pedagogy

By Denise Eileen McCoskey | June 29, 2018

In spring 2018, students enrolled in the upper-level seminar “Antiquity Through a Lens” at Miami University engaged in critical study of the ways the classical world and, more specifically, ancient war narratives have been used in modern film and television to reflect on contemporary society and its conflicts.  Alongside study of ancient primary sources, students thus explored a range of concepts such as gender, class, race, religion, and even the meaning of victory itself in Troy (2004), 300 (2007), 300:  Rise of an Empire (2014), Spartacus (1960), Masada (1981), and Dragon Blade (2015).  It was the latter film, however, that provoked the most intriguing reactions from students in the course, since it forced them to view classical history for the first time through a distinctly non-Western lens.

By 580953 | June 8, 2018

Hackathons, events where software developers gather together to create in community a usable piece of computer programming in a short frame of time, are common occurrences in tech circles. One hosted this past February by the College of the Holy Cross, however, was the first time I’d seen this type of group work applied to translating ancient manuscripts.

By ayelet | May 28, 2018

A Day in the Life of A Classicist is a monthly column on the SCS blog, celebrating the working lives of classicists. In this month’s edition, we speak with Hamish Cameron, who is a digital humanist, game designer, and lecturer in Classical and Medieval Studies at Bates College.

I’m an ancient historian who specializes in the Roman Near East, ancient geography, and borderland theory. I am beginning to branch into the reception of the classical world in contemporary pop-culture, especially games and movies.

By Christopher Bungard | May 14, 2018

Our second post from the SCS’ Committee on Ancient and Modern Performance (CAMP) explores how to bring a translation to life on the stage through interdisciplinary work.  

By Ann Patty | April 6, 2018

In the third post in our independent scholars series, Ann Patty discusses her late in life discovery of Latin and her love of learning, teaching, and promoting Classics. 

I began to learn Latin as I approached the age of 60. After the recession of 2008 my highly leveraged company forced me into early retirement. I had been an editor and publisher for thirty-five years, an all-consuming career that kept my mind engaged and provided me with a community, a passionate purpose and a strong identity. Suddenly all those things were taken away. I retreated full-time to my country house, also forfeiting my identity as a New Yorker. I became an exile. I had participated in the chattering classes my entire adult life. On my rural plot of land in the Hudson Valley, the only chattering to be heard was that of chipmunks and squirrels. I needed words.

By pullaria | March 12, 2018

Authors: Celia E. Schultz (University of Michigan), Carole E. Newlands (University of Colorado), Ruth R. Caston (University of Michigan)

By Andaleeb Badiee Banta | March 5, 2018

By Andaleeb Badiee Banta (Curator of European and American Art, Allen Memorial Art Museum, abanta@oberlin.edu) and Christopher Trinacty (Associate Professor of Classics at Oberlin College, ctrinact@oberlin.edu)

By Adrienne K.H. Rose | February 23, 2018

By Adrienne K.H. Rose

In her monthly column, Prof. Adrienne K.H. Rose explores issues surrounding translation within Classics. In her first edition, she addresses the challenges of picking the “right” Catullus translation. What does “right” even mean when choosing a translation for class?

Choosing the “right” translation of any Classical author for the classroom is a challenge for most teachers. What is “right” can often be dependent upon factors such as availability and pricing, particularly for students with a textbook budget. For a popular, much-translated poet like Catullus there is a wealth of English-language translations to choose from. Catullus is antiquity’s most modern poet.

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