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A white marble sculpture of a hand hold a long cylinder

Blog: A Guide to Pitching Your Book at a Conference

Erin Averett, Sarah Bond, Derek Counts, Bethany Wasik |

Blog: The Oral Tradition: How Classics Students Organized a Homerathon in Nebraska

Matthew Loar |
Ancient Greek football player balancing the ball. Part of a marble grave stele, found in Piraeus, 400-375 BC. Item (NAMA) 873 of the National Archaeological Museum, Athens. Image via Wikimedia under Public Domain.

Blog: A Regular Roman’s Guide to the World Cup Semifinal Match

Joel Christensen, Erik Robinson |
Olivia Sutherland stars in MacMillan Films staging of Medea. James MacMillan (Image via Wikimedia under a CC-BY-SA 4.0 License).

Blog: Picking the Right Translation for Performing Ancient Plays

Emily Jusino |
Composite RGB image of manuscript E3, Escorialensis 291 (Υ.i.1): overview of folio 32 recto Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Review: Reviewing A Digital Edition of Homer

Bill Beck |
Amazonomachy scene: An Amazon woman warrior (left) doing battle with a Greek on a frieze (decorative band that runs the length of a building's wall) panel from the Halicarnassus Mausoleum and now at the British Museum.

Blog: A Day in the Life of a Classicist

Ayelet Haimson Lushkov, Nadya Williams |
Adrienne Mayor with Nikos Solounias, still image from "Ancient Monster Hunters" (A&E Home Video, 2004)

Blog: An Interview with Adrienne Mayor

Adrienne Mayor |

Blog: The Mythic Truth of Black Panther

Patrice Rankine |

Amphora: Learn to Spend the Big Money: Medievalists Mary Carruthers, Irina Dumitrescu, and Barbara Rosenwein on Humanities Outreach

Ellen Bauerle |

“Gallows enthusiasm” on and beyond the academic job market

T. H. M. Gellar-Goad |

Rehash of the Titans: Sequels to the Titanomachy on the American screen (part 2)

T. H. M. Gellar-Goad |

Rehash of the Titans: Sequels to the Titanomachy on the American screen (part 1)

T. H. M. Gellar-Goad |

From Euterpe to YouTube: Popular music and the classics

T. H. M. Gellar-Goad |