to 200 A.D."

Read more at Yahoo Sports…

View full article. | Posted in Classics in the News on Thu, 10/20/2011 - 7:41pm by Information Architect.

Martha Abbott, a Latin teacher with whom many APA members have collaborated, has become Executive Director of the American Council for the Teaching of Foreign Languages (ACTFL), a society of over 12,000 language teachers and administrators. 

View full article. | Posted in Classics in the News on Wed, 10/19/2011 - 6:22pm by Adam Blistein.

The Aquila Theatre's Ancient Greeks/Modern Lives project has been invited to perform a staged reading of scenes from ancient Greek literature for members of the administration and Congress at the White House on November 16, 2011. Ancient Greeks/Modern Lives:  Poetry-Drama-Dialogue is a major new national public program by the Aquila Theatre of New York, supported by a prestigious Chairman's Special Award from the National Endowment for the Humanities (NEH).  The goal of the project is to bring the veteran community and public together around performances of several ancient  works.  This fascinating free public program of staged readings, lectures, reading groups, and workshops is visiting 100 libraries, arts centers, museums, theatres and galleries across America from May 2010 to April 2013.  The APA is participating in this program by helping to recruit and train the scholars who will lead the events before and after Aquila performances.  The staged reading at the White House will include scenes from Aeschylus' Agamemnon, Sophocles' Ajax, Euripides' Herakles, and Homer's Odyssey performed by a combination of actors from Aquila and combat veterans who served in Vietnam, Iraq and Afghanistan.  The reading will be followed by a "town-hall" style discussion moderated by APA member, Peter Meineck, Aquila's Artistic Director.

View full article. | Posted in SCS Announcements on Tue, 10/18/2011 - 6:58pm by Adam Blistein.

We expect the new automated APA-AIA Placement Service registration web site to be available to candidates during the week of October 17.  At that time candidates will need to register for the 2011-2012 Placement Year if they wish to continue to receive Positions for Classicists and Archaeologists, get access to a web site in which new job listings will be posted as soon as their advertisements are approved, and schedule interviews at the upcoming annual meeting.  Candidates must be either an APA member for 2011 or an AIA member in good standing and will need to enter a member number to complete the registration process. 

If you are not yet a member, you can join the APA at

http://apaclassics.org/index.php/membership

or you can join the AIA at

http://www.archaeological.org/membership/join

If you have already joined one of the societies, please visit this web site to obtain an APA member number,

http://apa.press.jhu.edu/cgi-bin/member_number_lookup.cgi

AIA member numbers appear on the membership card and can be obtained from Membership@aia.bu.edu

View full article. | Posted in SCS Announcements on Wed, 10/12/2011 - 6:25pm by Adam Blistein.

APPLICATION DEADLINE EXTENDED

The APA Committee on Ancient and Modern Performance (CAMP) solicits applications from APA members interested in serving as local scholars for Aquila Theatre’s Ancient Greeks/Modern Lives: Poetry-Drama-Dialogue program, an important new nationwide partnership between libraries and the theatre supported by a major grant from the National Endowment for the Humanities. The program will have an additional focus on cross-cultural impact relating to the African-American, Asian-American and Latino experience and a special emphasis on veterans and their families and will be guided by consultants specializing in these areas. Ancient Greeks/Modern Lives will travel to 100 library and arts center locations nationwide.  Program details are available on the project web site.

Scholars are particularly needed who are within the vicinity of or able to travel to the following areas:

View full article. | Posted in SCS Announcements on Fri, 10/07/2011 - 7:20pm by Adam Blistein.

The following members were chosen in the elections held this Summer. They take office on January 8, 2012, except for the two new members of the Nominating Committee who take office immediately.)

View full article. | Posted in SCS Announcements on Wed, 10/05/2011 - 1:59pm by Adam Blistein.

The American Office (AO), the first of the international offices of L'Année philologique, was established in 1965 at Chapel Hill, North Carolina, when the volume of material, especially the English-language publications, began to exceed the capabilities of the Paris office.  Lisa Carson became Assistant Director and Principal Bibliographer in 1988, and assumed the Directorship in 1992. The AO moved to the University of Cincinnati in 2002, where it gained Dr. Shirley Werner as Assistant Director. In 2010 the AO moved to Duke University.

L'Année philologique on the Internet (APh Online) now covers 84 years of classical bibliography with volumes 1 (1924-1926) to 80 (2009).  Volume 80 was posted in late August, and 2,200 records from volume 81 (2010) have been online since the middle of June.  Additional records from volume 81 will be posted at the end of this year. 

Please note these new features of APh Online:

· It is now possible to create a search history alert. The alert automatically searches the latest update to the database, and then sends you an e-mail.  See the online user guide to learn how to register for this feature. 

· You can also subscribe to a RSS feed that will list all new records.

View full article. | Posted in SCS Announcements on Wed, 10/05/2011 - 1:41pm by Adam Blistein.

The website for L'année philologique is now Z39.50 compliant, which means that users can search and download references from the site directly through bibliographic reference software such as EndNote. Click here to download a file that will enable EndNote to search and download information from APh online.

View full article. | Posted in Websites and Resources on Wed, 10/05/2011 - 12:49pm by .

In response to the campaign to save Classics at Royal Holloway, and to the proposals put forward by the Department, the College has made some revisions to its proposals for the future of Classics. In particular the BA Classics is to be retained and the importance of advanced teaching in classical languages has been explicitly recognised. A reduction in staff numbers is still proposed, but it would be a loss of 4 posts rather than 6. We would be allowed to admit a total of 50 undergraduates per year for our classical degree programmes. The merger with History is still proposed but the suggestion now is that there would be a 'School of History and Classics' with a 'subject leader' for Classics. The proposal to move the Philosophy staff, including the Ancient Philosophy post, to the Department of Politics and International Relations has not been changed, nor has the proposal to move our Research Professor entirely to the Department of English.

Discussions within the College continue, and we hope for further progress. We are very pleased that we can continue to welcome applications through UCAS for 2012 for ALL our current degree programmes.

Prof. Anne Sheppard
Head of Classics and Philosophy Department
Royal Holloway
University of London
Egham, Surrey TW20 0EX

tel: +44 (0)1784 443204

View full article. | Posted in Classics in the News on Mon, 10/03/2011 - 2:33pm by Information Architect.

"When Ted Pappas returned to Greece last summer he took 'Electra' with him. 'I studied it in Greek under an olive tree on my property,' says Pappas, who is directing the Pittsburgh Public Theater production of 'Electra' that begins performances Thursday at the O'Reilly Theater, Downtown." Read more at the Pittsburgh Tribune-Review online.

View full article. | Posted in Classics in the News on Sun, 10/02/2011 - 2:14pm by Information Architect.

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