Presidential Letter - Annual Meeting Location (Pt. 2)

In my most recent letter, I outlined the reasons why there are so few cities that can accommodate the SCS-AIA Joint Annual Meeting. That constraint has mainly to do with facilities, and it will likely remain even if we decide to meet at another time of year. In fact, it could get worse, because at another time we might face more competition from the corporate sector, and thus higher costs. But there are good reasons to consider meeting at another time of year, anyway.

Before we get to that, why do we meet when we do in the first place? Many will remember that we once met between Christmas and New Year’s Day, which was a more advantageous time than the current one in certain ways. There was no chance of interfering with anyone’s teaching schedule. Not only had the climate not yet got out of control, but the December date remains less subject to outlandish weather (at least so far). And hotel rates are lower then, because most people are at home with their families. But, in fact, families are the main reason that we, and other learned societies, made the change that we did. (Credit for this goes largely to the WCC and to analogous organizations in other disciplines.) Some years ago, as we realized that the current date tended to interfere with the start of the new semester at some schools, we revisited the question of when to meet. SCS actually voted to go back to the old date, and AIA voted for a date in November. Staying put was everyone’s second choice, and that about sums it up. But what would we say now?

As I wrote in my previous letter, all of these decisions are predicated on one assumption:

"SCS members and AIA members agree that they want SCS and AIA to continue holding a Joint Annual Meeting."

I’ve already made the point that SCS members and AIA members, when they were last polled, could not agree on a first choice of when to meet, and that both sides were willing to compromise, in preference to parting ways. It probably won’t be any easier to agree on meeting at some other time. Summers are impossible for AIA, because so many of their members are in the field. For SCS members, on the other hand, meeting when classes are in session has never had much appeal. One reason is that there are already quite a few meetings during the fall or spring semester that many of our members usually attend. Among Classics organizations, CAAS meets in the middle of the fall, CANE and CAPN in March, and CAMWS also in the late spring. Besides those, there are ASOR and SBL in November, CAA in February, and AAH in April. This is not an exhaustive list, but you get the picture.

Before deciding that we should stand pat on timing, but focus on meeting in warm-weather cities, please remember a point I made in my previous letter, and let me add another.

First, the universe of possible venues is pretty small, barely more than two dozen cities, of which only half a dozen are really attractive to members (not because they say they want to go there, but because they actually do); and the majority of these are not warm-weather cities. In fact, most of the warmer venues draw significantly fewer members than the colder ones.

Second, holding a winter meeting in a warm city doesn’t guarantee that your travel will be trouble-free. The last time we met in the South, I personally had my worst SCS travel adventure ever. My plane left balmy San Antonio, a city I love to  visit, right on time, but was barely able to touch down in Atlanta because of a massive blizzard that was heading up the east coast, closing every airport in its path. After two days in Atlanta, I was booked on a flight home to Philadelphia through Detroit, where again the airport was shut down moments after I landed. I did finally make it home, but four days later than I expected. The obvious point is that the air travel system is a system, and your plans can be ruined either because of where you are, where you have to go, where you have to change planes, or even because of something that happened in a different part of the country altogether.

In spite of all that, it may be that when we currently meet is still on balance the best time, or the least bad time, to meet; I’m not convinced of that, but it’s not impossible. On the other hand, while a different time will bring with it different problems that we can’t foresee, we shouldn’t let that stop us from making a change if that seems the best thing, or even the least bad thing, to do.

Most of you will have thought of all this, but I thought it was worth just putting it in writing before we get started on a decision-making process. We will do that as soon as we can confer with the AIA leadership, but in the meantime, I invite you to write me informally with any thoughts you may have about when and where we should meet in the future.

- Joe Farrell

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A white circle on a black background with green leaves and white flowers. Around the circle is a yellow vine border, and in the middle there is a palm tree. On the left side of the tree, an abstract figure in drapery stands, and on the right side, a simil

As I strolled one day in the old center of Tel Aviv, I entered the house of Haim Nachman Bialik, the Hebrew national poet. An imposing building, it constitutes a manifesto of Jewish art in the early 20th century: the architectural style reprises oriental shapes, alternating arches and square forms; the decoration aims to express a quintessentially Jewish art. As I daydreamed about the poet holding private meetings and public receptions with the foremost representatives of culture and politics of his day, my eye was caught by two decorative tiles. These tiles, located at opposite ends of an arch that leads into the salon, represent two opposite moments of Jewish history: on one hand, a tile reproduces the Judaea capta coin minted by Vespasian after the First Jewish War; on the other, another tile mirrors Vespasian’s coin, proclaiming, in Hebrew letters, “Judaea liberated.”

View full article. | Posted in on Fri, 10/22/2021 - 12:13pm by .

Dear members,

We have a number of deadlines that fall prior to mid-November. Please see the following:

October 31: Nominations for the Forum Prize

November 1: Applications for annual meeting participation stipends and childcare / dependent care funding

November 1: Nominations and applications for the K-12 Teaching Excellence Award

View full article. | Posted in SCS Announcements on Thu, 10/21/2021 - 11:40am by Erik Shell.
A bronze bust of a man with short, wavy hair and a slightly pained expression on his face.

The Seleucid empire has long stood on the fringes of Classical scholarship. Following the conquest of the east by Alexander, the vast, multicultural construction lasted from 312–64 BCE, stretching from modern Turkey south to the Levantine coast and east into Afghanistan. Interdisciplinary by its very nature, Seleucid history straddles the boundaries of academic disciplines, languages, and methodologies, further fragmenting the study of an already fractured power. Recent holistic studies are rare, making the 2014 publication of Paul Kosmin’s comprehensive The Land of the Elephant Kings something of a groundbreaking study. The examination of what Kosmin calls the “territorialization” of the empire—the ideological constructions and experiences that bounded, ordered, and defined the imperial realms—changed the nature of Seleucid studies by intensifying the focus of the recent “spatial turn” in the humanities.

View full article. | Posted in on Mon, 10/18/2021 - 9:53am by .

(From the Classics Department at Princeton)

View full article. | Posted in In Memoriam on Fri, 10/15/2021 - 9:14am by Erik Shell.
Poster for the play, Plautus's Casina. A minimalist digital design with a blue background; mountain shapes in pink, yellow, and orange; walls with windows in the same colors; and an ancient statue of a woman.

In the Spring of 2021, as her undergraduate UIC Honors College Capstone project, my student Luana Davila adapted and produced a version of Plautus’ Casina in the style of a telenovela. Due to COVID, she was not able to stage the play, but she produced a filmed version in collaboration with theater students at Columbia College in Chicago. For safety reasons, each actor’s scenes were filmed separately, then edited together. Below is an interview with Luana and the play’s director, Amy Gerwert Valdez, a Theater Directing major at Columbia.  [Editor’s note: the transcript has been lightly edited for clarity.]

Krishni Burns: Can we start with a description of your project?

Luana Davila: The project aimed to tie together patriarchal society in ancient Rome and in Latinx cultures (or in the case of this production, Mexico). My play was adapted in such a way that the original storyline was changed as little as possible, proving that its seemingly ridiculous events made for a believable tale in modern Mexico. This was done to show how interconnected the two cultures are, even though they existed thousands of years apart.

View full article. | Posted in on Mon, 10/11/2021 - 10:33am by Krishni Burns.

The members of the Committee on the C. J. Goodwin Award of Merit are delighted to announce that the 2021 winners of the Goodwin Awards are Aileen R. Das (University of Michigan), Ellen Oliensis (University of California Berkeley), and Andreas Willi (University of Oxford).

Please click on the names below to read the full award citations written by committee members David Konstan and James I. Porter (co-chairs), Harriet Flower, Richard Hunter, and Amy Richlin.

Aileen R. Das

Ellen Oliensis

Andreas Willi

Citation for Aileen R. Das, Galen and the Arabic Reception of Plato’s Timaeus, Cambridge University Press, 2020

View full article. | Posted in Awards and Fellowships on Sun, 10/10/2021 - 6:52pm by Helen Cullyer.
A Greek red-figure cup depicting the disembodied torso of a man, arms outstretched, and women on either side holding the torso

The Ancient Worlds, Modern Communities initiative (AnWoMoCo), launched by the SCS in 2019 as the Classics Everywhere initiative, supports projects that seek to engage broader publics — individuals, groups, and communities — in critical discussion of and creative expression related to the ancient Mediterranean, the global reception of Greek and Roman culture, and the history of teaching and scholarship in the field of classical studies. As part of this initiative, the SCS has funded 111 projects, ranging from school programming to reading groups, prison programs, public talks and conferences, digital projects, and collaborations with artists in theater, opera, music, dance, and the visual arts. The initiative welcomes applications from all over the world. To date, it has funded projects in 25 states and 11 countries, including Canada, U.K., Italy, Greece, Spain, Belgium, Ghana, Puerto Rico, Argentina, and India.

View full article. | Posted in on Fri, 10/08/2021 - 1:50pm by .
San Francisco

Hotel reservations are now open! 

The Hilton San Francisco Union Square is the official hotel for the 2022 Annual Meeting and will host the exhibit hall, all academic sessions, the opening night reception, and most related events.  The discounted group rate is $169 per night (plus applicable taxes). Additional rooms are available at the Hilton Parc 55 across the street.  A limited number are available for $159 per night (plus applicable taxes) for reservations made by October 31st.  Click on the links below to make your reservations. You can also make a reservation by calling 1-800-HILTONS and using code AIA or SCS to make your reservation. 

View full article. | Posted in SCS Announcements on Thu, 10/07/2021 - 3:26pm by Erik Shell.

Online Conference: “The Genre of Hymn in Antiquity”

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 10/06/2021 - 10:00am by Erik Shell.

The New England Classical Journal (NECJ) invites applications for the position of Book Review Editor, with the appointment to begin in December 2021.

The deadline for applications is 11:59 pm Eastern Time on Oct. 22, 2021. 

A publication of the Classical Association of New England (CANE), NECJ is a biannual, peer-reviewed journal that publishes articles, notes, and reviews on all aspects of classical antiquity. The journal is an Open Access Publication and is available at https://crossworks.holycross.edu/necj/ 

NECJ aims to publish reviews of books on a wide range of topics related to classical antiquity. Each issue of NECJ contains 4-6 book reviews of 1,200-1,500 words each, and the Book Review Editor is responsible for selecting books for review; finding reviewers; and working with reviewers to help them submit their completed reviews by the deadline. In this position the successful candidate will work with the journal’s Editor, Aaron Seider, and Managing Editor, Ruth Breindel, and will receive an honorarium of $1,000/per year for their work on the journal.

View full article. | Posted in Organizations on Wed, 10/06/2021 - 9:51am by Erik Shell.

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