Transition to SCS

In accordance with the Board’s direction, yesterday Executive Director Adam Blistein submitted the filings necessary for the legal change of the Association’s name to Society for Classical Studies.  We are, of course, announcing the advent of this transition first to the membership; but will also distribute a press release to relevant organizations, publications, and individuals within and outside the field of Classical Studies.  We expect to receive confirmation of the name change from the State of Delaware (where we are incorporated) in about a week, and the new name will gradually appear in stationery and our credit card and checking accounts over the coming month.

I am pleased to share with you the new logo in the attached PowerPoint document that shows several versions of the logo as it will appear in various media and on our new stationery.  As directed by the Board, the Name Change Committee began planning for our organizational transition to the Society for Classical Studies and started the process of logo design in October 2013.  We have devoted almost eight months to this effort in order to give the transition the careful deliberation warranted by such a momentous change.

The logo you see is the result of considerable work with the Name Change Committee and Adam, our designer Judy Lamirand, and our transition consultant Laura Mandeles.  We considered many, many options through five rounds of refinement with the designer.  This process of understanding and translating an evolution in our organizational identity into a graphic design was quite challenging, and led to many interesting and clarifying conversations about how we might serve and communicate with a range of non-member audiences while continually improving our service to members and the field.  I am enthusiastic about the result; it is a very good design that will serve the SCS well for many years.  The logo fulfills important objectives developed by the Committee:

  • Clean design that is adaptable to different formats and media.
  • Incorporates a graphic image that has “movement” and relates to the Classical World; the chosen image is evocative of the key design on Greek vases, of scrolls, and of Ionic columns; and for the particularly observant, it also suggests the SCS acronym.
  • Combines the graphic image with a distinctive typeface so that, in appropriate circumstances, each can stand on its own as a design element (e.g., the image alone could be a watermark across pages of the Annual Meeting program book, or part of a second page header in a letter).
  • Retains the Greek motto as an essential design element – those who can read and understand it will appreciate it; for those who don’t read Greek, it will reinforce the identity of the organization and evoke the Classical world.
  • Accommodates the tag line “Founded as….” either as part of the logo itself or as an accompaniment to the logo elsewhere in the document, publication, web page, etc. (as in the stationery sample).

The web site is critical aspect of the transition, but of course making these changes is more complicated than redoing printed documents; so, we have been working on that in stages.  Last year Information Architect Sam Huskey laid the groundwork for the transition by moving the site to a content management system (Drupal) which is both easier for volunteers and staff to use and which gives us access to a wider variety of outside experts accustomed to working with that system.  Michael Gagarin, Adam, and Sam collaborated with me to identify Confluence Corporation of Washington, DC to redesign the web site, implement the new name and color scheme throughout, select a new URL, and make improvements and additions to functionality that will accommodate new features targeted to a variety of audiences. 

Creating greater flexibility, search capacity, and functionality will enhance our content and its accessibility to different types of users, and facilitate communications that establish SCS as the public face of Classics in North America.  

I am very grateful to Sam for the many hours he put in preparing a request for web site redesign proposals, reviewing almost two dozen submissions, and leading us to the choice of Confluence.  Sam has also taken on the task of integrating the new name and logo into the current web site as an interim measure, with the more complete overhaul targeted for completion by early fall.

It is a special privilege to be president of our Society as we take this significant step and establish a new level of leadership in Classical Studies.  I look forward to moving ahead together and I welcome, as always, your thoughts and comments.

Kathryn Gutzwiller, President

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Call for Papers:

Horror vacui: Fear of Space in the Ancient World

Biennial Classics Graduate Student Conference

Conducted virtually via Zoom

New York University

November 5th, 2021

Keynote: Amy Russell (Brown University)

View full article. | Posted in Calls for Papers on Mon, 09/20/2021 - 4:18pm by Erik Shell.
A tan piece of paper with a pencil drawing of part of a double helix shape, comprised of lines and circles

One of the things that makes Classics exciting is its openness to new ideas and innovative approaches to the study of antiquity. For instance, classicists have been in the vanguard of the digital humanities, using new methods to curate and analyze texts (e.g. TLG, DLL, Open Greek and Latin, and so on), inscriptions (EAGLE, PHI), and papyri (papyri.info), adopting innovative GIS technologies and platforms (Pleiades, Orbis), and deploying powerful tools to unlock precious fragments of lost works. Classical archaeologists, too, have a particularly strong tradition of openness to new tools and techniques, from isotope geochemistry in the study of ancient marble to novel ways of cataloguing and quantifying material and visualizing ancient structures and sites. Vibrant subfields like bioarchaeology and zooarchaeology are inherently interdisciplinary. More broadly, ideas and approaches informed by anthropology, economics, and psychology have enriched the study of antiquity for decades.

View full article. | Posted in on Mon, 09/20/2021 - 12:54pm by .

Res Difficiles 2022

Organizers:              Hannah Čulík-Baird (Boston University) and

Joseph Romero (University of Mary Washington)

Date:                          Saturday, May 20, 2022

Abstract Deadline:  Friday, December 3, 2021

Platform:                    Webinar

View full article. | Posted in Calls for Papers on Mon, 09/20/2021 - 12:24pm by Erik Shell.
A black krater vase with red-figure depicts Zeus caressing Io while Hermes slays Argus

The Ancient Worlds, Modern Communities initiative (AnWoMoCo), launched by the SCS in 2019 as the Classics Everywhere initiative, supports projects that seek to engage broader publics — individuals, groups, and communities — in critical discussion of and creative expression related to the ancient Mediterranean, the global reception of Greek and Roman culture, and the history of teaching and scholarship in the field of classical studies. As part of this initiative, the SCS has funded 111 projects, ranging from school programming to reading groups, prison programs, public talks and conferences, digital projects, and collaborations with artists in theater, opera, music, dance, and the visual arts. The initiative welcomes applications from all over the world. To date, it has funded projects in 25 states and 11 countries, including Canada, UK, Italy, Greece, Spain, Belgium, Ghana, Puerto Rico, Argentina, and India.

This post centers on two projects that employ Greek and Roman literature in innovative ways to deal with contemporary issues. The first project draws inspiration from Euripides’ Trojan Women to facilitate the expression and sharing of intense experiences between students in the University of California and female prisoners, while the second project adapts Ovid’s Metamorphoses in a one-woman show that explores the role of women in our post #MeToo era.

View full article. | Posted in on Thu, 09/16/2021 - 11:35am by .

QUEEN: REIMAGINING POWER FROM ANTIQUITY TO THE PRESENT

A virtual symposium hosted by the Gallatin School of Individualize Study

Ancient queens established a powerful public presence through visual and material culture, and their legacies continue to shape and impact the ways we express ideas about race, gender, and identity.

QUEEN: REIMAGINING POWER FROM ANTIQUITY TO THE PRESENT is an interdisciplinary, virtual symposium hosted by NYU Gallatin on September 23-24, 2021. This symposium integrates scholarly and creative knowledge production from different perspectives that broaden the stakes and widen the impact of historical work. The symposium will model collaborative, critical, and public approaches to history and art by including the expertise of students, artists, performers, and educators beyond the university alongside the work of scholars and curators. Spanning two days, the symposium comprises seven panel discussions, five keynote talks, one performance, and an interactive website featuring public engagement, student work, and more.

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 09/15/2021 - 12:03pm by Erik Shell.

Multiple Explanations in the Ancient Greek and Roman World

Virtual seminar series, 2021-2022

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 09/15/2021 - 10:19am by Erik Shell.

Call for Papers: 

XR and the Humanities: Virtual Education in the 21st Century

View full article. | Posted in Calls for Papers on Wed, 09/15/2021 - 9:16am by Erik Shell.

“What Has Antiquity Ever Done for Us?” The Vitality of Ancient Reception Studies, Now

An international virtual conference presented by Antiquity in Media Studies (AIMS)

15-18 December 2021

Deadline for submissions: 15 October 2021

The officers of Antiquity in Media Studies invite proposals for presentations that illuminate the ongoing vitality of antiquity in recent discourses. Despite decades of institutional disinvestment in the study of antiquity, a venerated deep past figured as a powerful shared imaginary remains a perennial, emotionally evocative, even highly lucrative concept in myriad contemporary media, around the world and across all manner of identity lines. Among antiquities, of particularly widespread interest has been the millennia of history centered on the Mediterranean and dubbed “classical” among successor societies, both self-appointed and colonized. From Ubisoft’s Assassin’s Creed Odyssey to Luis Alfaro’s Mojada, from Hideki Takeuchi’s Thermae Romae to Pat Barker’s Silence of the Girls, to politicians' and pundits' invocations of the Persian Wars and the fall of Rome, each year produces more receptions of this antiquity. Beyond the Greco-Roman-centered past, all antiquities mobilized for such cultural work today are welcome at this ancient reception studies conference. 

View full article. | Posted in Calls for Papers on Tue, 09/14/2021 - 11:30am by Erik Shell.

(Published on behalf of Werner Reiß)

Dear colleagues,

It is with great pleasure that Professor Werner Riess and his team announce the launch of the new database TheDefix (Thesaurus Defixionum), which replaces the earlier version TheDeMa (Thesaurus Defixionum Magdeburgensis). TheDefix is an open access Heurist database hosted by the University of Hamburg, Department of Ancient History, and can be reached at the following link:

www.thedefix.uni-hamburg.de.

As its predecessor TheDeMa, TheDefix seeks to collect all published curse inscriptions from the ancient world, providing the original texts, data on their material textual features as well as bibliographical information on each tablet.
Users are welcome to contact us if they need any support in the usage of the database or to suggest any improvement at the following addresses:

Prof. Dr. Werner Rieß: werner.riess@uni-hamburg.de
Dr. Sara Chiarini: sara.chiarini@uni-hamburg.de

View full article. | Posted in Classics in the News on Tue, 09/14/2021 - 11:28am by Erik Shell.
NEH Logo

August, 2021

Below is a list of the most recent NEH grantees and their Classically-themed projects. The NEH helps fund a number of SCS initiatives, and their support affects the field of Classics at a national and local level.

Grantees

  • Julie Montione (Valencia College) - "Timeless Parallels: Classical Literature and Veteran Experiences"
  • Lauren Ristvet (University of Pennsylvania) - "Eastern Mediterranean Gallery"
  • Clifford Ando (University of Chicago) - "Roman Statutes: Renewing Roman Law"
View full article. | Posted in Classics in the News on Mon, 09/13/2021 - 1:35pm by Erik Shell.

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