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Detail of Thalia from the Sarcophagus of the Muses, late 2nd century CE, Thassian marble, Archaeological Museum of Ostia. Photo taken by Krishni Burns, unpublished.

Blog: Finding Comedy in the Performance of Ancient Drama

Krishni Burns |

Review: Digital Fragmenta Historicorum Graecorum

Richard Fernando Buxton |
A landscape of a mountainside with text reading AMPHORA

The Bumpy Path to Classics

Wells Hansen, erich |
Text that says AMPHORA

Changing the Guard at Amphora

Wells Hansen, Ellen Bauerle |

Blog: What Classicists Can Do with Video Games

David Fredrick |

Amphora: How to Use the Exhibit Hall at the Annual Meeting

Ellen Bauerle |
Scene from Roman History, depicting a Youth receiving Armor from a Dying Man

Blog: A Transitional Latin Reading Environment

Emma Vanderpool |

Amphora: Flipping a Coin—Building a Numismatic Database with Undergraduate Researchers

Julie Langford |

Amphora: Labors and Lesson Plans—Educating Young Hercules in Two 1990s Children’s Television Programs

Angeline Chiu |
"Gate, Pompeii, Italy". Brooklyn Museum, Goodyear.

Blog: Virtual Reality Pompeii

Rhodora Vennarucci |

Amphora: A New Incarnation of Latin in China

Yongyi Li |

Blog: Approaching Classical Persian

Gregory Crane |

Amphora: Editing for Good

Wells Hansen |
Detail of bust in the Centrale Monemartini Museum

Amphora: The Metal Age—The Use of Classics in Heavy Metal Music

Kristopher Fletcher |

Blog: Digital Reading in Leipzig and Tehran—A Research Agenda

Gregory Crane |

Amphora: Eurydice by Sarah Ruhl—The Power of Pretense

Victoria Pagán |

Blog: Unfamiliar Languages

Gregory Crane |

Amphora: Tartarus and the Curses of Percy Jackson (or Annabeth’s Adventures in the Underworld)

Tom Kohn |

Blog: Kalkhas the Humanist

Gregory Crane |

Amphora: Using Low-Cost Hardware for 3-D Scanning at Kenchreai, Greece

Sebastian Heath |