2019 Goodwin Award Winners

Below are the citations for the three winners of our 2019 Charles J. Goodwin Award of Merit. Please join us in congratulating this year's winners and in thanking the Goodwin Committee members for their hard work.

Andrew C. Johnston

Josephine Quinn

Francesa Schironi

Andrew C. Johnston, The Sons of Remus: Identity in Roman Gaul and Spain. Harvard University Press, 2017

The story of the Roman Empire, much like the story of the American West, has long emphasized assimilation and Romanization: parcere subiectis et debellare superbos. Presumably discarded were the local identities and indigenous traditions that no longer defined or empowered the provincials. Unlike the cities of the Greek East, with their indigenous and hyper-literate insistence on their own distinctive identities, past and present, the Roman West has been thought to be a virtual tabula rasa, on which Romanness was inscribed with little difficulty. 

In The Sons of Remus: Identity in Roman Gaul and Spain, Andrew C. Johnston goes west to two major provinces in search of their local experiences, memories, and discourses, and paints a strikingly different picture. Alongside the “grandsons” of Romulus, Romuli nepotes, as Catullus dubbed the Romans of his age, and far from the imperial center, lived the provincial sons of Remus, who asserted and enacted their indigenous identities even as they adopted Roman customs and recognized imperial authority. Johnston compellingly argues for the persistent diversity of local communities and the role played by local character, creatively curated, in their sense of identity and belonging. A variety of fascinating case studies reveal how the provincials of the Roman West represented their own communities; how they defined themselves as they interacted and competed with other communities, sometimes violently; the importance of both the Roman past and the pre-Roman past in negotiating and maintaining a community’s sense of self; and the provincial performance of identity in and through their local governing structures, rituals, myths, and culture. Marshalled for investigation is an extraordinarily rich spectrum of evidence literary, artistic, archaeological, and epigraphic, much of it recent, like an inscription from Palma in the Balearic Islands attesting a local lupercus who seems not, or not merely, to be a delegate to the Roman Lupercalia (a foundation festival that seemingly makes sense only at the Palatine Lupercal in Rome), but a priest responsible for some kind of vibrant local celebration in his home community.

Andrew Johnston’s trip west reveals that the Roman Empire was not only very big but also very diverse, and his The Sons of Remus provides a firm foundation for future research in what is obviously a rich and important field, with timely resonance in our own era of globalism, resurgent nationalism, and the assertion of local identity and indigenous integrity in the face of hegemonic agency.

Josephine QuinnIn Search of the Phoenicians. Princeton University Press, 2018

Today we think we know who the Phoenicians were. Credited with a range of cultural firsts, from the alphabet to civilization itself, indeed “from the pole star to the Cornish cream tea,” the world would simply not be the same without them. But do we really know who they were? Josephine Quinn’s In Search of the Phoenicians offers a surprising answer: we do not; check the evidence itself. Understood as a singular, self-defining ethnic group, their shared identity manifest in language, in forms of government, and in a set of cultural practices, “the Phoenicians” appear in the historical record of other peoples only, from Homer to the present. Their ethnic and cultural label was not their own, but was awarded to them by others.

The thesis is startling, and its consequences mind-boggling. If we remove the label, the Phoenicians cease to enjoy an independent existence. Did they even have a sense of shared identity? Or were they no more than a phantom product of the West? They may be a historical mirage, but that is only the beginning of Quinn’s remarkable story. Early Greek literature filled out the seascape with a not-us group of Phoenicians, whose very name tellingly derives from the Greek language. From the late fifth century, the Carthaginians, progressively confident in their territorial empire, claimed this suitably sweeping identity for themselves. The distinctive cultural politics of the Hellenistic kingdoms and the Roman Empire further encouraged the search for a common past and history that rivaled those of competing superpowers. In the imperial competitions of premodern and modern Europe, Carthage’s long status as an anti-Rome encouraged multiple self-identifications as Phoenicians. In short, the Phoenicians emerge not merely as an “invented” people, but as a multiply reinvented one. Quinn is equally compelling on the shifting dynamics of self-identification amongst “Phoenicians”. In the areas conventionally associated with the “Phoenicians”, the reference point for locating selves is frequently family or local community, as is the default throughout the ancient Mediterranean.  Sometimes, however, we also find small clusters (e.g. the “circle of the Tophet”), and larger opt-in networks (e.g. participants in the Melqart cult).  

To pursue these questions about identity, In Search of the Phoenicians takes its readers on an epic journey from the tenth century BCE to the 20th CE, from Lebanon to Ireland, from the Hebrew Bible to Heliodorus, John Milton and James Joyce, from bilingual epitaphs to Anthony D. Smith on nation-building, and from western Mediterranean Tophets to Stonehenge. The fruit of these travels is a new genealogy of an invented people, the Phoenicians. With its deep appreciation for the multiple agencies and perspectives, geographies and networks of the Mediterranean and Near East, and for the two thousand years of subsequent entanglement of ancient and modern cultural and political wars, Quinn’s outstanding book exemplifies the breadth and depth of Classics in the 21st century. Above all, it articulates a methodological template for examining nations, cultures, and ethnicities in the ancient world and in their long, productive afterlives. Quinn’s work will oblige scholars to rethink their assumptions about what it means to be a “people” of any kind, including those who are known today as “Greeks” and “Romans.”

Francesca Schironi, The Best of the Grammarians: Aristarchus of Samothrace on the Iliad. University of Michigan Press, 2018 

The Best of the Grammarians: Aristarchus of Samothrace on the Iliad is a monumental study that is unlikely to be surpassed for generations to come. Indeed, Schironi’s only true rival is Arthur Ludwich’s work in two volumes from 1884-85, Aristarchs homerische Kritik. Weighing in at over 900 pages of densely argued text, and seemingly exhaustive in its canvasing of the relevant issues and available evidence, including some 4,300 pertinent scholia, The Best of the Grammarians is a massive reconstruction of the methods, techniques, and principles that guided Aristarchus’ study of the Iliad as he went about analyzing and emending the Homeric text.

The results are at once theoretical and pragmatic, not least because Aristarchus’ theory is embedded in the way he practiced his criticism of Homer. Schironi’s own study models this “practice of theory” approach. It begins with such basic questions as, How did Aristarchus read Homer? How did he discriminate among his sources? What were his touchstones in the Homeric text? He made use of paraphrase, like most of his contemporaries. He advocated reading aloud and was alert to poetic and rhetorical figures, including metaphor, allegory, and irony. He analyzed Homeric vocabulary, and he identified characters, customs, and places in the epic as well as its cosmology. He sought to discover etymologies, and he made use of analogy to solve linguistic puzzles. He was also prepared to judge the aesthetic quality of Homer’s poems, drawing on Aristotle’s Poetics and Rhetoric for his critical categories. Aristarchus was aware of the formulaic nature of epic verse and the use of epithets, and he had a subtle appreciation of Homer’s narrative style. When he athetized a line, it was for good reasons, such as internal contradiction.

While Schironi recognizes that Aristarchus’ studies had inevitable limitations and were not infrequently grounded in circular reasoning, she concludes that his procedures were motivated by a noble commitment to Homer’s unsurpassed greatness as a poet, his deep self-consistency, and his sole authorship of the two epics—principles that were not universally accepted in antiquity any more than they are today. She sets out these points and many others with consummate learning, clarity, and elegance. And while the book lends itself to use as a reference work, it is much more than that. After working their way through her study, readers will come to regard Aristarchus as a friend and fellow critic with whom one can carry on stimulating mental conversations even today. Francesca Schironi has brought Aristarchus to life, and thanks to her efforts, we can all be better acquainted with the best of the ancient grammarians.

Citations by the Goodwin Award Committee: 

Emma Dench

Jeffrey Henderson

Carolyn Dewald

James I. Porter

David Konstan

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(Photo: "library" by Viva Vivanista, licensed under CC BY 2.0)

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34th Biennial Conference of the Classical Association of South Africa

Order and Chaos

22 - 25 November 2023

University of Cape Town

FIRST CALL FOR PAPERS

View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 06/02/2022 - 7:53am by .
The University of Turin and the De Wulf-Mansion Centre for Ancient, Medieval, and Renaissance Philosophy (Leuven) are glad to invite you to the conference "Providence and free will from the post-Hellenistic age to the Middle ages" that will take place in Turin on June 8th-10th
 
The conference will be held in person, but a connection will be made available for those who wish to attend online. To register, please write to filosofia.antica.to@gmail.com by Monday 6th
 
View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 06/02/2022 - 7:21am by .
A stone sculpture of Sabina's head from the front. She has a subtle smile and wears a fillet on her hair, which is styled into an updo.

The portraits of Sabina represent a shift in the representation of imperial women in the Roman Empire. Sabina is the first empress to appear as the obverse portrait of a continuous coin production at Rome and the first woman to appear on all of the main denominations at the central mint. Her portraiture is also more varied than that of any previous empress. She is represented on imperial coinage with five different portrait types—i.e., modes of representation—most easily distinguished by hairstyle, all of which are depicted below. This is matched by an increased presence of Sabina’s portraits in provincial coinage and sculpture. This greater visual prominence for the Empress set a new standard that was followed by subsequent administrations, making the portraits of Sabina an integral corpus in the history of Roman imperial portraiture.

View full article. | Posted in on Tue, 05/31/2022 - 10:45am by .

Posted on behalf of the conference oraganizers

We are organizing an international e-conference entitled “Archaeology of Izmir-Smyrna” that will take place on November 17-18, 2022 on Zoom.us. We warmly invite contributions by scholars and graduate students from a variety of disciplines of ancient studies related to these objects. The video conference is free of charge. We would be delighted, if you could consider contributing to our e-conference and contact us with the required information before September 9, 2022. Our e-mail address is: alevcetingoz@gmail.com

We kindly request that you alert any persons within your research community who would be interested in participating at this e-conference, either by forwarding our e-mail through Academia, Researchgate, Facebook, Twitter, Instagram or other similar social media, or by printing this circular or poster and displaying it in your institution. We hope that you will be able to join us on Zoom, and look forward to seeing you in May 2022!

Click Here for the full description and requirements:
/sites/default/files/userfiles/files/1_%20DEU%20Sempozyumu%20Birinci%20Sirkuler%20Ingilizce.doc

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 05/31/2022 - 9:29am by .
A pink flyer titled "A Conversation with Luis Alfaro." Shows a hand holding up an illustration of a theater, with images of theater lights behind it.

I first met Luis Alfaro at the 2019 annual meeting of the Society for Classical Studies, where he delivered a deeply moving keynote address in which he discussed his adaptations of Greek tragedies and how his plays have brought reimagined ancient stories to new audiences, to provoke social change. This profoundly important event was made possible by a partnership with my former employer, the Onassis Foundation USA, the Classics and Social Justice affiliated group, and the SCS. As many of us will recall, this conference was also marred by the ugliness of racism, which reared its awful head amid an already tense, ongoing conversation about the state and future of our field that has since spilled into the wider public discourse, perhaps for the worse. But there is hope, and I sincerely believe that Alfaro’s work can be one of those mechanisms of change, if only our field would embrace it.

View full article. | Posted in on Fri, 05/27/2022 - 12:36pm by Young Richard Kim.
CANE logo showing New England state and green wreath

Monday, July 11 through Saturday, July 16, 2022

This year, the CANE Summer Institute will run simultaneously in two modes: in person at Brown University and virtually via CANE Zoom

  • Mini-courses will be offered separately for in-person and virtual participants
  • Professional development workshops and Greek & Latin reading groups will be shared by all participants
  • Lectures will be free and open to the public, both in person and via livestream on Zoom

Sponsored by: Classical Association of New England, Brown University Department of Classics, and the Gladys Krieble Delmas Foundation

REGISTRATION IS NOW OPEN
Register online by clicking here

See the full program and learn about the mini-courses

Regular registration runs through June 1
Late registrations accepted through June 15

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 05/25/2022 - 10:42am by Helen Cullyer.

Performing Ancient Greek Literature in a Time of Pandemic

Conference

23-24 June 2022

Organizers: Anastasia Bakogianni (Massey University, New Zealand) and Barbara Goff (University of Reading, UK) 

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 05/25/2022 - 8:16am by .
 A neoclassical, Beaux-Arts-style building with columns in front. In front of it is a green lawn.

Our seventh interview in the Contingent Faculty Series is a virtual conversation between Dr. Taylor Coughlan and Dr. Victoria Austen.

Victoria Austen received her Ph.D. from King’s College London in 2020 and has been teaching at the University of Winnipeg since 2019. In September 2022, she will begin a two-year position at Carleton College, in Minnesota, as the Oden Postdoctoral Fellow in Innovation in the Humanities (Classics). Her main research focuses on the imaginative space of Roman gardens and landscapes across literature and art from the Late Republic and Early Empire; she is also interested in classical reception (particularly related to myth) and the study of race and ethnicity in the ancient world. She is the social media manager for Peopling the Past (@peoplingthepast), and you can also find her tweeting @Vicky_Austen.

Taylor Coughlan: You received your education and training in the UK, and moved to Canada to begin your professional career, and have a further move to the U.S. on the horizon. What have you learned from working in different cities and countries?

View full article. | Posted in on Mon, 05/23/2022 - 10:07am by .
Newspaper

The SAGP Board has decided that the 2022 Annual Meeting will again occur via Zoom. This makes it possible to stretch out the time-frame so that we do not have simultaneous panels. We will schedule panels on weekends, Friday through Monday (avoiding Tuesday, Wednesday, Thursday, since those are the heaviest teaching days for most people). We will schedule starting September 23, and ending November 19, for this round.

Members of the Society are invited to propose Zoom panels. Organizers should specify the topic of the panel, the proposed speakers (with academic affiliation and email address) and tentative title (check with them first!), and preferred date (and an alternate). Some preference for organizers who would be able to host a zoom event themselves.

View full article. | Posted in Calls for Papers on Fri, 05/20/2022 - 8:40am by .

Call for Papers

Sapiens Ubique Civis IX – Szeged 2022

PhD Student and Young Scholar Conference on Classics and the Reception of Antiquity

Szeged, Hungary, August 31–September 2, 2022

View full article. | Posted in Calls for Papers on Fri, 05/13/2022 - 10:47am by .

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