By Christopher Trinacty, Emma Glen, and Emily Hudson (Oberlin College)
Anne Carson’s celebrated adaptations and translations of Ancient Greek and Latin literature have ranged from imagining the love affair between Geryon and Heracles in The Autobiography of Red to meditating about the death of her brother through Catullus 101 in Nox. In our opinion, Carson’s works highlight her theoretical sophistication as well as her deep commitment to the reception of Classics broadly understood. This new “comic” version of Euripides’ Trojan Women by Carson and illustrator Rosanna Bruno offers a creative and challenging take on Euripides’s tragedy.
Modern cinema and Greek tragedy illustrate that few things elicit a fear more profound than parents killing children. Horror movies have often grappled with figures of “monstrous” mothers in particular, from the obsessive, hypochondriac Sonia Kaspbrack in Stephen King's IT (1986), to the lonely, murderous Olivia Crain in Netflix's The Haunting of Hill House (2018). In Greek tragedy, too, mothers are often monsters: women like Medea, Agave or Althaea are all tragic examples of women who have killed their children. In both genres, these gestures of extreme violence are meant to shock and unsettle the audience by pushing back against “normal” familial bonds, bringing into question relationships of gender, the body and motherhood.