Endorsement of Open Letter on Fake and Unprovenanced Manuscripts

This post has recently been updated with a response from Brill.

The SCS Statement on Professional Ethics emphasizes the need for due diligence regarding the provenance of artifacts in many different areas of scholarly work, including initial publications of objects and texts and the management of institutional collections. In recognition of the importance of this issue, the SCS Board of Directors has voted to endorse an open letter on the publication of fragments that were acquired by the Museum of the Bible and published by Brill. You can read the text of the letter below, which was originally published by Dr. Roberta Mazza on November 5, 2018 and signed by many individuals. You can also read the response from Brill, originally published by Dr. Mazza on November 7.

Open letter to Brill: Fake and unprovenanced manuscripts

For the attention of Brill.

FAKE AND UNPROVENANCED MANUSCRIPTS

On 22 October 2018, the Museum of the Bible issued a press release informing the public that five of their recently acquired fragments that were claimed to come from the Dead Sea Scrolls are modern forgeries. These five forgeries are included in the first volume of the series ‘Publications of Museum of the Bible’ which was published by Brill in 2016.

This volume has received sustained criticism from members of the academic community because it failed to provide information about the acquisition circumstances and collection history of the thirteen fragments it presented. In the introduction, the editor in chief stated only that they were acquired “on behalf of Mister Steven Green in four lots from four private collectors” adding the dates of purchase (November 2009, February 2010, May 2010, October 2014). Questions about the authenticity of all thirteen fragments were raised by many specialists, including one of the co-authors of the volume, and are still waiting to be fully answered.

This is merely the latest in a series of cases in which academics’ concerns about the provenance and authenticity of manuscripts have been ignored, despite the fact that most scholarly associations (e.g. ASOR, SBL, SCS, AIA and ASP) have policies and guidelines on these matters. It is clear that there were sustained serious flaws not only in terms of ethical collecting standards and museum best-practice, as the owners of the fragments have acknowledged, but also in publication good practices. As a group of specialists involved in the study of ancient manuscripts we ask Brill to clarify their position. Why did Brill allow the fragments to be published without proper discussion of their provenance, when one co-author had doubts about their authenticity?

This episode again demonstrates the urgent need for publishers as well as academics to exercise due diligence, through their peer reviewers, in checking that publications of antiquities, including ancient texts, acquired recently on the market give a full and annotated discussion of the acquisition and provenance history. We strongly suggest that Brill and other publishers treat this as seriously as they do copyright, and in their instructions to authors and contracts include a clause requiring the author or authors to be responsible for providing a full and proper explanation of the provenance and legitimacy of such recent acquisitions.

We look forward to hearing from you.

Roberta Mazza (University of Manchester)

Roger Bagnall (ISAW, New York University)

Dominic Rathbone (King’s College London)

Christopher Rollston (George Washington University)

Årstein Justnes (University of Agder)

Paul Schubert (University of Geneva)

Andrea Jördens (University of Heidelberg)

Rodney Ast (University of Heidelberg)

Amin Benaissa (University of Oxford)

Todd Hickey (University of California, Berkeley)

Bernhard Palme (University of Vienna)

Jennifer Knust (Duke University)

Brent Nongbri (Macquarie University)

Malcolm Choat (Macquarie University)

Caroline Schroeder (University of the Pacific)

Philip Alexander (University of Manchester)

Luigi Prada (University of Oxford)

Jennifer Cromwell (Manchester Metropolitan University)

Sofia Torallas Tovar (University of Chicago)

Michael Langlois (University of Strasbourg)

Nikolaos Gonis (University College London)

Graham Claytor (Hunter College, CUNY)

Please see the following link for the most up to date list of scholars who have endorsed the letter:

https://facesandvoices.wordpress.com/2018/11/05/open-letter-to-brill-fake-and-unprovenanced-manuscripts/

Response from Jasmine Lange, Chief Publishing Officer, Brill

In response to your Open Letter, Brill would like to express that we are aware of the ongoing discussion about forged fragments of the Dead Sea Scrolls, as announced by the Museum of the Bible in its press release on 22 October 2018.

The forged fragments were included in the first volume of the Publications of Museum of the Bible (Brill 2016). The issue of the authenticity of fragments of the Dead Sea Scrolls was recently addressed by Kipp Davis, one of the editors of this volume, in Brill’s academic journal, Dead Sea Discoveries (‘Nine Dubious ‘Dead Sea Scrolls’, fragments from the Twenty-First Century.’, https://doi.org/10.1163/15685179-12341428).

The role of Brill, as with all other academic publishers, is to facilitate the peer review process in order to ensure that publications meet the required academic criteria. In order to safeguard the originality and quality of our publications, each and every work is subject to peer review. In addition, we receive advice from multiple senior scholars in the appropriate field. As a member of Committee on Publication Ethics (COPE), we take our responsibility as academic publisher very seriously.

Brill and its editorial boards work in good faith and with integrity to further the advancement of scholarship. Given the highly specialized nature of many of our publications, Brill relies upon the judgment and expert advice of its editorial boards. Provenance has always been and remains a difficult and contentious issue with museum collections around the world, both public and private. We always aim at improving our processes and policies and we welcome you to have a discussion about formulating additional policies related to provenance and associated topics that promote integrity and strengthen the interests of the academic community.



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Classical Representations in Popular Culture

Southwest Popular / American Culture Association (SWPACA)

Area Chair: Benjamin S. Haller (bhaller@vwu.edu)

41st Annual Conference, February 19-22, 2020
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: October 31, 2019

Proposals for papers and panels are now being accepted for the 41st annual SWPACA conference.  One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/

Classical Representations in Popular Culture

Papers on any aspect of Greek, Roman, or Mediterranean antiquity in contemporary or popular culture are eligible for consideration.

Classical Representations welcomes submissions on a broader range of topics including:

View full article. | Posted in Calls for Papers on Fri, 07/19/2019 - 1:29pm by Erik Shell.

Call for Lightning Papers: Classics and Civic Activism

Joint AIA/SCS workshop, January 2–5, 2020, Washington, D.C.

Organizers: Yurie Hong (Gustavus Adolphus College), Marina Haworth (North Hennepin Community College), Amit Shilo (UC, Santa Barbara), T. H. M. Gellar-Goad (Wake Forest University)

Classicists at all levels have knowledge, experience, skills, and contacts that can usefully contribute to civic activism outside of academia proper.  The Classics & Social Justice Affiliated Group has organized a workshop on the subject of Classics and Civic Activism for the upcoming AIA/SCS meeting. We invite proposals for a lightning round on outward-facing activism in which presenters will spend 3 minutes sharing their own experiences and making recommendations. These presentations will become integral to discussions among participants during the following breakout sessions.

The lightning round is the second of three parts of the workshop:

1) Three featured presenters from Indivisible, the National Humanities Alliance, and the American Federation of Teachers will offer guidance in community organizing, engaging with representatives, and other advocacy work, specifically focusing on how academics and educators can combine their skills and expertise with activism.

View full article. | Posted in Calls for Papers on Fri, 07/19/2019 - 8:25am by Erik Shell.

The United States was more than a century old before it saw its first play staged in Latin. What follows is a story about its producers’ struggle for recognition and the external factors that doomed it to obscurity. Beyond a footnote in theatrical history, the 1877 production of a Jesuit Latin play at Boston College offers a glimpse into the fraught politics of education in the United States in the late 19th century, the origins of the modern college elective, and a form of Classical curriculum that might have been—if an ugly fight in Boston had turned out differently.

In April of 1894, Harvard’s production of its first Latin play had set Boston buzzing. The event  even rated a couple columns in the New York Times, which remarked:

Latin plays have been given in this country and in England, but never with the careful study of detail bestowed upon the Phormio of Terence, to be produced by Harvard students in Sanders Theatre this week… Educators from all parts of the country are expected to witness the production.

View full article. | Posted in on Thu, 07/18/2019 - 4:24pm by Christopher Polt.

Seneca 2020. International Conference

What more can we say about Seneca?

The Centre for Classical Studies of the School of Arts and Humanities of the University of Lisbon is organizing an International Conference on Seneca to promote and encourage a critical reflection on the permanence of themes, values, perspectives and representations of Seneca’s works in Western literature and culture.

The Conference will take place between 14-17 December 2020, and, through the interdisciplinary debate of the contribution given by the experiences of researchers from different fields of study, it aims:

- to think of how Seneca became one of the most prominent figures in Western culture;

- to consider, examine and reflect on our current knowledge about Seneca, his life and works;

- to explore new study angles and what remains to be said about Seneca in the Twenty-First Century, in light of the renewed interest shown in his works.

Confirmed Keynote Speakers

António Pedro Mesquita (University of Lisbon)

Alessandro Schiesaro (University of Manchester)

Catharine Edwards (University of Cambridge)

Gareth David Williams (Columbia University)

Chiara Torre (University of Milan)

Jesús Luque Moreno (University of Granada)

José Pedro Serra (University of Lisbon)

View full article. | Posted in Calls for Papers on Thu, 07/18/2019 - 2:54pm by Erik Shell.

“Performing Texts”
Network for the Study of Archaic and Classical Greek Song
6th Open Conference, July 1-5, 2020, Spetses, Greece

 

Gregory Nagy (Classics, Harvard University) announces the 6th Open Conference, which is organized by Harvard University’s Center for Hellenic Studies in Washington, DC (CHS DC) on behalf of the Network for the Study of Archaic and Classical Greek Song. The organization of the Conference will be administratively and logistically supported by Harvard University’s Center for Hellenic Studies in Greece (CHS Greece).

The conference will take place on the island of Spetses in Greece from July 1 to July 5, 2020. The topic of the conference is "Performing Texts."

View full article. | Posted in Calls for Papers on Thu, 07/18/2019 - 11:03am by Erik Shell.

Justin Slocum Bailey will give a two-day series of workshops, BRINGING LATIN TO LIFE IN THE CLASSROOM, in Syracuse on Sept. 20-21, hosted by SU and generously supported by Binghamton University, Le Moyne College, The Humanities Corridor (and others).

Justin will help explore new and interactive techniques of Latin instruction. His pedagogy has proved to be very fruitful on all levels of Latin language classrooms (high school, college, etc.). Please consider attending and help spread the word.

Registration is $40 for one day, $75 for both: this will help cover a at least the lunches and refreshments. Students can attend for free. If the fee is an impediment to participation, we can offer a reduction.

Tina Chronopoulos (tchronop@binghamton.edu) and I will be happy to learn if you want to attend and to hear any suggestions.

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View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 07/17/2019 - 10:20am by Erik Shell.
Phoenicians, Philistines, and Canaanites: The Levant and the Classical World (Villa)
2020/2021

The Getty Scholars Program at the Villa for the 2020/2021 term will focus on the ancient cultures of the Levant and their relations with the classical world. Lying on the eastern seaboard of the Mediterranean, the Levant was a crucial crossroads between the classical world of Greece and Rome and the kingdoms of the Near East. Home to the ancient peoples of Phoenicia, Ugarit, Canaan, Philistia, Jordan, Israel, and Judah, this region participated in a vibrant Bronze-Age network of trade that flourished for many centuries until a combination of warfare, migration and famine around 1200 BCE destroyed these palace societies.

View full article. | Posted in Awards and Fellowships on Wed, 07/17/2019 - 9:38am by Erik Shell.

Central: February 26-29, 2020, Palmer House Hilton Chicago

Pacific: April 8-11, 2020, Westin St Francis, San Francisco
 

This is a call for submissions of papers to be presented to the Society for Ancient Greek Philosophy.

The Deadline for Submission of papers is August 1.

a) To have your paper considered, you need to be a member of the Society for 2019/20 - a form is attached, and it needs to come back via regular mail, not as an attachment!

b) You should submit your paper as an attachment to an email addressed to apreus@binghamton.edu. Your email message is your cover letter; it should include your name, address, academic affiliation (as of 2019/20), and the title of the paper. Note if you would prefer the Central or Pacific Division, or either! The paper itself should be prepared for blind (anonymous) review, and IT MUST BE IN DOC, DOCX, OR RTF FORMAT! NOT PDF! Papers may include "real Greek" if it is in a Unicode font.

The Program Committee has decided that authors who had a paper accepted by the Society for presentation at a meeting of the American Philosophical Association or the Society for Classical Studies during the past year should not be considered.

View full article. | Posted in Calls for Papers on Wed, 07/17/2019 - 9:25am by Erik Shell.
Yearly maintenance on the Placement Service is now complete. There will be a Newsletter later this month detailing the final jobs report and the changes made to the service over these past two weeks.
 
Anyone hoping to receive job announcements and other benefits of the AIA/SCS Placement Service will need to sign up for this new academic year. Here is a tutorial on how to do so: https://youtu.be/zr7gTIUdqiQ. The price will remain free for AIA and SCS members, and will continue to be $55 for non-members.
 
We are also excited to announce our newest publication: "Careers for Classicists: Graduate Student Edition." Building on the last version, which was published in 2012, this guide provides updated, modernized, and detailed advice for graduate students seeking jobs both inside and outside the classroom.
 
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View full article. | Posted in SCS Announcements on Tue, 07/16/2019 - 10:53am by Erik Shell.

Upon a recommendation by the Society for Classical Studies, FIEC has approved a statement on the format of abstracts and keywords for the submission of articles

FIEC STATEMENT

L’Année Philologique is the main database for publications in Classical studies. In the interest of all scholars, authors and researchers, it seems important to define some basic requirements that will make it easier for the local branches of L’Année Philologique to analyze the entries. The following is a recommendation made to all associations of Classical studies affiliated to FIEC. Associations are kindly asked to circulate this statement among their members. In view of the ever-growing number of articles and chapters in collective volumes processed for registration by L’Année Philologique, and in order to reduce the amount of work required of the various branches of L’Année Philologique, it is recommended that journal and volume editors regard it as a best practice of the efficient analysis of the data that each article or chapter be accompanied by a brief abstract and a list of keywords. To ensure the utility of abstracts and keywords for the efficient analysis of data for L’Année Philologique, please take note of the following guidelines:

View full article. | Posted in SCS Announcements on Fri, 07/12/2019 - 2:47pm by Helen Cullyer.

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