You are here

Blog: A Short Note on the Renovated Epigraphic Museum in Athens

Prof. Laura Gawlinski takes a look at the newly renovated Epigraphic Museum in Athens and notes the ways in which museums are working to make their holdings more accessible for students, teachers, and the public. 

Renovated Room 11. Molly Richardson (ASCSA/ SEG) introduces the EM to members of the Regular Program of the American School of Classical Studies at Athens. 

Many readers of the SCS blog have had the pleasure of carrying out research at the Epigraphic Museum in Athens. If you haven’t visited in a while, it is well worth stopping by to see the results of the recent renovations of its two main exhibition rooms, celebrated in a grand opening ceremony on May 25, 2017. 

Many of the inscriptions have been reorganized into thematic displays enhanced by new plaques that provide contextual information. Room 11, for example, features a helpful discussion of “early Greek alphabets” alongside some of the earliest texts, as well as a section focused on “dedicators and dedications.” In Room 9, the visitor will find background information on both “ancient decrees” and the “public funerary monuments to the war-dead.” The new organization highlights the complicated choices behind museum displays, particularly the challenge of trying to account for both chronological and thematic considerations at the same time.

Room 11: Altar of Peisistratos, son of Hippias. 

In addition to the new plaques, there are also touch-screens for looking up the text of the inscriptions. The conservator Stergios Tzanekas designed and made some of the new plaster supports for fragmentary inscriptions. One especially creative arrangement deserves mention: the altar dedicated by Peisistratos to Apollo (IG I3 948) is now set on a raised platform, introduced by a perirrhanterion (IG I3 914), and flanked by bases for dedications. The didactic plaques and thoughtful displays have increased the accessibility of this museumand made it easier for non-epigraphists to enjoy. In particular, I expect that a variety of undergraduate study abroad groups will find new ways to make use of the material. I encourage you to bring it to the attention of even your least-epigraphic classicist colleagues.

Thanks to the EM staff: Nasos Themos, Elena Zavvou, Eirini Choremi, and Stergios Tzanekas.

Reprinted with permission from the ASGLE Bulletin. The ASGLE Affiliated Group Panel will be held at the annual SCS meeting in San Diego, Saturday, January 5, 2019 8:00-10:30 am and will address “Writing the History of Epigraphy and Epigraphers.” For more on the preliminary program, click here.

Room 9: Public documents, touch-screen at right. 

Laura Gawlinski's picture

Laura Gawlinski is Associate Professor and Chair of Classical Studies at Loyola University Chicago. Her research focuses on ancient Greek religion, particularly the management of sacred space and the intersection of dress and religious experience. She is also a field supervisor at the Athenian Agora excavations.

Recent Posts

12/05/2019Liam Jensen
The Lego Classicists project is more than child’s play. Recreating classics scholars in Lego bricks crosses the...
The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage...
11/21/2019Kilian Mallon
Recogito is a software platform that facilitates annotation of text and images. Through both automatic annotation...
11/15/2019Claire Catenaccio
Today we wish to introduce a new project: Women in Classics: Conversations. This venture consists of a series of...
11/08/2019Adrienne Rose
What is the interplay between Classics and literary translation? What are the preparatory actions for launching a...
Subscribe to SCS Blog Feed

Share This Page

© 2019, Society for Classical Studies Privacy Policy