Amphora

Blog: What a Difference an ἤ Makes: Hippocrates, Racism, and the Translation of Greco-Roman Thought

By Lisl Walsh | November 1, 2018

As Benjamin Isaac concisely stated in a 2016 piece in Eidolon,[i] the “pseudo-scientific roots” of American racism can be traced back to Ancient Greek theories of human difference. A crucial text quoted at length by Isaac is Airs, Waters, Places . Preserved as a medical document in the Hippocratic Corpus , this treatise argues that climate has a strong influence on human biology and human society: some climates are conducive to bodily health and social flourishing, while others are conducive to disease and lack of ‘civilized’ society. Isaac cites this text as foundational for the later development of theories of race:

The Bumpy Path to Classics

By Wells Hansen | February 15, 2018

by Erich Gruen

What put me on the path to Classics? No single event, no flash of lightning, no sudden illumination. Nor was it a gradual move, an increasing affection for a subject that slowly grew on me as I matured, a route that became more distinct and compelling as years passed. It is easy to construct such a smooth course toward an inevitable outcome in retrospect. But that is not how it happened.

Changing the Guard at Amphora

By Wells Hansen | February 2, 2018

by Dr. Ellen Bauerle

After five years seeing the ebb and flow of classical practitioners’ thoughts about outreach, it’s time for me to step down as editor of Amphora. I have very much enjoyed working with the many members of the Amphora editorial board – I’ve made some good new friends, learned about a lot of things going on in the international ferment we call classical studies – and made new discoveries about current pedagogical trends. In the last five years Amphora has moved from an all-print publication format, then to print + website, and now to website-only: I am sure there will be additional developments upcoming as Amphora continues to change and adapt.

Amphora: Flipping a Coin—Building a Numismatic Database with Undergraduate Researchers Julie Langford Mon, 10/02/2017 - 00:00

This article was originally published in Amphora 11.1. It has been edited slightly to adhere to current SCS blog conventions.

That sinking feeling when you realize you’ve completely underestimated the scope of a project? I’m far more familiar with it than I’d like to admit. It was what I felt when I began analyzing the data I gathered in the library and vaults of the American Numismatic Society on provincial coinage minted under the Severan dynasty. I’d received a grant from my home institution to place the images and legends on provincial coinage in conversation with that of imperial coinage. I thought by doing so, I could bring to life the negotiations of ideology between local concerns and imperial propaganda.

Amphora: Editing for Good

By Wells Hansen | July 10, 2017

This article was originally published in Amphora 12.1. It has been edited slightly to adhere to current SCS blog conventions.

Elsewhere in this issue, in his article titled The Metal Age, Kris Fletcher discusses the relationship between classical studies and heavy metal music. Examining various metal appropriations of themes, characters, and ideas from classical antiquity, some less orthodox than others, Fletcher notes, “… these songs should remind us that we as classicists do not control this material.” On the SCS website, Mary-Kay Gamel and the Outreach Committee have voiced a similar view concerning the shared understanding of classical material: “We use the word ‘outreach’ not to suggest a one-way communication in which scholars inform others, but a complex interaction in which all involved contribute to a discussion of what Classics is and what it might be.”

Amphora: The Metal Age—The Use of Classics in Heavy Metal Music

By Kristopher Fletcher | June 12, 2017

This article was originally published in Amphora 12.1. It has been edited slightly to adhere to current SCS blog conventions.

It is a great time to be a fan of both the classical world and heavy metal music: the two have never overlapped to the extent that they do right now. Consider, for example, the fact that in 2013 not one but two Italian metal bands, Heimdall and Stormlord, released concept albums based on Vergil’s Aeneid.