In Part 3 of our guest series for the SCS Blog, the Women’s Classical Caucus (WCC) invites you to celebrate the winner of its 2020-21 Public Scholarship Award: Peopling the Past, a grassroots group of Canadian archaeologists and art historians of the ancient Mediterranean who have created resources accessible to audiences of all ages.
The Women’s Classical Caucus (WCC) invites you to celebrate the winners of its 2020–2021 Public Scholarship and Advocacy awards and to learn more about how their work is influencing our field. Over the next month, the SCS Blog will publish a three-part series of in-depth interviews by the WCC with the award winners, who discuss their work in strengthening communities within the field and introducing new audiences to Classics.
The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities worldwide with the study of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from reading groups comparing ancient to modern leadership practices to collaborations with artists in theater, music, and dance.
In 2018, a group of scholars founded Mountaintop Coalition, an SCS-affiliated group with a shared interest in advancing the professional goals of Classicists who identify as members of ethnic groups traditionally underrepresented in the field. Mountaintop’s activities focus on practical issues of diversity, equity, inclusion, and access in professional settings.
In the past year, the Society for Classical Studies website has published a number of pieces catalyzed by the blatant racism on display at the most recent annual meeting. Professor Joy Connolly wrote a piece called “Working Toward a Just and Inclusive Future for Classics,” which then generated a response by an anonymous graduate student group, which in turn led to further comment by the SCS, Professor Connolly, and the newly formed SCS Graduate Student Committee. These various pieces pointed to ways Classics could progress and thrive for generations to come.
This month in her ‘art of translation’ column, Adrienne K.H. Rose interviews A.E. Stallings while in Pylos and then in Virginia. The two discuss the word choices made by translators, the surprising relevance of Archaic poetry in the tumultuous present era, and the effects of living life in a foreign language.
Q: How did you decide to study Classics?
Gradually, then suddenly—I didn't start taking Latin until college [at the University of Georgia], where I was initially an English and Music major, but I started with Latin 1, and just kept taking more and more Latin and Classics courses until finally the department (in particular Rick LaFleur, then Dept. head), gently suggested I change majors.
Q: Could you say a bit about the significance of learning Latin and Greek and translating Classics and its impact on you?