A Liberal Art for the Future

By Nigel Nicholson, Reed College

This paper was delivered as part of "The Future of Classical Education: A Dialogue," a panel organized by the SCS Program Committee at the 147th annual meeting of the SCS in San Francisco, January 8, 2016.

The problem of perceived employability

The biggest challenge that Classics as a discipline faces in the current climate in this country is surely the perception that, unless you are going to be a teacher, a BA in Classics does not make you much more employable than a high school diploma. The challenge comes from a variety of stakeholders: students, of course, current, past and future; students’ parents (I am sure we have all had conversations with parents about what young Johnny will “do” with a classics degree); but also accrediting agencies, deans and provosts, foundations and donors; and, right now, crucially, employers, and indeed many of the employers that our students are interested in working for.

This problem is not just our problem; it afflicts all the humanities and arts, and also the social sciences, and even the life sciences. What young Johnny will “do” is often code for what young Johnny will earn, and there are a lot of organizations and institutions invested, purposefully or otherwise, in the reduction of a college degree to earnings after college – not just the Presidential Scorecard..1 All of these show roughly the same conclusion: higher salaries for engineers, computer scientists, physicists and chemists, and business degrees; lower for the rest of us (though certainly significantly higher than for those without a BA). Classics has particular problems of its own—the perception of privilege, of being out of touch with changing demographics or concerned only with the white and the male—and these are very real challenges for the discipline that I in no way mean to diminish, but I am going to focus on the problem of perceived employability, because this is the one that I, as Dean of Faculty, hear most from parents.The Colorado State University 2014 Spring College of Liberal Arts II Commencement ceremony, May 17, 2014. Photo: via flickr, © Colorado State University

Helping students express the value of their degree

What is so odd about this for many of us is that we grew up in a world where Classics was—or was until recently—an obvious and well-worn route to success in business and government—seen as making the best students better: stronger intellects, with a breadth of vision and understanding of ethics and history. In Britain in the 70s, if a government minister had gone to college, he or she had typically read History, PPE, or Classics; classicists were a major part of the fabric of public life, dominating the obituary pages in the “quality” newspapers. No one asked you why you wanted to study Classics or what you would do with it. It was assumed you would get a good education and be successful.

But times change, and we need to address the prevailing zeitgeist. That does not mean acceding to the idea that the point of college it to train you for an entry level job on graduation (and no more than that) or devaluing the value of a Classics degree or liberal learning in general in favor of business and technical degrees. But it does mean engaging with the questions these stakeholders are asking. And this is my main point today. Part of our job must be to help students transition to careers and vocations. We cannot leave this, as we once did, to the Office of Careers Services, or to the students themselves. The Classics degree cannot be taught under the sign of graduate school; some of our students go on to teach, but the vast majority do not, and we need to help that majority make this transition. And to do this, we need to articulate, and help our students articulate, what they learn in terms of broader, transferable skills and abilities so that they have a language in which to frame their considerable achievements when they want to begin or change a career.

This is not something we do well, according to a study done by Kenny Morrell and the Center for Hellenic Studies, and funded by the Teagle Foundation..2 Or at least the CHS group showed that Classics majors are rarely framed in terms of the broader goals of a liberal arts education—and I think such framing is a good place to start in helping students navigate what it means to be classics major in terms that are legible to employers and parents. The CHS group interviewed classics majors at four liberal arts colleges, including Reed, to construct a sense of what broader goals these students saw represented by their major, and the five most commonly agreed goals were:

  • Critical thinking. As the authors note, this rather vague category probably represented a catch-all for a number of more specific skills such as clarity of thought, reasoning, problem-solving etc.
  • Synthesizing information. The authors relate this to the fact that Classics, in contrast to most other language and literature departments, claims as its own the study of the culture as a whole, including history, art history, archaeology, philosophy, etc., and typically offers classes in them.
  • Research skills: finding, evaluating and appropriately deploying information, and doing a full survey of a problem, rather than reading superficially.
  • Communicating through writing.
  • Ability to continue learning throughout life.

There are certainly many reasons to be a Classics major; I suspect that most students are drawn to the major by simple enjoyment, the quality of the professors and the other students in the major, or the perceived difficulty or even prestige of the major—at least within the Humanities. But helping students think about what they are doing in these more general terms, in terms appropriate to all liberal education, will give them a language with which to express the value of their degree to someone who may have little understanding of what that degree represents. The CHS study concludes by encouraging faculty members to explicitly help students frame their work on this level, and some programs are doing that already. One very interesting experiment is going on at Skidmore, where Dan Curley teaches a class for seniors that takes as its goal encouraging reflection on such questions as well as on the constitution of Classics as a discipline, while making sure students know more immediate details like how to write resumes and cover letters..3

Challenging traditional classics curricula

The main limitation with the CHS study is that it reflects a kind of reverse engineering: it asks, “Given what you are studying now, how might you talk about it?” But I think one of the great benefits of this exercise is that it can be prospective, a chance not just to articulate the curricula we presently teach, but rethink aspects in order to better serve the larger goals that we identity as important. There is a lot of helpful educational work being done by supportive institutions that can help this process of proactive reflection. One rubric that I quite like, and that the CHS study also uses, is that provided by the American Association of Colleges and Universities. As part of its centenary the AAC&U is backing an advocacy program entitled LEAP (Liberal Education and America’s Promise) that champions the importance of liberal education today, both for an individual’s intellectual and moral development, and for a nation’s economic and democratic vitality. The rubric is not a perfect fit for majors—it concerns rather the whole curriculum—but there is a lot of useful research involved, plenty of food for thought, and the backing of an important advocacy organization..4

The AAC&U picks out ten practices that they see as having a major impact on student development:

  • Writing-intensive courses
  • Capstone projects that require integration of prior learning
  • Undergraduate research: involving students early on in the current open questions in a discipline
  • Diversity/Global learning: study of different cultures, often with experiential learning or study abroad
  • Intense, small-group seminars for first-year students
  • Learning Communities: pursuit of questions across different disciplines in different classes
  • Common intellectual experiences: suites of required courses that work together
  • Collaborative work
  • Service-learning or community-based learning
  • Internships

Looking at this list the first reaction for many of us will be to say that many of these elements are already part of a typical program. Classics majors are typically writing intensive; capstone projects—in many cases whole classes devoted to senior theses—are regular features; the fundamentally interdisciplinary nature of the field encourages the pursuit of questions through different disciplines; study abroad and learning about difference are often central; first-year seminars tend to be intense; and current research regularly features on syllabuses. So prima facie this rubric is a flattering one, and we can use its language, and its authority, to pick out and frame what outsiders who may never have heard of Catullus or the polis will recognize as valuable in what we do.

But, again, the goal here is not just to give a new description to what we do, but also to test ourselves against it.

  • Do we really teach in an integrative and interdisciplinary way? Are the different disciplines brought into real contact, or do they remain separate, studying different questions, with different students involved? What would it mean to really integrate different disciplinary modes and methods in the study of a single problem?
  • Or our capstones: how effective are they? Do they really draw together what the students have worked on and require that they use what they have learned?
  • How much do our syllabuses lean to explaining old debates and how they were solved, rather than pitching students into the new questions that as yet have no answers?
  • Is study abroad integrated into the students’ learning? Does the study abroad program involve the student in a different culture, or protect them from it?

And perhaps we can stretch further. Are there elements on this list that we do not typically pursue but might be able to if we did some rethinking? Two on this list are surely possibilities. Collaborative work is one, and surely a key one. I am speaking in broad strokes here, and there are certainly programs that stress collaborative work, but the SCS program itself is testament to the fact that classics research is still largely figured as an individual endeavor. Few articles, books and talks, certainly outside of archaeology, feature the multi-author lists of science papers, but there is no reason why this should be so. Collaborative work does take practice, though, and thought is required to build it into a curriculum. That is, of course, why it is a real skill.

A second interesting area is service learning or community-based learning, which is probably the preferred term right now, with its emphasis on partnership rather than charity. Some schools have fantastic programs. I think of Gonzaga’s program run by Dave Oosterhuis of translating historical documents written by Jesuits in the archives of a local Native American tribe. Few have such opportunities, but there are often tutoring possibilities in local schools, and in many if not most colleges, senior students tutor more junior students, building community, improving their own understanding and taking some of the workload of the professors in the process. This could be built into the requirements for upper-level language classes.

There are possibilities outside of this list too. First, oral communication is rarely emphasized in the way that written communication is, an odd thing in the department of Cicero and Demosthenes. Second, developing an ethical sense of one’s place in a community is increasingly common in college mission statements, and that could easily be one of our goals, given the importance of Plato, Cicero and Seneca, not to mention the centrality of the polis and Greek democratic institutions. And, third, technological expertise is often underplayed also, despite the obvious achievements made by classicists in this area, often well ahead of the curve—I think of BMCR, Perseus, the various digitization projects or Sunoikisis. (Sunoikisis is a collaboration that links together several mainly liberal arts colleges in a team-taught course each fall.) One of the elements that students in the Sunoikisis collaboration flag is that they develop a facility with distance communication software. But I am thinking of integrating technology on a different level, although integrating it into the modes of presentation of student work is surely productive. Our discipline, again outside of archaeology, is still very much guided by close reading, but the digitization of our texts gives us a great opportunity to do a different kind of big-data (or at least bigger-data) reading that could be particularly open to undergraduates who lack the kind of advanced language skills to read really closely. If we trained classicists, and not just some archaeologists, to do statistics, they might do more of this work.

This may not fit your vision of a Classics major, or even of an undergraduate liberal arts degree, but my larger point does not rest on the details; these are offered as one potential rubric, or several potential rubrics, that might help one plan and organize a major. My central point is simply that we need to articulate broader goals that are legible beyond Classics, and use these to interrogate what we actually do in the major. Different programs will surely articulate different goals, or like Dan Curley’s class encourage the students to articulate goals for themselves as well. But the key is to build this in, and not leave it to the students to make this leap—as many, if not most, will not be able to until later in their careers. Typically our students just need a foot in the door; employers love them when they see them. We just need to make sure they get that foot in the door. And this will not just help the students; a well-conceived and executed set of goals will also help the program represent itself to deans and accreditors also.

Getting involved

One further point: Good ideas don’t necessarily sell themselves; you have to make sure people are listening or have a chance to hear them. This means putting ourselves forward. The Liberal Arts College Caucus convened annually at the SCS by Barbara Gold of Hamilton College and Michael Arnush of Skidmore spends a lot of time thinking about how requirement systems (diversity requirements, language requirements) might advantage or disadvantage programs, or make it hard for people to begin, say, Greek in the fall. This is obviously not only sensible, but crucial, and having this vehicle for liberal arts professors to share good ideas has been one of my favorite pieces of recent SCS meetings. It also makes sense to volunteer to teach in first-year writing programs or other classes aimed at first-year students, or be part of learning communities and other initiatives that often are more generously underwritten than traditional programs—even if it takes more work, pulls us out of our comfort zones, or involves learning some new tricks or areas. I am speaking here especially to those of us with tenure here, who can afford to put more time into new programming.

Similarly, taking the time to cultivate relationships with admissions and development can pay dividends. On the one hand, it helps if a group of students comes as first-years already interested in classics; on the other hand, if a department has funds to send students on summer digs or fund unpaid internships of other sorts, students in the major are more likely to do something over the summer that will help them develop a vocation.

And finally, even if administration is not to your taste, it is important to serve on major committees—to make oneself available and also do the kinds of things that get you elected or appointed to such committees. The more places we occupy on these committees, the more our ideas will be heard within a college, but also the more we will know about how decisions are made, and against what criteria. If they have low enrollments, Classics programs may seem expensive, but with no lab assistants, no expensive equipment and few physical plant demands, they may still be a better deal than programs with many more students. It is in our interest to be at the table when questions and criteria are framed.

And that is my final point: that we need to engage rather than retreat. We have a strong story to tell—Classics can be a great training—but we need to tell it in words designed for an outside audience, even if that involves using a language that we find reductionist or getting involved in administrative work we find tedious or reframing and reinventing some of our courses or even our curricula. If we do that, we will not only help our students transition to their life beyond college, but we will also strengthen and improve our programs.


1. E.g. the NACE (National Association for Colleges and Employers) statistics (.pdf). This does not mean that humanities graduates are not employed, and it is clear that they are much more successful than those without a BA, but even defenders agree that their median salaries are lower than those of BA holders as a whole. Cf. Wilson Peden, “The Myth of the Unemployed Humanities Major,” LEAP Challenge Blog [published by the AAC&U], November 11, 2015.

2.Center for Hellenic Studies, “The Classics Major and Liberal Education,” Liberal Education [published by the AAC&U] 95.2.

3.Dan Curley, CC 395: The Classics Major and Beyond, Skidmore College.

4. George Kuh, High-Impact Educational Practices: What They Are, Who Has Access to Them, and Why They Matter (Washington, DC: Association of American Colleges and Universities, 2008) (summary).]

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Animal/Language: An Interdisciplinary Conference

In conjunction with the art exhibition “Assembling Animal Communication” Texas Tech University, Lubbock, TX
21-23 March 2019

Animals and language have a complicated relationship with one another in human understanding. Every period of history evinces a fascination with the diverse modes of communicative exchange and possibilities of linguistic community that exist both within and between species. Recent critics of anthropocentrism are far from the first to question the supposed muteness of the “dumb animal” and its ontological and ethical ramifications. Various cultures have historically attributed language to animals, and we have developed an increasingly sophisticated scientific understanding of the complex non-verbal communicative systems that animals use among themselves. New research complements millennia of human-animal communication in the contexts of work, play, and domestic life.

View full article. | Posted in Calls for Papers on Mon, 09/17/2018 - 1:59pm by Erik Shell.

The presence of Plotinus: The self, contemplation, and spiritual exercise in the Enneads

Poznań, Poland, 9th-10th June 2020
An international conference organized by the Scientific Committee on Ancient Culture of the Polish Academy of Sciences and the Department of Classical Studies of  Adam Mickiewicz University in Poznań

In the center of “The School of Athens”, the famous fresco by Raphael, we can see Plato and Aristotle, the two philosophers who may indeed have been the greatest thinkers of antiquity. However, the scholarly endeavor of the last century has demonstrated with increasing consistency that Plotinus – although his name and legacy are not so popular – could well stand next to them, especially so because he attempted to synthetize the views of those great masters of the past. His presence in  Western philosophy was, perhaps a more silent one, but also very influential. Since Late Antiquity, Christian, Jewish and Muslim philosophers were inspired by him as well as Renaissance Platonists and German idealists. In year 2020, 1750 years will have passed by since his solitary death in a Campanian villa or, in his view, since his final ascent from “the divine in us to the divine in the All”. On this occasion, we want to celebrate Plotinus’ presence by organizing an international conference.

View full article. | Posted in Calls for Papers on Mon, 09/17/2018 - 9:48am by Erik Shell.
Rebecca Futo Kennedy teaching in Rome. Photo courtesy of Rebecca Futo Kennedy.

A Day in the Life of a Classicist is a monthly column on the SCS blog written by Prof. Ayelet Haimson Lushkov celebrating the working lives of classicists. If you’d like to share your day, let us know here.

Rebecca Futo Kennedy is Associate Professor of Classics and Administrative Director, Denison Museum

Since being tenured in 2015, I have actually held two separate positions at my university - professor of Classics and director of the Denison Museum. As a result, my time is now split between the department and the museum (and, if you have to ask - no, I had no experience running a museum before they asked me to do it, and, no, I don’t intend to do it forever; I’d like to go back to full-time teaching someday). So, my average day(s) look something like this:


Rebecca Futo Kennedy teaching students. Photo courtesy of Rebecca Futo Kennedy.
Rebecca Futo Kennedy with students. Photo courtesy of Rebecca Futo Kennedy.

View full article. | Posted in on Thu, 09/13/2018 - 10:40am by Ayelet Haimson Lushkov.

The Institute for the Study of the Ancient World will hold a conference, co-hosted by the SCS, on digital pedagogy:

"Digital resources have become an essential part of studying the languages, history, and material culture of the Ancient Mediterranean. This one-day conference looks at how this disciplinary turn is being integrated into both undergraduate and graduate courses. There will be sustained attention during the day on current practice in recent courses, and the speakers all have considerable teaching experience. Speakers will also address the goals of using digital methods, tools and resources in a wide range of pedagogic and institutional settings. Digital approaches to teaching do not merely replicate earlier methods so that new possibilities for the expanding the scope of curricula will be an important topic. The day will end with a panel discussion and we will welcome input from all who are in attendance."

The conference will take place at their New York headquarters on October 26th, 2018 beginning at 9:15am. To see the full schedule and RSVP you can visit the conference webpage here.

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View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 09/12/2018 - 11:08am by Erik Shell.
CFP: Failure and Flaws in Classical Antiquity
January 25-26, 2019, UCLA
 
In the poem “Failing and Flying”, Jack Gilbert appeals to classical imagery to reconfigure the notion of failure: “Icarus was not failing as he fell,” the poem concludes, “but only coming to the end of his triumph.” Throughout antiquity, numerous forms of literary and material culture, as well as forms of reception, have grappled with real or imagined failure and flaws. The concept of failure is especially pressing because modern society persistently looks back to antiquity’s failures in order to understand its own. By interrogating the use and meaning of failure both within classical works and in discussions about canon, genre, and reception, we aim to explore the interpretive value of failure for our understanding of the classical world.
 
View full article. | Posted in Calls for Papers on Tue, 09/11/2018 - 2:29pm by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

Oedipus: A Greek Tragedy by Sophocles

Director: Donna L. Clevinger
Date: 6:00pm on Tuesday, September 25 & Wednesday, September 26
Location: Griffis Hall Courtyard in Zacharias Village

Oedipus

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(Photo: "Empty Theatre (almost)" by Kevin Jaako, licensed under CC BY 2.0)

View full article. | Posted in Performances on Tue, 09/11/2018 - 12:02pm by Erik Shell.
Header Image: Detail of a fresco from the Temple of Isis, representing a sea dragon and a dolphin, 1st century AD (Fourth Style), Museu Nacional, Brazil (Image via Wikimedia under a CC-BY-SA 4.0).

Last Thursday, I began class with a caveat, “The class today will be really tough to deliver...” And it was. It was the first time I had taught after the fire and destruction of Brazil’s National Museum, and it was a particularly hard and ironic moment.

I’m teaching a topic on Pompeii, so when classes started, a month ago, I mentioned to my students that there were some frescoes and items from Pompeii at the National Museum, located in a park in central Rio de Janeiro which used to be the imperial family’s property in the nineteenth century. The collection was part of the dowry from empress Teresa Cristina of Bourbon, daughter of the king of the Two Sicilies, a gift that was particularly in tune with the interest that emperor Dom Pedro II had in history and sciences.

Together with objects such as Greek and Etruscan pottery and terracottas, and some Egyptian mummies (including a rare unopened one), the collection was the biggest for Antiquity in Latin America, but not many people were aware of it. The museum, home also to extensive collections in ethnography, paleontology, zoology and geology, happened to have less visitors last year than the number of privileged Brazilians who visited the Louvre. When I asked my History undergrads in our first class whether they had ever visited the National Museum, they all said “no”.

View full article. | Posted in on Mon, 09/10/2018 - 3:54pm by Juliana Bastos Marques.

Poetics and politics. New approaches to Euripides

View full article. | Posted in Calls for Papers on Mon, 09/10/2018 - 1:43pm by Erik Shell.

We wanted to update you on some upcoming prize, award, and nomination deadlines:

Outreach Prize

The Outreach Prize of the Society for Classical Studies (SCS) recognizes outstanding projects or events by an SCS member or members that make an aspect of classical antiquity available and attractive to an audience other than classics scholars or students in their courses.

The deadline for nominations is September 14.

Forum Prize

The Forum Prize - presented by the the SCS Committee on Public Information and Media Relations - recognizes outstanding contributions to public engagement made by non-academic works about the ancient Greek and Roman world. It empowers the SCS to build bridges with a broader public by rewarding the best public-facing essays, books, poems, articles, podcasts, films, and art produced each year by someone (either a classicist or a non-classicist) working primarily outside of the academy.

Deadline for nomination is October 1. You can nominate a person or project here.

Excellence in Precollegiate Teaching Award

View full article. | Posted in SCS Announcements on Mon, 09/10/2018 - 11:22am by Erik Shell.

Edwin P. Menes (February 2, 1939 - August 25, 2018)

Born in Gary, Indiana, Edwin Peter Menes grew up in Cleveland, Ohio. Stricken with polio when he was three, Ed was always fiercely independent and never let his disability slow him down.

He graduated from St. Ignatius High School at fifteen years of age (1954)—the youngest graduate in school history and class valedictorian. He next attended Xavier University, earning his A.B. in the Classics Honors Program (1958). His M.A. (1960) and Ph.D. (1968) were from Princeton, the latter completed with a dissertation on Propertius (Cynthia as Symbol: Love, Patriotism, and Poetry in the Elegies of Propertius). Meanwhile he spent two years (1960–1962) teaching at Tabor Academy, Marion, Massachusetts, before accepting a position in the Department of Classical Studies at Loyola University Chicago (1963).

He taught at Loyola's Rome Center of Liberal Arts (now the John Felice Rome Center) three times and traveled all over Europe, most notably on a Vespa through Eastern Europe; the scooter caught fire in Belgrade, putting an end to that adventure and forcing him to take a train back to Rome. Back in Chicago he served as associate director of the Rome Center (1975–1979) and chairman of the Department of Classical Studies (1984–1995). He retired in 2009.

View full article. | Posted in In Memoriam on Mon, 09/10/2018 - 10:23am by Erik Shell.

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