In Memoriam: Garrett G. Fagan

In Memoriam: Garrett G. Fagan

(Submitted by Stephen Wheeler, Department of Classics and Ancient Mediterranean Studies, The Pennsylvania State University)

The untimely death two months ago of Garrett George Fagan (January 15, 1963 -- March 11, 2017), the Irish-American ancient historian best known for his social histories of Roman bathing and the spectacles of the Roman arena, is a great loss to the community of classical studies. A long-time member of the SCS and AIA, Garrett contributed unstintingly to the programs of the joint annual meetings and promoted a wider public understanding and appreciation of the ancient world. Fellow ancient historians have been deprived of a resourceful collaborator in research projects; students and lifelong learners, of an inspiring teacher.

Great also is the loss to the Penn State Department of Classics and Ancient Mediterranean Studies (CAMS) of a highly-valued colleague. With his interests in social and political history, epigraphy, imperial Latin prose, material culture, archaeology, and Assyriology, Garrett played an integral part in a department that embraced the interdisciplinary study of the civilizations of the Ancient Near East, Egypt, Greece, and Rome. During his twenty years of research, teaching, and service at Penn State, CAMS enjoyed a dynamic period of growth in majors, doctoral students, and Education Abroad students. Garrett was especially active in hosting visiting scholars and lecturers for the department and the local chapter of the AIA.

Greatest of all is Garrett's loss to his many friends and to his extended family in State College and Ireland: especially his teenaged sons, George and Emmet; his sister and brother, Linda and Mark, of Dublin; his former spouse, Katherine; and his life-partner of five years, Julia.

The cause of Garrett's death was pancreatic cancer, an aggressive and debilitating disease that evades early detection and is ruthless in its end game. In November 2016, he received the diagnosis that his cancer was late-stage and incurable. Without treatment, he would die in a matter of weeks. Or he could try chemotherapy and see whether he could prolong his life a few months. One can scarcely conceive Garrett's dismay upon hearing his death sentence, but he did not give up hope and was ready to fight the cancer with whatever weapons were available (he even added to his collection of swords a Winchester rifle). For two months, the therapy provided him with brief windows of precious time to spend with his family and friends. But the chemo also ravaged his body, causing extreme fatigue and persistent nosebleeds--adding to the discomfort of the cancer itself. Nevertheless, buoyed by the support of his family and circles of friends at home and from far and wide, Garrett kept defying expectations and reaching new milestones in his radically curtailed calendar: Christmas, New Year's Day, his 54th birthday. At the end of January to everyone's wonderment, he even satisfied the seemingly impossible desire to return to Ireland for two weeks, visiting old friends in Dublin and vacationing for the last time in Galway. When he came back to Pennsylvania, however, he learned that the chemotherapy was no longer working. Garrett commenced hospice care at home. During this time of precipitous decline, he faced the prospect of death with inner calm. He was grateful for the outpouring of sympathy and for the financial contributions in excess of $20K made to the GoFundMe campaign, which his son Emmet started to cover mounting medical costs. He made every effort to collect himself for every visitor and to make the most of his farewells, in spite of his terrible condition. Four months after his diagnosis, Garrett passed away peacefully and with dignity, thanks to palliative care, at home in the hands of his family. All the while, the malignant disease that consumed his vitality could not blot out the remembrance nor diminish the tributes to an extraordinary individual who made the most of his opportunities in life and left a lasting impression on others, both when he was hard at work and when he was the life of the party.

Garrett had a strong sense of his professional calling from his school days. To pursue his ambition, he wended his way from Dublin, Ireland, where he was born and raised, to Canada, Europe, and the U.S., before finally settling down in central Pennsylvania, where he started a family, built his first home, and became a US citizen. His career, which turned out to be more successful than he could have ever imagined, began with an unexpected swerve. It happened the summer he was twelve. As he told the story, his family had made final preparations to move into a new house, but the builders were behind schedule. There was nothing to do but wait the remaining time in makeshift quarters -- rooms conveniently located above his father's dentist office, but in a part of the city Garrett's mother deemed less than salubrious. Maire Fagan placed her Garry under a sort of house arrest to keep him from going outside. She feared that he would get beaten up by the local boys for having the wrong kind of accent. Little did she realize, she was not protecting her son from a bloody nose but giving him the reason to become a classicist. Left to his own devices, and not yet acquainted with video games, Garry spent the summer reading books about the ancient Romans and became taken with the Roman army and gladiators.

The flowering of his classical interests in the summer of 1975 may appear accidental, and perhaps it was, but as Lucretius would say--not an author Garrett was in the habit of quoting (he preferred the epigrams of Martial), nothing comes from nothing. The seeds had already been planted in his first year of Latin at the renowned secondary school Belvedere College, S.J., in Dublin. Belvedere is proud of its commitment to the tradition of a liberal education, which it advertises, with a touch of irony, in a blurb about its Classics program: "when the Jesuits were unable to obtain the services of a lay Catholic teacher to teach the Classics in the 1830s, they took the unusual step of employing a Protestant teacher to do so, so earnestly did they wish to maintain Latin and Ancient Greek." The experience of taking Latin (from Jesuits?) had initially terrified the young Garry, but he quite liked it and took to it. By the end of his summer under his mother's lock and key, he had filled countless copy books with notes and written and illustrated his own history in two booklets, thirty pages each, called The Romans, Volume I and II (source 1, 2, 3, 4). After summer vacation, the teaching staff at Belvedere College became aware of Garry's opus aestivum when he attempted to hand in the booklets instead of a required English essay. His attempt to gain credit for work not done did not quite work out the way he expected. Credit was denied by the English teacher, and subsequently Garry's Latin class received an ominous visit from the headmaster, an event usually associated with punishment for some misbehavior. The headmaster reassured the murmuring class that he was there to award a prize, a prize to recognize a student in the class for excellent work in the Classics. To Garry's astonishment, it was he who received the prize. On his next vacation, his father took him to Rome, a trip that confirmed his calling. They spent two weeks together, getting up at dawn to do all the ancient sites and museums. Garry was blown away and told his father on that trip, "I don't know how it is people make a living at this. But this is what I want to do." Cecil Fagan said, "Sure. I'll support you in that."

Garry went on to Trinity College, Dublin, to earn an honors B.A. (1985) in the areas of Ancient History and Archaeology and Biblical Studies, and qualified for an M.Litt. in Classics (1987) with a thesis on "The Roman Imperial Succession Under the Julian-Claudians" -- a subject that engaged his historical imagination throughout his life and was the focus of his last book project The Political Purge: Origins, Mechanics, and Aftermath, which he was writing under contract for Johns Hopkins Press before he received his diagnosis. At the age of 24, twelve years after the summer spent over his father's offices, Garrett left his patria to enter the Ph.D. program in Roman Studies at McMaster University in Hamilton, Ontario. His supervisor was Richard Talbert, who oversaw the production of a patiently researched dissertation on a hitherto unexplored area: the origins, growth, and social aspects of Roman public bathing. Talbert also facilitated a year's research visit by Garrett to UNC at Chapel Hill, where he made contacts with classicists and ancient historians in the U.S. Garrett completed his McMaster doctorate in 1993 and was appointed a visiting professor at Davidson College (1993-1994). He then received a Killam Postdoctoral Fellowship at the University of British Columbia for the year 1995-1996. Penn State offered Garrett a visiting appointment in 1996 and the following year a tenure-track position as an assistant professor. Garrett's promotion to associate professor with tenure came in 2002; he became full professor in 2011 and assumed the title Professor of Ancient History. During his tenure at Penn State, Garrett also spent two years abroad: he held an Alexander-von-Humboldt Fellowship at the University of Cologne (2003-2004) and the Andrew W. Mellon Professor-in-Charge at the Intercollegiate Center for Classical Studies. (2015-2016).

Garrett made and secured his name as a Roman social historian through two substantial and influential monographs: Bathing in Public in the Roman World (University of Michigan Press, 1999; reprinted in a corrected paperback edition in 2002), and The Lure of the Arena: Social Psychology and the Crowd at the Roman Games (Cambridge University Press, 2011).  He also co-authored with Paul Murgatroyd the textbook From Augustus to Nero: An Intermediate Latin Reader (Cambridge University Press, 2006).  Throughout his career, he was active in multiple networks of scholars and profited from working work collaboratively with his contacts at home and abroad. He especially liked being involved in the program of the joint annual meetings of the APA and AIA (in the case of the latter, he was a member and chair of the program committee for a number of years). He had a knack for parleying the joint APA/AIA sessions he proposed and organized into book publications, especially when the annual meeting took place in San Diego every sixth year from 1995 to 2007. In 1995, he made his inaugural splash in San Diego by organizing the joint APA/AIA session, "Roman Baths and Bathing Culture," at which he shared the dais with the most eminent scholars of his subfield and aired material from his dissertation that was destined for publication in his first monograph. Six years later, in 2001, San Diego was again the site for Garrett's next self-organized mega- joint APA/AIA session "Interpreting Roman Spectacles," which was a preliminary to the publication of his second monograph a decade later. Six years later, at the 2007 San Diego meeting, Garrett mounted his third joint APA/AIA session, "New Perspectives in Ancient Warfare," which became the volume of the same title he co-edited with Matthew Trundle for Brill's Ancient Warfare Series (2010). Six years later, in 2013, the APA/AIA did not meet in San Diego, but coasted up to Seattle. For this occasion, Garrett varied his modus operandi: he co-organized with Paul Christesen the APA Outreach Panel "Sport and Spectacle in the Ancient World," which was a preview of A Companion to Sport and Spectacle in Greek and Roman Antiquity, edited by Paul Christesen and Donald Kyle (Wiley, 2014), to which he contributed a chapter on gladiatorial combat.

In the annals of the AIA, it will also be remembered that Garrett organized for the 2002 meeting in Philadelphia a workshop on the controversial subject of pseudoarchaeology, in which he gathered archaeological authorities to think about pseudoscience as a social phenomenon. This event resulted in his edited collection of papers Archaeological Fantasies: How Pseudoarchaeology Misrepresents the Past and Misleads the Public (Routledge, 2006). In retrospect, this book turned out to be prescient of the hegemony of alternate facts in a post-truth era.

At the end of 2013, Garrett was invited to be a guest blogger when the APA rebranded itself SCS; his brief was to comment as a classicist on contemporary issues. He wrote three blog-pieces that are still relevant:

·      Bombing Syria and the “Logic of Empire" (11/5/2013)

·      Classics and the "Crisis" in the Humanities (12/12/2013)

·      Climate Change and the End of Civilization(s) (1/27/2014)

Garrett's most recent research project was to co-edit with Werner Riess The Topography of Violence in Classical Antiquity (University of Michigan Press, 2016), for which he wrote two chapters, one on urban violence, the other on the manipulation of space in the arena.  At the time of his death, he was carrying out his duties as co-editor of The Cambridge World History of Violence, taking responsibility for vol. 1: Prehistory and the Ancient World.

Garrett's skills as a public lecturer were always much in demand. He was an expert consultant and on-screen contributor for several television series, including NOVA's "Secret of Lost Empires" and The History Channel's "Rome: Rise and Fall of an Empire." He also recorded 108 video lectures for three series in "The Great Courses" program.  He had also been a national speaker for the AIA since 2007 (and long-standing President of its Central Pennsylvania chapter). Nowhere, however, was he in better form as a presenter of antiquity than at an archaeological site in the Mediterranean. He was a co-founder of Penn State's education abroad program in Rome and a veteran of its Athens program. He also enjoyed accompanying and guiding passengers of Mediterranean cruises on their port calls to the rich remains of classical antiquity.

At Penn State, Garrett taught Latin at all levels (his favorite author was Tacitus), Roman history and civilization, and signature courses such as "Ancient Warfare" in the ancient Mediterranean world, which students filled to capacity. He was also the doctoral supervisor of Andrea Gatzke, whose dissertation "Language and Identity in Roman Anatolia: A Study in the Use and Role of Latin in Asia Minor," was approved in 2013. She accepted a tenure-track position in History at SUNY-New Paltz in the same year.

In sketching the life and achievements of Garrett G. Fagan by way of tribute, I cannot but feel inadequate to the task, knowing how much there was of him that I cannot capture in words.  Some will be better able to assess the significance of his scholarly work that began by extending Roman social history into the bathing complexes described by classical archaeology; and that continued more recently by applying psychological and sociological theory to his historical interpretation of spectacles of violence.  Others will appreciate his gift of making the ancient world more accessible and relevant to the present:

To learn about the people of antiquity is to examine the foundations of how we live today. They are at once alien and familiar, an image of ourselves glimpsed in a distant mirror. (source)

Garrett's scholarship, teaching, and career was never about himself, but about sharing the experience of contemplating the past with colleagues and students. This meant that he did not indulge in obscurantism or "mind-numbing overspecialization," as my Assyriologist-colleague, Gonzalo Rubio, observes elsewhere. Garrett was a breath of fresh air not only in the current academic climate, but also thirty years ago at a time when the air had been sucked out of the room by the last generation of traditionalists. Given Garrett's conviction about recovering the past, one may wonder what image he glimpsed of himself in the distant mirror of the Romans. To judge from his actions in his professional life, he recognized the benefits of hard work (industria) and the importance of mutual trust (fides) in friendship, politics, and battle.  Like the Romans, Garrett also observed the strict division of the day and week into time for business (negotium) and time for play (otium). He managed his day efficiently so that he enjoyed both. What he did or said in his leisure never impinged on what he did or said when he worked. Public and private life were completely separate. The joy of Garrett's life was that his negotium was another kind of otium.  Every day he got up and, with the assent of his father, aptly named after Caecilius, he went to work with the Romans.

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(Photo: "Candle" by Shawn Carpenter, licensed under CC BY 2.0)   

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I bought an old book the other day. 

Used to be, that wouldn’t have been the lede for any writing designed to grab your attention, but as pastimes go, it’s getting a bit less common, so maybe it will do. 

It’s not just that old books have been crowded into a corner of the market for attention by media unimagined only yesterday, but that there are natural cycles that have also been disrupted.  When I was young, we haunted second-hand bookshops and the like because we needed books––good books––ones that had been printed before we were born and long since gone out of print.  Now we’re rich:  everything seems to stay in print forever.  I used to snap up $2 hardcover copies of Henry James novels on the assumption that someday I’d read them.  Now I wonder what I would do with a tired old hardcover when I can count on crisp new paperbacks being deliverable to my door by Amazon in 24 hours any time I want one or e-versions to my iPad in seconds.  In the 1980s, when I wanted a decent copy of Boswell’s The Life of Samuel Johnson of my own to reread, I spent a month searching for one I could purchase––in Philadelphia no less.  My Henry James anxiety only dissipated during the glory years of bookstore superstores. 

View full article. | Posted in on Thu, 08/15/2019 - 8:56pm by James J. O'Donnell.

Williams Sanders Scarborough, an 1875 graduate of Oberlin College, was a pioneering African American scholar who wrote a university-level Greek textbook. Kirk Ormand, who now teaches at Oberlin, interviewed Prof. Michele Ronnick, who has recently published a facsimile edition of Scarborough’s Greek textbook, First Lessons in Greek (1881), with Bolchazy-Carducci press. Prof. Ronnick is the world’s leading expert on Scarborough. She found, edited, and published Scarborough’s autobiography in 2005, and has researched Scarborough’s time at Oberlin and as President of Wilberforce University.[1]  

Kirk Ormand: You are publishing a facsimile edition of William Sanders Scarborough’s First Lessons in Greek.Tell us a bit about why Scarborough’s book is important to the history of the profession.

View full article. | Posted in on Thu, 08/08/2019 - 9:01pm by Michele Valerie Ronnick.

Generic Interplay in and after Vergil

Symposium Cumanum 2020

Villa Vergiliana, Cuma

June 24–26, 2020

Co-directors: Brittney Szempruch (United States Air Force Academy) and John F. Miller (University of Virginia)

Although Vergil famously opens the Aeneid with a definitive statement of poetic intent—arma virumque cano—scholarship has long highlighted the poet’s propensity for the complication of firm generic boundaries. Amid a range of theoretical responses that have shaped the past nearly one hundred years (Kroll 1924; Cairns 1972; Fowler 1982; Conte 1986; Harrison 2007), the Vergilian corpus has emerged as some of the most productive ground for the in-depth study of generic flexibility (e.g. Nelis 2004; Seider 2016).

View full article. | Posted in Calls for Papers on Wed, 08/07/2019 - 10:12am by Erik Shell.

The Fragment (Research Institute)

The 2020/2021 academic year at the Getty Research Institute will be devoted to the fragment. Issues regarding the fragment have been present since the beginning of art history and archaeology. Many objects of study survive in physically fragmented forms, and any object, artwork, or structure may be conceived of as a fragment of a broader cultural context. As such, fragments catalyze the investigative process of scholarship and the fundamental acts of the historian: conservation, reconstruction, and interpretation. The evolution of an object—its material and semiotic changes across time, space, and cultures—can offer insights into the ethics and technologies of restoration, tastes for incompleteness or completeness, politics of collection and display, and production of art historical knowledge.

While the fragment has been described as the central metaphor of modernity and the paradigmatic sign of a contemporary worldview, its history as a trope runs much deeper. Cultures of the fragment have flourished throughout history under such guises as the reuse of architectural parts and the cult of relics, the physical and conceptual image-breakings of iconoclasm, and the aesthetics of repair. Fragmentation can occur through artistic processes, acts of destruction, or forces of nature. It can be willful, accidental, or inevitable, but it is necessarily transformative.

View full article. | Posted in Awards and Fellowships on Wed, 08/07/2019 - 9:55am by Erik Shell.

The SCS Committee on the Awards for Excellence in the Teaching of Classics at the College Level has revised the guidelines for award nomination. One to three awards for excellence in the teaching of Classics will be given to college and university teachers from the United States and Canada. Thanks to a very generous gift to the Society’s Gatekeeper to Gateway Campaign for the Future of Classics from Daniel and Joanna Rose each winner will receive a certificate of award and a cash prize of $500. In addition, each winner’s institution will receive $200 to purchase educational resources selected by the winner. The awards will be presented at the Plenary Session of the Annual Meeting in Washington, D.C., in January 2020.

New nomination process for 2019: In order to simplify the nomination process, increase the number of nominations, and encourage the submission of comparable information for each candidate, a new nomination process is being piloted for 2019 (see below). Feedback on changes is welcome and may be sent to the Executive Director.

For more information about the award, you can visit the page here: https://classicalstudies.org/awards-and-fellowships/awards-excellence-teaching-classics-college-level-0

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View full article. | Posted in SCS Announcements on Fri, 08/02/2019 - 1:02pm by Erik Shell.
Header Image: Late antique mosaic likely depicting Theseus sailing away from the Labyrinth (Utica, Tunisia, 3rd C CE, now at the University of Pennsylvania Museum of Archaeology and Anthropology. Image by Sarah E. Bond).

'Addressing the Divide' is a new series of columns that looks at the ways in which the modern field of Classics was constructed and then explores ways to identify, modify, or simply abolish the lines between fields in order to embrace broader ideas of what Classics was, is, and could be. This month, Kathryn Topper addresses the divisions between Art History and Classics.

For specialists in Greek and Roman art, professional life is an endless navigation of disciplinary divides. Often it seems like we belong to a disciplinary no man’s land – too archaeological for other art historians, too art historical for field archaeologists, and too visual for text-oriented Classicists whose training has predisposed them to doubt the intellectual seriousness of scholars who study something as seemingly straightforward as pictures.

The uneasy position of ancient art historians relative to the allied disciplines arises from historical factors, but it’s also a consequence of the nature of our material. When you work in a field in which reconstruction and interpretation almost invariably go hand in hand, you tend to need all the tools in your own toolbox, and in the neighbors’ toolboxes, too. As a result, historians of ancient art spend a lot of time working in disciplines dominated by colleagues whose priorities and training are very different from our own.

View full article. | Posted in on Thu, 08/01/2019 - 9:09pm by Kathryn Topper.

National Humanities Center

Residential Fellowships 2020-21

Call for Applications

The National Humanities Center invites applications for academic-year or one-semester residential fellowships. Mid-career, senior, and emerging scholars with a strong record of peer-reviewed work from all areas of the humanities are encouraged to apply.

Scholars from all parts of the globe are eligible; stipends and travel expenses are provided. Fellowship applicants must have a PhD or equivalent scholarly credentials. Fellowships are supported by the Center’s own endowment, private foundation grants, contributions from alumni and friends, and the National Endowment for the Humanities.

Located in the vibrant Research Triangle region of North Carolina, the Center affords access to the rich cultural and intellectual communities supported by the area’s research institutes, universities, and dynamic arts scene. Fellows enjoy private studies, in-house dining, and superb library services that deliver all research materials.

Applications are due by 11:59 p.m. ET, October 10, 2019. For more information and to apply, please visit the link below.

View full article. | Posted in Awards and Fellowships on Tue, 07/30/2019 - 12:37pm by Erik Shell.
The Conference on Mediterranean and European Linguistic Anthropology 2020
 
Following the growth of The Global Network for Linguistic Anthropology, we announce The COMELA 2020, The Conference on Mediterranean and European Linguistic Anthropology 2020.

Purpose and Structure - Over 500 scholars globally will gather to present papers and engage in progressive discussion on the Linguistic Anthropology, Language and Society, and related fields, of The Mediterranean and Europe. The COMELA is fully Non-Profit, where all publishing with the JOMELA (its scholarly journal) is free, as the COMELA refuses to implement a pay to publish system. The COMELA sources funding/grants to assist people in impeded economic positions, who require funding to access the COMELA Conference, and display strong ability in their work. COMELA proceedings will be indexed with SCOPUS and will contribute to ranked and cited publications for all those accepted to present, as well as publishing papers in Top Tier Journal Publication Special Issues.

Location - American University of Greece, Athens, Greece

Date - September 2-5, 2020

View full article. | Posted in Calls for Papers on Mon, 07/29/2019 - 9:38am by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

Calling all Actors, Designers, and Creatives—to participate in a staged reading of

The Gladiator
by Robert Montgomery Bird

Directed by Rob Groves

Friday, January 3, 2020

SCS/AIA Annual Meeting, Washington D.C.

The Committee on Ancient and Modern Performance's annual tradition of staged readings at the annual general meeting will continue this year with a production of an engaging example of Classical reception, Robert Montgomery Bird's 1831 retelling of the Spartacus story, The Gladiator!

View full article. | Posted in Performances on Tue, 07/23/2019 - 9:24am by Erik Shell.

I have always been a proponent of reading outside of one’s own field. We are all pressed for time, of course, and keeping up with the scholarship in our own areas of expertise is itself a constant challenge. But reading outside of our traditional areas of study is one of those intellectual activities in which even a little goes a long way towards exposing us to real and imagined worlds that can allow us to better reconstruct the ancient Mediterranean.

As an ancient Mediterranean historian, I have gained most from my reading in (loosely) adjacent historical fields, especially early China and early modern Europe. I have also benefitted from exploring research in social-scientific disciplines with which history is in ongoing dialogue, especially sociology and cultural anthropology. My reading in these fields could hardly be called systematic, but it doesn’t matter. The time spent reading outside of ancient Mediterranean history almost always repays the reader by presenting new questions, new approaches, and new ways to think about familiar material.

However, today I want to explore something a little different: how my ideas about the Roman Empire, my research and teaching focus, have been shaped by creative literature—an essential tool, I have found, for facilitating the leaps of historical imagination necessary for an empathetic (if ultimately incomplete) understanding of a world so alien from our own.

View full article. | Posted in on Mon, 07/22/2019 - 2:21pm by Carlos Noreña.

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