CFP: Peripheral Adaptation in Flavian Literature

Hybrid Epicenters: Peripheral Adaptation in Flavian Literature

With a response by Antony Augoustakis

Adaptation and change in Imperial Rome tend to aggregate on the margins and at the edges of things, in extremis as it were. In Flavian literature, various dynamic changes have been observed, in the textual space as well as in the socio-political background under which this literature is being produced. One example is the sudden transition between books 11 and 12 in Statius’ Thebaid wherein the fraternas acies of the first 11 books gives way to (attempted) reconciliation. Or from a geographical stance, one example is Scipio Africanus’ rapid rise to power as he pushes Rome’s military might to her future imperial edges in Spain and North Africa in books 16 and 17 of the Punica; from a sociocultural angle, the complex dynamics in the Silvae between Campania and Rome causes difficulties in recognizing which location is central and which peripheral in Statius’ conceptualization of the geography of Roman power in Italy.

The dynamic relationship between centers and peripheries, intertwined with that old dichotomy of self and other, has been a dominant area of study in the field of Flavian literature for quite some time (e.g. Augoustakis 2010, Rimell 2015, Pogorzelski 2016, Fitzgerald and Spentzou 2018, all with qualifications). While yielding critical insight into Roman identity and conceptualizations of power in the Flavian era, this dichotomous view nonetheless maintains the hegemonic, top-down outlook it aims to question. In recent years, a growing number of scholars have focused their attention on the role of peripheral spaces on their own terms (see Bexley 2009 and more recently Bhatt 2018 and Giusti 2018), that is to say as spaces generating their own dynamic forces both in opposition to and in concordance with central spaces. On such an outlook, we begin to see not a dichotomy of two separate spaces, but rather of two intertwined ones: a hybrid. Modern theories concerning hybridity, such as Homi K. Bhabha’s theorizations of “third spaces” or creolization theory, hint at the interpretative possibilities open to those who approach the periphery anew and on its own terms. What happens, in sum, at the edges of things to bring about and mark change?

We propose to gather papers, therefore, which analyze peripheral spaces as areas indicative of change (be it narratival, textual, cultural, or otherwise) in the Flavian epicists and occasional poets. Possible topics to be considered include but are by no means limited to:

  • new theoretical approaches to marginal groups such as Orientalism, Postcolonialism, creolization theory, and so forth;
  • the power that geographical edges exert on centers of power;
  • strategies of narrative condensation and issues of closure at the ends of texts;
  • the textual space as marker of the importance of marginalized or otherwise peripheral groups such as captives, women, monsters, and the like.
  • the interaction of textual centers and margins with the geographical center and periphery in Flavian visual culture.

We welcome, in a word, any paper that aims to question or otherwise qualify the hierarchical model of center and periphery, emperor and imperial edges, in these texts.

Abstracts and inquiries should be sent to the panel organizers, Angeliki Roumpou (Angeliki.Roumpou1@nottingham.ac.uk) or Clayton Schroer (c_schroer@coloradocollege.edu). Submissions will be accepted until March 24th; notification of acceptance will be sent by March 31st, leaving ample time until the individual submission deadline. Please note that all abstracts must be no more than 500 words in length and must also comply with the SCS Guidelines for Authors of Abstracts.

Works Cited:

Augoustakis, A. 2010. Motherhood and the Other: Fashioning Female Power in Flavian Epic. Oxford: Oxford University Press.

Bexley, E. 2009. “Replacing Rome: Geographic and Political Centrality in Lucan’s Pharsalia.” CP 104: 459–75.

Bhatt, S. 2018. “Exiled in Rome: The Writing of Other Spaces in Tacitus’ Annales.” In The Production of Space in Latin Literature, edited by William Fitzgerald and Efrossini Spentzou. Oxford: Oxford University Press.

Fitzgerald, W. and E. Spentzou (eds). 2018. The Production of Space in Latin Literature.  Oxfrod: Oxford University Press.

Giusti, E. 2018. Carthage in Virgil’s Aeneid: Staging the Enemy under Augustus. Cambridge: Cambridge University Press.

Pogorzelski, R. 2016. “Centers and Peripheries.” In A Companion to the Flavian Age of Imperial Rome, edited by Andrew Zissos, 223–38. Malden, MA: Wiley.

Rimell, V. 2015. The Closure of Space in Roman Poetics: Empire’s Inward Turn. Cambridge: Cambridge University Press.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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The Committee on Public Information and Media Relations is pleased to announce that this year's Forum Prize, for a work originating outside the academy, has been awarded to Jeff Wright for Odyssey: The Podcast.

The winner of the 2019 Society for Classical Studies Forum Prize—Jeff Wright, creator and performer of Odyssey: The Podcast—takes many turns toward and away from his illustrious epic source. Jeff’s Homer is a composite character built on the bases of English translations among the most appealing today. But Jeff is not content merely to play rhapsode to Homer’s bard.

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:08am by Helen Cullyer.

The deadline for the Undergraduate Minority Scholarships is December 13.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:04am by Helen Cullyer.

The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from teaching Latin in a prison to collaborations with artists in theater, music, and dance. In this post we focus on a variety of programs directed to children: summer camps, classics days, after-school programs, and the creation of children-oriented animated videos.

View full article. | Posted in on Fri, 11/29/2019 - 1:52am by .

Registration for the Career Networking event at the 2020 Annual Meeting is now open. Graduate students and contingent faculty interested in careers outside of academia are encouraged to attend.  There is no extra charge for this event but space is limited.

Registered attendees of the 2020 meeting can sign up for this event by filling out this form. Sign up will be open until December 6th or close sooner if the event reaches capacity before that date. 

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 11/27/2019 - 12:39pm by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0
Juliette Deschamps
The Tragedy of Dido
 
US Premiere
Friday, December 6, 2019, 7:30pm
 
Featuring acclaimed actor Gale Harold

Post-performance Q&A with Juliette Deschamps

Mixing captivating video projection, live jazz music, and powerful storytelling, The Tragedy of Dido created by French videographer Juliette Deschamps paints an extraordinary portrait of Queen Dido, the legendary founder of Carthage.

Part of A Weekend Celebration of Tunisia, the sensory and aesthetic performance will feature narration and music inspired by North African melodies performed by pianist Paul Lay. The performance will be introduced by Professor Judith P. Hallett and narrated in English by acclaimed actor Gale Harold (Falling for Grace, Queer as Folk, Grey’s Anatomy).

View full article. | Posted in Performances on Wed, 11/27/2019 - 10:44am by Erik Shell.

CfP: “Class before Capitalism?: Social Structure and the Ancient World” (Deadline: January 1, 2020)

Saturday, March 28, 2020

Keynote speaker: Johanna Hanink (Brown University)

The graduate students at Harvard University’s department of the Classics invite abstract submissions for the upcoming graduate student conference, “Class before Capitalism?: Social Structure and the Ancient World”.

Socio-economic status and the intergenerational structures which maintain it have been a persistent source of tension across the world and across history. In the influential tradition of thought following Karl Marx, class has been seen as a fundamental agent of socio-political change and an inescapable force that conditions the production of literature, art, and other cultural materials. The application of ideas formed in a post-industrial, capitalist age to pre-modern societies presents some significant methodological challenges, however, and has been the source of an intense scholarly debate which continues to this day. 

View full article. | Posted in Calls for Papers on Wed, 11/27/2019 - 10:38am by Erik Shell.

Recogito is a software platform that facilitates annotation of text and images. Through both automatic annotation and manual annotation by users, the software links uploaded files to geographic data and facilitates the sharing and downloading of this data in various formats. The software is freely available for download through GitHub, and a version is also hosted online. In the online version, users have a private workspace as well as the ability to share documents among a group or publicly. Recogito was developed from 2013 to 2018 as part of the Pelagios network, a much wider project dedicated to creating gazetteers and tools for annotation, visualization, pedagogy, collaboration, and registering linked data.

ANNOTATION

View full article. | Posted in on Thu, 11/21/2019 - 7:03pm by Kilian Mallon.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

CAMP Press Release

The SCS’ Committee on Ancient and Modern Performance (CAMP) would like to announce a change in its staged reading for the 2020 meeting in Washington D.C.  Instead of Robert Montgomery Bird’s “the Gladiator,” the committee will instead present Joseph Addison’s “Cato.”  Both plays provoke interesting discussion on the connections between American history and Classical Rome.  “Cato,” which dramatizes the stoic and patriotic Cato’s last stand against a tyrannical Julius Caesar, was quoted and alluded to by the leaders of the American Revolution, and staged by George Washington for his troops at Valley Forge in defiance of a congressional ban on plays.

Both plays and their authors are also rooted in the ideologies of their own times, ideologies which include some racist and colonialist viewpoints.  That these viewpoints have been connected with Classics as an academic field is an important element of both the history of and the contemporary challenges of our discipline.  CAMP believes that by working with and presenting such material, even when (and in fact especially when) it is problematic, we can simultaneously acknowledge the field’s entanglement with historical wrongs, and have fruitful discussions about how we can productively move forward.

View full article. | Posted in Performances on Wed, 11/20/2019 - 8:17am by Erik Shell.

Vergilian Society Call for Proposals to direct June 2021 Symposium in Italy

View full article. | Posted in Calls for Papers on Tue, 11/19/2019 - 8:54am by Erik Shell.

Today we wish to introduce a new project: Women in Classics: Conversations. This venture consists of a series of interviews with female professors of Classics, many of whom were the first hired or the first to receive tenure at their institutions in the 1970’s and 1980’s. These academic women blazed a new trail as teachers and scholars at a time when university positions in many fields were overwhelmingly held by men. They did so in a discipline that has been described as “one of the most conservative, hierarchical, and patriarchal of academic fields.” Their experiences, as presented in these interviews, provide colorful, candid snapshots of a critical moment in the history of the discipline.

View full article. | Posted in on Fri, 11/15/2019 - 6:19am by Claire Catenaccio.

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