77.3 |
Constructing a Classical Tradition: East and West |
Progymnasmatic Ekphrasis at the Latin School of Arezzo and Vasari’s “Memory Images” |
Jesús Muñoz Morcillo |
151 |
76.3 |
Style and Stylistics |
nomine nos capis: Cicero’s Cato and the theory and practice impersonating orators |
Lydia Spielberg |
151 |
76.4 |
Style and Stylistics |
Ne procaces manus rapiant: Stylistic Shifts as a Defensive Strategy in Pliny the Elder’s Naturalis Historia |
Scheherazade J Khan |
151 |
76.1 |
Style and Stylistics |
Timotheus of Miletus’ Persae, 150–161: "Entwining Greek with Asian Speech" |
Milena Anfosso |
151 |
76.2 |
Style and Stylistics |
“Why is it impossible to do it well?” Aristotle and Quintilian on Narrative Brevity in Forensic Oratory |
Sidney Kochman |
151 |
75.3 |
Greek History |
Redistribution, Public Wealth, and the Cretan Andreion |
Evan Vance |
151 |
75.1 |
Greek History |
Whose Tyrant Are You?: The Installation of Tyrants in the Archaic and Classical Worlds |
Marcaline J. Boyd |
151 |
75.4 |
Greek History |
Carving Communities in Stone: Cosmopolitan Space on Hellenistic Kos |
Sjoukje M Kamphorst |
151 |
75.2 |
Greek History |
A Game of Timber Monopoly: Atheno-Macedonian Relations on the Eve of the Peloponnesian War |
Konstantinos Karathanasis |
151 |
73.2 |
Novel Entanglements |
Time-psychology in the Cena Trimalchionis |
Karen Ni-Mheallaigh |
151 |
73.3 |
Novel Entanglements |
Awkward Authority: Gnomai in Heliodorus and Nonnus |
Emma Greensmith |
151 |
73.4 |
Novel Entanglements |
Between Skeptical Sophistry and Religious Teleology: The Multiperspectivity of Heliodorus' Aethiopica |
Benedek Kruchió |
151 |
73.5 |
Novel Entanglements |
The Novel and Bookspace |
Tim Whitmarsh |
151 |
72.3 |
If Classics is for Everybody Why Isn't Everybody in My Class? |
Creating systemic change within existing structures |
Danielle R. Bostick |
151 |
72.4 |
If Classics is for Everybody Why Isn't Everybody in My Class? |
Integrating diverse cultural and linguistic backgrounds in the Latin classroom, and reconsidering the place of Classics in non-western traditions |
Sonya Wurster |
151 |
72.5 |
If Classics is for Everybody Why Isn't Everybody in My Class? |
Expanding Classics through the visual and performing arts, in and out of the classroom |
Nina Papathanasopoulou |
151 |
72.2 |
If Classics is for Everybody Why Isn't Everybody in My Class? |
Increasing the diversity of graduate students in Classics: The University of Michigan’s Bridge M.A. and Bridge to the Ph.D Programs |
Sara Ahbel-Rappe and Sierra P. Jones |
151 |
71.2 |
Moving to the Music: Song and Dance in Antiquity |
Movement, Sight, and Sound in Archaic Song-and-dance Poetry: Erotic and Ritual Kinesthesia and Synesthesia in the ‘Newest Sappho’ |
Michel Briand |
151 |
71.3 |
Moving to the Music: Song and Dance in Antiquity |
Komos and Choros: The Language of Dance in Greek Vase-Painting |
Tyler Jo Smith |
151 |
71.4 |
Moving to the Music: Song and Dance in Antiquity |
Dancing in Roman Dress: Fabula Togata and the Music of Pantomime |
Harry Morgan |
151 |
71.5 |
Moving to the Music: Song and Dance in Antiquity |
The Pantomimic Voice: Ovid’s Echo and the Body-Voice Relationship in Dance |
Amy Koenig |
151 |
70.2 |
Inscriptions and Dates |
How old are the earliest Mycenaean tablets? Absolute and Relative Chronology of the Linear B Tablet Deposits of the Room of the Chariot Tablets (RCT) and the North Entrance Passage (NEP) at Knossos |
Rachele Pierini |
151 |
70.3 |
Inscriptions and Dates |
Dating, and Dating by, the Antikythera Mechanism |
Paul Iversen |
151 |
70.4 |
Inscriptions and Dates |
Erroneous Dates In Athenian State Decrees And Financial Documents |
John Morgan |
151 |
70.5 |
Inscriptions and Dates |
One is not enough: Double dates in inscriptions from the Greek East under Rome |
Ilaria Bultrighini |
151 |
69.4 |
Public Life in Classical Athens |
Making Necessity of a Virtue: Hidden Value Judgments in Forensic Suggnōmē |
Ted Parker |
151 |
69.1 |
Public Life in Classical Athens |
Insults and status negotiation in the Athenian agora |
Deborah Kamen |
151 |
69.2 |
Public Life in Classical Athens |
The Trierarchy, Financial Syndication, and Impersonal Intermediation |
Andrew Foster |
151 |
69.3 |
Public Life in Classical Athens |
The Lives of Lycurgus: Self-Commemoration in Fourth-Century Athens |
Mitchell H. Parks |
151 |
68.1 |
Greek and Latin Comedy |
Pherecrates’ Comic Poetics |
Amy S Lewis |
151 |
68.5 |
Greek and Latin Comedy |
Wife-Erasure in Terence's Hecyra |
Hannah Sorscher |
151 |
68.2 |
Greek and Latin Comedy |
Innovation and Intertextuality in Greek Mythological Comedy |
Dustin W. Dixon |
151 |
68.4 |
Greek and Latin Comedy |
Dropping the Dramatic Illusion: A Narratological Model of Plautine Metatheater |
Rachel Mazzara |
151 |
68.3 |
Greek and Latin Comedy |
Braunfels’s Aristophanic opera, Die Vögel |
Peter Burian |
151 |
67.4 |
Plato and his Reception |
Roman Stoic appropriation of the Middle Platonic “imitation of god” |
Collin Miles Hilton |
151 |
67.1 |
Plato and his Reception |
Divination and Dialogue: The Construction of Philosophy in Plato’s Apology |
Ethan Schwartz |
151 |
67.5 |
Plato and his Reception |
Academic Consolation in Pseudo-Plato’s Axiochus |
Matthew Watton |
151 |
67.3 |
Plato and his Reception |
Religious Practice as Play in Plato’s Laws |
Justin Barney |
151 |
67.2 |
Plato and his Reception |
Plato’s Apology of Socrates: For What Does Socrates Die? |
Joseph Gerbasi |
151 |
66.2 |
Homerica |
More Useful and More Trustworthy? The Cyclical Poem in Scholia |
Jennifer L Weintritt |
151 |
66.5 |
Homerica |
Panhellenistic Appropriations: The Case of Aphrodite, Diomedes’ Aristeia, and Tablet VI of Gilgamesh |
Marcus D Ziemann |
151 |
66.4 |
Homerica |
Helen of Troy and Her Indo-European Sisters: Women's Vocal Agency and Self-Rescue in Greek, Indian, and Irish Epic |
John McDonald |
151 |
66.1 |
Homerica |
Another Current in Homer's Ocean |
Joshua M Smith |
151 |
66.3 |
Homerica |
Poetically Packed: πυκ[ι]νός in the Iliad |
Kaitlyn Boulding |
151 |
65.3 |
Late Antiquity |
Figuring It Out: The Relationship between exemplum and figura in Ambrose of Milan’s De Abraham |
Anthony J Thomas |
151 |
65.2 |
Late Antiquity |
Staging Schism: Optatus 1.16-20 and the Earliest Extant Christian Play |
James F. Patterson |
151 |
65.5 |
Late Antiquity |
A Fiction of Nature and the Nature of Fiction: Animal Allegory in the Greek Physiologos |
Alvaro O Pires |
151 |
65.1 |
Late Antiquity |
Julian and Rome’s Eternal Refoundation |
Jeremy J. Swist |
151 |
65.4 |
Late Antiquity |
The Encomiastic “Other” in Jerome’s Epistles |
Angela Zielinski Kinney |
151 |
64.7 |
Social Networks and Interconnections in Ancient and Medieval Contexts |
Social Networks and Interconnections in Ancient and Medieval Contexts |
Eleni Hasaki and Diane Harris Cline |
151 |