The Ancient Mediterranean for Modern Audiences: Reception, Pedagogy, Entertainment
The aim of the OSU Classics Graduate Student Colloquium is to explore various directions in which the Ancient Mediterranean has been adapted and utilized by different cultures in Modern world from the Renaissance to the present day. In recent years, the online journal “Eidolon” and other public scholarship media have already successfully demonstrated how the cultures of the Ancient Mediterranean can be accessed, interpreted, and applied through various experiences by scholars, students, writers, and by the wider communities. We believe that the reception of Ancient Mediterranean cultures has become an important element of Classical scholarship and pedagogy. It is a critical point of contact between the academic community and the general audience.
Conference: Cathartic History
The aim of this conference and the edited collection that will result is to propose Aristotelian catharsis as a new lens for historical inquiry. The project aims to do so, specifically, through the study of cathartic history as a phenomenon in the Greco-Roman Mediterranean and in the field of Classical history today. In the process, the project will serve as an example of the productive application of catharsis to the study of the past, and thus a model for other fields of historical research.
International Association for Presocratic Studies
Chair of Organizing Committee: Miriam Peixoto
Poetry, Philosophy, and Mathematics: Performance, Text, and External Representations in Ancient Greek Cultural Practices
The Classical Association of Ghana
University of Ghana, Legon, Ghana
Theme: Global Classics and Africa: Past, Present, and Future
Honor and Shame in Classical Antiquity
Keynote Speaker: Margaret Graver, Dartmouth College
Sailing with the Gods: Religion and Maritime Mobility in the Ancient World
Sponsored by: The Society for Ancient Mediterranean Religions
Location: Grand Hotel Excelsior, Floriana, Malta
Dates: June 17-21, 2020
Generic Interplay in and after Vergil
Symposium Cumanum 2020
Villa Vergiliana, Cuma
June 24–26, 2020
Co-directors: Brittney Szempruch (United States Air Force Academy) and John F. Miller (University of Virginia)
Although Vergil famously opens the Aeneid with a definitive statement of poetic intent—arma virumque cano—scholarship has long highlighted the poet’s propensity for the complication of firm generic boundaries. Amid a range of theoretical responses that have shaped the past nearly one hundred years (Kroll 1924; Cairns 1972; Fowler 1982; Conte 1986; Harrison 2007), the Vergilian corpus has emerged as some of the most productive ground for the in-depth study of generic flexibility (e.g. Nelis 2004; Seider 2016).