11.3 |
The Second Sophistic |
Aulus Gellius’ Noctes Atticae Book 2 and the Didactic Logic of Miscellany |
Scott J. DiGiulio |
145 |
21.5 |
The Descent of Satire from Old Comedy to the Gothic |
Social Status and Strategies of Discourse: Lucius' Asinine Communications in Apuleius' Metamorphoses |
Evelyn Adkins |
145 |
31.4 |
On the Boundaries of Latin Poetry |
Witch’s Song: Morality, Name-calling and Poetic Authority in the Argonautica |
Jessica Blum |
145 |
41.2 |
The Social Life of Ancient Libraries |
Don’t Read in the Library!: Cicero’s Cato (De Finibus 3-4) and copia librorum in Other Latin Authors |
Stephanie Ann Frampton |
145 |
50.2 |
Vergil’s Aeneid |
Persian Dido |
Elena Giusti |
145 |
58.8 |
Poster Session |
From Hebrew to Latin: Verbs in Translation in the Book of Ecclesiastes |
Luke Gorton |
145 |
62.1 |
Vision and Perspective in Latin Literature |
Who Sees? A Narratological Approach to Propertius 3.6 |
Mitch Brown |
145 |
70.4 |
Reception, Transmission, and Translation in Later Antiquity |
“How many mouths could tell ...?” An Epigram by the Empress Eudocia and Cento Poetics |
Timo Christian |
145 |
80.2 |
Roman Politics and Culture |
Pompey’s Third Consulship (52 B.C.): Elected or Appointed? |
John T. Ramsey |
145 |
12.1 |
Fertility/Birth |
Ritual Space and Gendered Healing: The Delphic Oracle Cures Male Infertility |
Polyxeni Strolonga |
145 |
22.1 |
Unauthorized Receptions |
Latin, Greek, and Other Classical Nonsense in the Work of Edward Lear |
Marian Makins |
145 |
31.5 |
On the Boundaries of Latin Poetry |
The Dupe of Destiny? The Oath of Hannibal in Silius Italicus’ Punica |
Anja Bettenworth |
145 |
41.3 |
The Social Life of Ancient Libraries |
Biography, Portraiture, and the Birth of the Author |
Thomas Hendrickson |
145 |
50.3 |
Vergil’s Aeneid |
Boxing and Siege Engines in Vergil’s Aeneid |
George Fredric Franko |
145 |
59.1 |
Politics and Parody in Old Comedy |
Friends in Low Places: Cleon’s philia in Aristophanes |
Robert Holschuh Simmons |
145 |
62.2 |
Vision and Perspective in Latin Literature |
Culture, Corruption, and the View from Rome: Propertius 3.21 and 3.22 |
Phebe Lowell Bowditch |
145 |
77.1 |
Homer, Odyssey: Speech and Ritual |
Remembering Odysseus: Line-initial Memory in the Odyssey |
Stephen Sansom |
145 |
80.1 |
Roman Politics and Culture |
Sic semper tyrannis: Domitian, damnatio memoriae and the Imperial Cult at Ephesus |
Abigail S Graham |
145 |
12.2 |
Fertility/Birth |
A Five Year Pregnancy? Women in the Epidaurian Iamata |
Calloway Scott |
145 |
22.2 |
Unauthorized Receptions |
Mortal Heroes: Homeric Themes and Classical Allusions in Sidney Nolan’s ‘Gallipoli Series’ |
Sarah Midford |
145 |
31.6 |
On the Boundaries of Latin Poetry |
Between Myth and Geography at the Edge of the World: The Seres in Silius Italicus |
David Urban |
145 |
42.1 |
Unhistorical Receptions of Ancient Narrative |
Hairy Iopas: Virgil and the Gigantomachy in Joyce’s Ulysses |
Randall Pogorzelski |
145 |
50.4 |
Vergil’s Aeneid |
Pallas Goes Off to War: a Portentum in Virgil’s Aeneid |
James Townshend |
145 |
59.2 |
Politics and Parody in Old Comedy |
Aristophanes’ Ecclesizusae and the Remaking of the patrios politeia |
Alan Sheppard |
145 |
62.3 |
Vision and Perspective in Latin Literature |
Horace and Vergil in Dialogue in Odes 4.12 |
Philip Thibodeau |
145 |
77.3 |
Homer, Odyssey: Speech and Ritual |
Nausicaa and the Delian Palm: Odysseus' Strategic Epithalamium |
Charles D. Stein |
145 |
80.3 |
Roman Politics and Culture |
“Brutal” Honesty or Rhetorical Rewrite? Brut. Cic. ad Brut. 1.16 and 1.17 |
Tom Keeline |
145 |
13.1 |
Monsters and Giants |
The Hesiodic Shield of Herakles: Monstrous Texts and the Art of the Nightmare |
William Brockliss |
145 |
22.3 |
Unauthorized Receptions |
Aurelio G. Amatucci’s Codex Fori Mussolini and the Prospective Memory of Italian Fascism |
Bettina Reitz-Joosse |
145 |
32.1 |
Judgment and Obligation in Roman Intellectual History |
How Varro Decides |
Colin Shelton |
145 |
42.2 |
Unhistorical Receptions of Ancient Narrative |
Working Women Weaving Tales in Ovid's Metamorphoses and James Joyce's Finnegans Wake |
Cynthia Hornbeck |
145 |
50.5 |
Vergil’s Aeneid |
Inscribing Fate: Epigraphic Conventions and Virgil's Aeneas |
Morgan E. Palmer |
145 |
59.3 |
Politics and Parody in Old Comedy |
History, Memory, and the soteria Theme in Aristophanes' Ecclesiazusae |
Robert Tordoff |
145 |
62.4 |
Vision and Perspective in Latin Literature |
Sidera testes: Masculinity and the Power of the Ancestral Gaze in Cicero, Tacitus, and Juvenal |
Julie Langford and Heather Vincent |
145 |
77.4 |
Homer, Odyssey: Speech and Ritual |
The View from Hades: Tyro’s Story in Odyssey 11 |
George Gazis |
145 |
80.4 |
Roman Politics and Culture |
Fit for a King: Caesar in 44 |
Jaclyn Neel |
145 |
13.2 |
Monsters and Giants |
Gigantomachic Imagery and Autochthonous Growth in Vergil’s Georgics |
Zack Rider |
145 |
22.4 |
Unauthorized Receptions |
The Anti-Oedipus: Strella and a Queer Re-imagining of the Tragic Family |
Lynn Kozak |
145 |
32.2 |
Judgment and Obligation in Roman Intellectual History |
Varro’s Dystopian Rome: Masquerade and Murder in the First Book of De Rebus Rusticis |
Sarah Culpepper Stroup |
145 |
42.3 |
Unhistorical Receptions of Ancient Narrative |
Scholars, Metalepsis, and Queer Unhistoricism: Interventions of the Unruly Past in Reed’s 'Boy Caesar' and De Juan’s 'Este latente mundo' |
Sebastian Matzner |
145 |
51.1 |
Roman Imperial Interactions |
Weathering the Wheel of Fortune: On Enduring tyche in Polybius' Histories |
Rebecca Katz |
145 |
59.4 |
Politics and Parody in Old Comedy |
Aristophanes the Actor? |
Jennifer Starkey |
145 |
62.5 |
Vision and Perspective in Latin Literature |
Greek and Roman Eyes: the Cultural Politics of Ekphrastic Epigram in Imperial Rome |
Carolyn MacDonald |
145 |
77.5 |
Homer, Odyssey: Speech and Ritual |
Pandora and the Pandareids: The Struggle to Define Penelope in Odyssey 18-20 |
Rachel Lesser |
145 |
80.5 |
Roman Politics and Culture |
Marsyas Causidicus: Law, Libertas and the Statue of Marsyas in Imperial Rome |
Mary Deminion |
145 |
1.1 |
Greek Language and Linguistics |
Evidence for an Innovative Aspect of ‘Aeolic’ Inflection in Thessalian Greek |
Toru Minamimoto |
145 |
13.3 |
Monsters and Giants |
Playing the Giant: Tristia 2 and Parody Redefined |
Christine E. Lechelt |
145 |
29.1 |
Athenian Frontiers |
How to Cast a Criminal out of Athens: Law and Territory in Archaic Attica |
Mirko Canevaro |
145 |
32.3 |
Judgment and Obligation in Roman Intellectual History |
Cicero on Patriotism and Cosmopolitanism in De Officiis |
Jed W. Atkins |
145 |
42.4 |
Unhistorical Receptions of Ancient Narrative |
Creation by Reduction: Alice Oswald’s Use of the Iliad in Memorial |
Carolin Hahnemann |
145 |