A Liberal Art for the Future

By Nigel Nicholson, Reed College

This paper was delivered as part of "The Future of Classical Education: A Dialogue," a panel organized by the SCS Program Committee at the 147th annual meeting of the SCS in San Francisco, January 8, 2016.

The problem of perceived employability

The biggest challenge that Classics as a discipline faces in the current climate in this country is surely the perception that, unless you are going to be a teacher, a BA in Classics does not make you much more employable than a high school diploma. The challenge comes from a variety of stakeholders: students, of course, current, past and future; students’ parents (I am sure we have all had conversations with parents about what young Johnny will “do” with a classics degree); but also accrediting agencies, deans and provosts, foundations and donors; and, right now, crucially, employers, and indeed many of the employers that our students are interested in working for.

This problem is not just our problem; it afflicts all the humanities and arts, and also the social sciences, and even the life sciences. What young Johnny will “do” is often code for what young Johnny will earn, and there are a lot of organizations and institutions invested, purposefully or otherwise, in the reduction of a college degree to earnings after college – not just the Presidential Scorecard..1 All of these show roughly the same conclusion: higher salaries for engineers, computer scientists, physicists and chemists, and business degrees; lower for the rest of us (though certainly significantly higher than for those without a BA). Classics has particular problems of its own—the perception of privilege, of being out of touch with changing demographics or concerned only with the white and the male—and these are very real challenges for the discipline that I in no way mean to diminish, but I am going to focus on the problem of perceived employability, because this is the one that I, as Dean of Faculty, hear most from parents.The Colorado State University 2014 Spring College of Liberal Arts II Commencement ceremony, May 17, 2014. Photo: via flickr, © Colorado State University

Helping students express the value of their degree

What is so odd about this for many of us is that we grew up in a world where Classics was—or was until recently—an obvious and well-worn route to success in business and government—seen as making the best students better: stronger intellects, with a breadth of vision and understanding of ethics and history. In Britain in the 70s, if a government minister had gone to college, he or she had typically read History, PPE, or Classics; classicists were a major part of the fabric of public life, dominating the obituary pages in the “quality” newspapers. No one asked you why you wanted to study Classics or what you would do with it. It was assumed you would get a good education and be successful.

But times change, and we need to address the prevailing zeitgeist. That does not mean acceding to the idea that the point of college it to train you for an entry level job on graduation (and no more than that) or devaluing the value of a Classics degree or liberal learning in general in favor of business and technical degrees. But it does mean engaging with the questions these stakeholders are asking. And this is my main point today. Part of our job must be to help students transition to careers and vocations. We cannot leave this, as we once did, to the Office of Careers Services, or to the students themselves. The Classics degree cannot be taught under the sign of graduate school; some of our students go on to teach, but the vast majority do not, and we need to help that majority make this transition. And to do this, we need to articulate, and help our students articulate, what they learn in terms of broader, transferable skills and abilities so that they have a language in which to frame their considerable achievements when they want to begin or change a career.

This is not something we do well, according to a study done by Kenny Morrell and the Center for Hellenic Studies, and funded by the Teagle Foundation..2 Or at least the CHS group showed that Classics majors are rarely framed in terms of the broader goals of a liberal arts education—and I think such framing is a good place to start in helping students navigate what it means to be classics major in terms that are legible to employers and parents. The CHS group interviewed classics majors at four liberal arts colleges, including Reed, to construct a sense of what broader goals these students saw represented by their major, and the five most commonly agreed goals were:

  • Critical thinking. As the authors note, this rather vague category probably represented a catch-all for a number of more specific skills such as clarity of thought, reasoning, problem-solving etc.
  • Synthesizing information. The authors relate this to the fact that Classics, in contrast to most other language and literature departments, claims as its own the study of the culture as a whole, including history, art history, archaeology, philosophy, etc., and typically offers classes in them.
  • Research skills: finding, evaluating and appropriately deploying information, and doing a full survey of a problem, rather than reading superficially.
  • Communicating through writing.
  • Ability to continue learning throughout life.

There are certainly many reasons to be a Classics major; I suspect that most students are drawn to the major by simple enjoyment, the quality of the professors and the other students in the major, or the perceived difficulty or even prestige of the major—at least within the Humanities. But helping students think about what they are doing in these more general terms, in terms appropriate to all liberal education, will give them a language with which to express the value of their degree to someone who may have little understanding of what that degree represents. The CHS study concludes by encouraging faculty members to explicitly help students frame their work on this level, and some programs are doing that already. One very interesting experiment is going on at Skidmore, where Dan Curley teaches a class for seniors that takes as its goal encouraging reflection on such questions as well as on the constitution of Classics as a discipline, while making sure students know more immediate details like how to write resumes and cover letters..3

Challenging traditional classics curricula

The main limitation with the CHS study is that it reflects a kind of reverse engineering: it asks, “Given what you are studying now, how might you talk about it?” But I think one of the great benefits of this exercise is that it can be prospective, a chance not just to articulate the curricula we presently teach, but rethink aspects in order to better serve the larger goals that we identity as important. There is a lot of helpful educational work being done by supportive institutions that can help this process of proactive reflection. One rubric that I quite like, and that the CHS study also uses, is that provided by the American Association of Colleges and Universities. As part of its centenary the AAC&U is backing an advocacy program entitled LEAP (Liberal Education and America’s Promise) that champions the importance of liberal education today, both for an individual’s intellectual and moral development, and for a nation’s economic and democratic vitality. The rubric is not a perfect fit for majors—it concerns rather the whole curriculum—but there is a lot of useful research involved, plenty of food for thought, and the backing of an important advocacy organization..4

The AAC&U picks out ten practices that they see as having a major impact on student development:

  • Writing-intensive courses
  • Capstone projects that require integration of prior learning
  • Undergraduate research: involving students early on in the current open questions in a discipline
  • Diversity/Global learning: study of different cultures, often with experiential learning or study abroad
  • Intense, small-group seminars for first-year students
  • Learning Communities: pursuit of questions across different disciplines in different classes
  • Common intellectual experiences: suites of required courses that work together
  • Collaborative work
  • Service-learning or community-based learning
  • Internships

Looking at this list the first reaction for many of us will be to say that many of these elements are already part of a typical program. Classics majors are typically writing intensive; capstone projects—in many cases whole classes devoted to senior theses—are regular features; the fundamentally interdisciplinary nature of the field encourages the pursuit of questions through different disciplines; study abroad and learning about difference are often central; first-year seminars tend to be intense; and current research regularly features on syllabuses. So prima facie this rubric is a flattering one, and we can use its language, and its authority, to pick out and frame what outsiders who may never have heard of Catullus or the polis will recognize as valuable in what we do.

But, again, the goal here is not just to give a new description to what we do, but also to test ourselves against it.

  • Do we really teach in an integrative and interdisciplinary way? Are the different disciplines brought into real contact, or do they remain separate, studying different questions, with different students involved? What would it mean to really integrate different disciplinary modes and methods in the study of a single problem?
  • Or our capstones: how effective are they? Do they really draw together what the students have worked on and require that they use what they have learned?
  • How much do our syllabuses lean to explaining old debates and how they were solved, rather than pitching students into the new questions that as yet have no answers?
  • Is study abroad integrated into the students’ learning? Does the study abroad program involve the student in a different culture, or protect them from it?

And perhaps we can stretch further. Are there elements on this list that we do not typically pursue but might be able to if we did some rethinking? Two on this list are surely possibilities. Collaborative work is one, and surely a key one. I am speaking in broad strokes here, and there are certainly programs that stress collaborative work, but the SCS program itself is testament to the fact that classics research is still largely figured as an individual endeavor. Few articles, books and talks, certainly outside of archaeology, feature the multi-author lists of science papers, but there is no reason why this should be so. Collaborative work does take practice, though, and thought is required to build it into a curriculum. That is, of course, why it is a real skill.

A second interesting area is service learning or community-based learning, which is probably the preferred term right now, with its emphasis on partnership rather than charity. Some schools have fantastic programs. I think of Gonzaga’s program run by Dave Oosterhuis of translating historical documents written by Jesuits in the archives of a local Native American tribe. Few have such opportunities, but there are often tutoring possibilities in local schools, and in many if not most colleges, senior students tutor more junior students, building community, improving their own understanding and taking some of the workload of the professors in the process. This could be built into the requirements for upper-level language classes.

There are possibilities outside of this list too. First, oral communication is rarely emphasized in the way that written communication is, an odd thing in the department of Cicero and Demosthenes. Second, developing an ethical sense of one’s place in a community is increasingly common in college mission statements, and that could easily be one of our goals, given the importance of Plato, Cicero and Seneca, not to mention the centrality of the polis and Greek democratic institutions. And, third, technological expertise is often underplayed also, despite the obvious achievements made by classicists in this area, often well ahead of the curve—I think of BMCR, Perseus, the various digitization projects or Sunoikisis. (Sunoikisis is a collaboration that links together several mainly liberal arts colleges in a team-taught course each fall.) One of the elements that students in the Sunoikisis collaboration flag is that they develop a facility with distance communication software. But I am thinking of integrating technology on a different level, although integrating it into the modes of presentation of student work is surely productive. Our discipline, again outside of archaeology, is still very much guided by close reading, but the digitization of our texts gives us a great opportunity to do a different kind of big-data (or at least bigger-data) reading that could be particularly open to undergraduates who lack the kind of advanced language skills to read really closely. If we trained classicists, and not just some archaeologists, to do statistics, they might do more of this work.

This may not fit your vision of a Classics major, or even of an undergraduate liberal arts degree, but my larger point does not rest on the details; these are offered as one potential rubric, or several potential rubrics, that might help one plan and organize a major. My central point is simply that we need to articulate broader goals that are legible beyond Classics, and use these to interrogate what we actually do in the major. Different programs will surely articulate different goals, or like Dan Curley’s class encourage the students to articulate goals for themselves as well. But the key is to build this in, and not leave it to the students to make this leap—as many, if not most, will not be able to until later in their careers. Typically our students just need a foot in the door; employers love them when they see them. We just need to make sure they get that foot in the door. And this will not just help the students; a well-conceived and executed set of goals will also help the program represent itself to deans and accreditors also.

Getting involved

One further point: Good ideas don’t necessarily sell themselves; you have to make sure people are listening or have a chance to hear them. This means putting ourselves forward. The Liberal Arts College Caucus convened annually at the SCS by Barbara Gold of Hamilton College and Michael Arnush of Skidmore spends a lot of time thinking about how requirement systems (diversity requirements, language requirements) might advantage or disadvantage programs, or make it hard for people to begin, say, Greek in the fall. This is obviously not only sensible, but crucial, and having this vehicle for liberal arts professors to share good ideas has been one of my favorite pieces of recent SCS meetings. It also makes sense to volunteer to teach in first-year writing programs or other classes aimed at first-year students, or be part of learning communities and other initiatives that often are more generously underwritten than traditional programs—even if it takes more work, pulls us out of our comfort zones, or involves learning some new tricks or areas. I am speaking here especially to those of us with tenure here, who can afford to put more time into new programming.

Similarly, taking the time to cultivate relationships with admissions and development can pay dividends. On the one hand, it helps if a group of students comes as first-years already interested in classics; on the other hand, if a department has funds to send students on summer digs or fund unpaid internships of other sorts, students in the major are more likely to do something over the summer that will help them develop a vocation.

And finally, even if administration is not to your taste, it is important to serve on major committees—to make oneself available and also do the kinds of things that get you elected or appointed to such committees. The more places we occupy on these committees, the more our ideas will be heard within a college, but also the more we will know about how decisions are made, and against what criteria. If they have low enrollments, Classics programs may seem expensive, but with no lab assistants, no expensive equipment and few physical plant demands, they may still be a better deal than programs with many more students. It is in our interest to be at the table when questions and criteria are framed.

And that is my final point: that we need to engage rather than retreat. We have a strong story to tell—Classics can be a great training—but we need to tell it in words designed for an outside audience, even if that involves using a language that we find reductionist or getting involved in administrative work we find tedious or reframing and reinventing some of our courses or even our curricula. If we do that, we will not only help our students transition to their life beyond college, but we will also strengthen and improve our programs.


1. E.g. the NACE (National Association for Colleges and Employers) statistics (.pdf). This does not mean that humanities graduates are not employed, and it is clear that they are much more successful than those without a BA, but even defenders agree that their median salaries are lower than those of BA holders as a whole. Cf. Wilson Peden, “The Myth of the Unemployed Humanities Major,” LEAP Challenge Blog [published by the AAC&U], November 11, 2015.

2.Center for Hellenic Studies, “The Classics Major and Liberal Education,” Liberal Education [published by the AAC&U] 95.2.

3.Dan Curley, CC 395: The Classics Major and Beyond, Skidmore College.

4. George Kuh, High-Impact Educational Practices: What They Are, Who Has Access to Them, and Why They Matter (Washington, DC: Association of American Colleges and Universities, 2008) (summary).]

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The SCS Board of Directors has approved the following statement:
 
The SCS Board of Directors condemns the practice of writing and circulating anonymous ad hominem attacks. Frank exchange among its members, including openly expressed criticism, are ideals of a scholarly community.  Anonymous attacks contradict the principle of frank exchange.

View full article. | Posted in Public Statements on Tue, 01/22/2019 - 1:44pm by Helen Cullyer.

SCS is planning to make available videos of the Sesquicentennial sessions and the public lectures by Luis Alfaro and Mary Beard.  We are currently preparing videos for release. Please note that we will not distribute any video of a paper or lecture without consent from the presenter(s).

The SCS Board of Directors has approved the following resolution of thanks for the 2019 public lecturers.

The SCS Board of Directors hereby thanks playwright Luis Alfaro for delivering a public lecture hosted by the SCS at the 2019 Annual Meeting in San Diego; we are also grateful to Classics and Social Justice and the Onassis Foundation USA for co-organizing the lecture and inviting Luis Alfaro to speak. On the first night of the Meetings in San Diego, he generously shared his creative process with an audience of conference attendees and members of the public. This process involves bringing ancient myths and plays to communities across the US and reimagining them as modern dramas, not for but with community members as active participants in the creation and performance of those dramas. We will post video of his lecture when it is available, so as to make it accessible to those who could not attend. For his lecture, for his plays that connect the ancient and modern, and for bringing new voices to classical studies, we thank Luis Alfaro.

View full article. | Posted in SCS Announcements on Tue, 01/22/2019 - 10:08am by Helen Cullyer.

Thank you to all those who have emailed, written blogs, and posted on social media suggestions for the 2020 Annual Meeting. We are interested in, and are already working on, plans for 2020 incorporating many of the excellent suggestions that we have received. In 2020, we plan to address race and racism in the field head-on with workshops, panels, and special events organized by the SCS President and a number of committees, and to promote equity in all aspects of our programming. We will also work closely with our affiliated groups.

Please help us by submitting abstracts for diverse, inclusive, and innovative panels, workshops, papers, and lightning talks, and see the calls for abstracts already posted. Please consult the individual calls for submission deadlines for affiliated group, organizer-refereed and committee panels on our 2020 Annual Meeting page. Deadlines for panel and workshop proposals and individual abstracts submitted to the program committee will fall in April and the program submission system will open in late February.

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View full article. | Posted in SCS Announcements on Tue, 01/22/2019 - 8:52am by Erik Shell.

It has now been nearly two weeks since the SCS-AIA annual meeting in San Diego, and many have written evocative, emotional, and important pieces about the racist events that occurred there. Instead of posting each separately on our social media or blog, I have tried to compile as many as I could in this post.
 

In their own words:

Dan-el Padilla Peralta, “Some thoughts on AIA-SCS 2019,” Medium (January 7, 2019).

----- "SCS 2019: The Future of Classics: Racial Equity and the Production of Knowledge,” Future of Classics Panel (January 5, 2019).

Emma Pettit, “‘My Merit and My Blackness Are Fused to Each Other,” The Chronicle of Higher Education (January 11, 2019).

View full article. | Posted in on Fri, 01/18/2019 - 6:19am by Sarah Bond.

14th Moisa Research Seminar on Ancient Greek and Roman Music Bressanone/Brixen, 2-6 July 2019

The 14th Moisa Research Seminar will take place from July 2nd to July 6th, 2019 in Bressanone/Brixen (Italy) with the commitment of Padua University and of its Department of Cultural Heritage (https://www.brixen.org/en/bressanone/city-centre.html). 

View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 01/17/2019 - 12:29pm by Erik Shell.

Vergilian Society Seeks Directors for Oct 2020 Symposium in Italy 

(deadline Tuesday April 30, 2019)

View full article. | Posted in Calls for Papers on Wed, 01/16/2019 - 9:52am by Erik Shell.

INDA - Italy's National Institute for Ancient Drama, based in Siracusa (http://www.indafondazione.org) and the journal "Dioniso. Rivista di studi sul teatro antico" are happy to announce the programme of their yearly conference on ancient drama introducing the traditional festival, which will take place in Siracusa from May 9 to Jul. 6. 

The conference will be held from Jan. 31 to Feb. 2 in Siracusa (Salone Amorelli, Palazzo Greco, Corso Matteotti), and its title will be The representation of the divine in ancient theatre. Please find below the full programme: 

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 01/15/2019 - 2:00pm by Erik Shell.

David D. and Rosemary H. Coffin Fellowship for Travel in Classical Lands

The Fellowship is intended to recognize secondary-school teachers of Greek or Latin who are as dedicated to their students as the Coffins themselves by giving them the opportunity to enrich their teaching and their lives through direct acquaintance with the classical world.

All materials must be received no later than 5:00 p.m. (Eastern Time) on February 27, 2019.

Pedagogy Award

Open to both collegiate and pre-collegiate teachers of classics

The application deadline is March 4, 2019.

Zeph Stewart Latin Teacher Training Award

Open to those preparing for Latin teacher certification.

The application deadline is March 4, 2019.

View full article. | Posted in SCS Announcements on Tue, 01/15/2019 - 10:46am by Erik Shell.
CfP: Song, Lament, Love: Harking Back to the Sounds of Elegy 
(submission deadline: 28.02.2019)
 
University of Coimbra, June 26-29, 2019

Panel coordinators:
Eva Anagnostou-Laoutides (Macquarie University, NSW) Email: Eva.Anagnostou-Laoutides@mq.edu.au
Bill Gladhill (McGill University) Email: charles.gladhill@mcgill.ca
Micah Myers (Kenyon College) Email: myersm1@kenyon.edu

The nature of archaic Greek elegy and its performative culture, its interface with other Greek literary genres as well as its Hellenistic and Roman adaptation(s) have already commanded an impressive amount of scholarship. Despite, however, appreciating that the functions of elegy were hugely diversified early on (Nagy 2010; Barbantani 2018), despite overcoming the simplistic classification of elegies to subjective and objective (Cairns 1979; Murray 2010; Miller 2012), and even despite doubting Quintilian’s criticism of Propertius as an obscure poet (Inst.Or.10.1.93), foundational questions on the origins, nature, and meaning(s) of Elegy remain unanswered. Elegy, one of the oldest Greek poetic genres, remains the most elusive.  

View full article. | Posted in Calls for Papers on Mon, 01/14/2019 - 2:35pm by Erik Shell.

Untold and Inexpressible: Gaps and Ambiguities in the Medicine as an Epistemological Challenge

39th meeting of the Ancient Medicine Interdisciplinary Working Group

Date: 15-16 June 2019
Place: Johannes Gutenberg University Mainz, Institute for History, Theory and Ethics of Medicine of the University Medical Center Mainz, Am Pulverturm 13, basement (lecture hall U1125)
Deadline: 31 January 2019
Organisation: Norbert W. Paul, Tanja Pommerening

Medical treatments aim to improve the patient’s health. From the patient’s perspective, the elimination of the suffering and the restitution of “normal” life is a crucial part of the process. Patients express this in communication with the practitioner by describing symptoms on one side and impairments affecting their lives on the other. Much of this can hardly be described in words, especially embodied experiences which do not correlate with medical findings and thus are often not deemed relevant. In this regard, the patient faces the rigid and rational diagnostical categories of the practitioner that sometimes do not at all coincide with the patient’s own categories. However, how the gap between the concepts used by the practitioner and the patient could be bridged does rarely come up for discussion.

View full article. | Posted in Calls for Papers on Mon, 01/14/2019 - 1:33pm by Erik Shell.

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