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Amphora: The Stakes are High—Tragedy and Transformation within Prison Walls

Elizabeth Bobrick |
Sketchbook: Souvenir of Naples

Blog: Roman Fire, Texan Flood—Discussing Ancient Disasters in the Classroom

Jane Millar |

Review: Roman Inscriptions of Britain

Rebecca Benefiel |

Amphora: A New Incarnation of Latin in China

Yongyi Li |
Late Classical Greek Inscription

Review: Packard Humanities Institute's Searchable Greek Inscriptions

Laura Gawlinski |

Amphora: Editing for Good

Wells Hansen |

Review: The Atlas Project of Roman Aqueducts (ROMAQ)

Jacqueline DiBiasie Sammons |
Detail of bust in the Centrale Monemartini Museum

Amphora: The Metal Age—The Use of Classics in Heavy Metal Music

Kristopher Fletcher |

Review: Attic Inscriptions Online

Alan Sheppard |

Amphora: Tartarus and the Curses of Percy Jackson (or Annabeth’s Adventures in the Underworld)

Tom Kohn |

Blog: Wrestling with Rhapsodes

William Duffy |

Blog: Science and the Study of the Classics

Garret FitzGerald |
Bust of a Roman Lady

Review: Online Companion to The Worlds of Roman Women

Mary Pendergraft |

Blog: A Liberal Art for the Future

Nigel Nicholson |

The Stakes are High: Tragedy and Transformation within Prison Walls, by Elizabeth Bobrick

Wells Hansen, Elizabeth Bobrick |

Where Do We Come From? What Are We? Where Are We Going? by Ellen Bauerle

Ellen Bauerle |

Todd Akin, the Greek doctor Soranus, and "legitimate rape"

T. H. M. Gellar-Goad |

How I became a public intellectual and why you should too

Curtis Dozier |

From Euterpe to YouTube: Popular music and the classics

T. H. M. Gellar-Goad |