Skip to main content

Cato the "antiquarian"

By Jackie Elliot, University of Colorado, Boulder

This paper explores the record of Cato’s Origines in relationship to ancient scholarship as practiced at Rome in the second and first centuries BCE. The branch of scholarship in question is that high-stakes mode of inquiry which constructs relationships between present enigmatic phenomena (be they manifest in lexical form, in material remains, in the practice of cult and custom, or by any other means) and the past, purporting thereby to explain salient realities.

Monsters of Vice, Masters of One: the Invective Genre in the Historia Augusta

By Martin Shedd, Thesaurus Linguae Latinae

This paper demonstrates how the lives of bad emperors in the Historia Augusta (HA) expand our understanding of the rare rhetorical form, the self-standing invective. Riskier than panegyric, which catered to imperial sensibilities, invective invited censure or revenge. Despite being named in most guidebooks to rhetorical training, invective form was rarely discussed, added as a footnote to panegyric with the vague instruction to do the opposite (e.g. Quint. inst. 3.7; Nixon and Rodgers 1994).

Fenestella and the Temporal Rhetoric of Tiberian Literature

By Paul Hay, Hampden Sydney College

This paper examines the surviving fragments of Fenestella and argues that Fenestella’s antiquarian interests should be interpreted alongside broader intellectual trends under Tiberius regarding the rhetoric of time and the periodization of history. Fenestella is often overlooked among the Roman writers of the early Empire, despite being widely read in antiquity and considered important enough to be epitomated.

Magistra Libidinum Neronis: Calvia Crispinilla and the Power of Vice

By Caitlin Gillespie, Brandeis University

Under Nero, Rome experienced a period of ongoing crisis, threatening oppression, and enduring trauma that challenged what it meant to be a Roman. In this atmosphere of upended social values, elite Roman women had to determine how to endure and survive. Disappear into dissoluteness? Detach in order to tolerate? Or participate, disrupting the traditional ideal of Roman womanhood?