69.3 |
Porphyry the Polymath |
The Medical Side of Porphyry’s Intellectual Portrait |
Svetla Slaveva-Griffin |
149 |
72.3 |
Gender and Reception |
The Modernist Sappho and the Genre of the Fragment |
Kay Gabriel |
149 |
62.1 |
Goddess Worship...and the Female Gender |
The Mother of God, a Mirror of Women in Late Antiquity |
Ivan Foletti |
149 |
27.1 |
Elegiac Desires |
The Naso Equilibrium: Game Theory and the Game of Love in the Ars Amatoria |
E.Del Chrol |
149 |
43.1 |
Classical Advocacy: The National Committee for Latin and Greek |
The National Committee for Latin and Greek |
Mary Pendergraft |
149 |
33.1 |
Performing Problem Plays |
The Performance of Ezekiel’s Exagoge Re-Addressed |
Jonathan MacLellan |
149 |
3.1 |
Herculaneum: New Technologies and New Discoveries in Art and Text |
The Place Between: Villa Gardens and Garden Paintings |
Mantha Zarmakoupi |
149 |
56.5 |
Lyric from Greece to Rome |
The Pleasures of Lyric in Plutarch's Hierarchy of Taste |
David F. Driscoll |
149 |
48.1 |
Bloody Excess: Roman Epic |
The Programmatic ‘Ordior’ of Silius Italicus |
Paul Hay |
149 |
78.3 |
Lucan after Deconstruction |
The Remains of the Day. A Reading of 'Bellum Civile' 8 |
Martin Dinter |
149 |
7.4 |
Argumentation in Plato |
The Road to Dialectic is Long and Steep: Xenophon and Plato on the Hesiodic ‘Path to Aretê’ Image |
Collin Hilton |
149 |
41.2 |
Outreach Open Mic |
The SCS online: Reflections from the Communications Committee |
T. H. M. Gellar-Goad |
149 |
81.4 |
Voicing |
The Silence of the Sirens in Lycophron’s "Alexandra" |
Kathleen Kidder |
149 |
56.1 |
Lyric from Greece to Rome |
The Snake-Throttler in Saffron Clothes. Baby Herakles in the Hippodrome (Pindar, Nemean 1) |
Claas Lattmann |
149 |
41.5 |
Outreach Open Mic |
The State of Amphora, The Outreach Publication of the SCS |
Wells Hansen |
149 |
57.5 |
Carthage and the Mediterranean |
The Sufetes of North Africa: Comparative Contexts |
Nathan Pilkington |
149 |
62.4 |
Goddess Worship...and the Female Gender |
The Survival and Rhetoric of Aphrodite in Byzantine Art |
Mati Meyer |
149 |
4.2 |
Creating Audiences in Didactic Poetry |
The teacher’s dilemma in Greek didactic texts |
Philip Thibodeau |
149 |
55.3 |
Rhythm and Style |
The Uniqueness of Homer, Reconsidered |
James H. Dee |
149 |
62.3 |
Goddess Worship...and the Female Gender |
The Virgin, the Magi, and the Empress |
Kriszta Kotsis |
149 |
1.4 |
Classics and Social Justice |
The Warrior Book Club: Advancing Social Justice for Veterans through Collaboration |
Molly Harris |
149 |
61.5 |
The Next Generation: Papers by Undergraduate Classics Students |
The ‘Twin’ Gates of Sleep in Vergil’s Aeneid VI |
Noah Diekemper |
149 |
64.2 |
Whose Homer? |
THEOPOMPUS’ HOMER: EPIC IN OLD AND MIDDLE COMEDY |
Matthew Farmer |
149 |
48.4 |
Bloody Excess: Roman Epic |
They Might be Romans: The Giants and Civil War in Augustan Poetry |
David Wright |
149 |
78.5 |
Lucan after Deconstruction |
Thirty Years’ War: Lucan’s Cato since 1988 |
Tim Stover |
149 |
66.6 |
Epigraphy and Civic Identity |
Three Documents of the Koinon of the Cities in Pontus |
CHING-YUAN WU |
149 |
36.2 |
Texts and Contexts: Learning from History |
Thucydides’ Peloponnesian War as Multifaceted Disaster |
Rachel Bruzzone |
149 |
23.5 |
The Sounds of War |
Towards a Thucydidean theory of affect |
Brad Hald |
149 |
67.6 |
Coins and Trade |
Trade and Economic Integration in Fourth Century CE Egypt: The Evidence from Coins and Ceramics |
Irene Soto |
149 |
32.3 |
Greek and Latin Linguistics |
Tradition and Renewal in Pindaric Diction: Some Remarks on the IE Background of Pindar P. 2.52–6 |
Laura Massetti |
149 |
79.1 |
Drama and the Religious in Ancient Greece |
Tragic Artemis: Between Homer and Cult |
Sarit Stern |
149 |
42.3 |
Resist Together |
Training on Combatting Harassment in Academia |
Regina Ryan |
149 |
37.2 |
After the Ars: Later Ovid |
Transforming Violence in Ovid's Metamorphoses |
Rachael Cullick |
149 |
53.2 |
The World of Neo-Latin: Current Research |
Translating Confucius: Intorcetta’s First Attempts |
Rodney John Lokaj and Alessandro Tosco |
149 |
47.4 |
Reception |
Triumphant Orpheus: Orphic Platonism and Sir Orfeo |
Verity Walsh |
149 |
82.4 |
The Body and its Travails |
Undressed for Success? Contradictions of Early Greek Nudity in Text and Image |
Sarah C. Murray |
149 |
30.2 |
Material Girls |
Unveiling female feelings for objects: Deianeira and her ὄργανα in Sophocles’ Trachiniai |
Anne-Sophie Noel |
149 |
47.1 |
Reception |
Using Oral Histories to Conceptualize the Place of Classics in Marginalized Communities |
Zachary Elliott |
149 |
58.3 |
Global Classical Traditions |
Vergil in the Antipodes: the Classical Tradition and Colonial Australian Literature |
Sarah Midford |
149 |
80.2 |
Voicing |
Vergil’s Bucolic Soundscapes: Song and Environment in the Eclogues |
Erik Fredericksen |
149 |
53.5 |
The World of Neo-Latin: Current Research |
Virbius in Pascoli's Laureolus |
Anne Mahoney |
149 |
4.5 |
Creating Audiences in Didactic Poetry |
Virgil’s imagined audience: Second-person fiction in the Georgics |
Raymond Kania |
149 |
3.4 |
Herculaneum: New Technologies and New Discoveries in Art and Text |
Virtual Unwrapping of Herculaneum Material: Overcoming Remaining Challenges |
Brent Seales |
149 |
23.2 |
The Sounds of War |
What Brought the Walls of Jericho Down? |
Andreas Kramarz |
149 |
33.4 |
Performing Problem Plays |
What Chorus? Using Performance to Appreciate the Chorus of Menander’s Dyskolos |
Emmanuel Aprilakis |
149 |
59.2 |
Characterizing the Ancient Miscellany |
What was the Roman Table of Contents? Making meaning from miscellany in ancient and early modern paratext |
Joseph A. Howley |
149 |
29.4 |
Language and Linguistics |
When is a queen truly a queen: the term basileia in Greek literature |
Duane Roller |
149 |
76.5 |
The Art of Biography in Antiquity |
Women in Diogenes Laertius’ Lives of Eminent Philosophers |
Dorota Dutsch |
149 |
19.5 |
The Politics of Linguistic Metaphors in Latin |
Words as Citizens in Romulus’s Asylum |
Adam Gitner |
149 |
|
Ancient MakerSpaces: Digital Tools for Classical Scholarship (all-day workshop Saturday January 6) |
Working with Geospatial Networks of the Roman World using ORBIS |
Scott Arcenas |
149 |