45.5 |
New Directions in Roman Republican Warfare |
Mobilizing the Allies: Clientela and Rome’s Relationship with the Socii |
Bret C. Devereaux (The University of North Carolina at Chapel Hill) |
154 |
45.6 |
New Directions in Roman Republican Warfare |
Videri/Esse: Performative Realities and Projected Fictions in the Army of the Roman Republic |
Jessica Clark (Florida State University) |
154 |
46.1 |
Ancient Slavery and Its Reception in Global Perspective. |
Constructing Freedom in Athens in the 4th Century BCE: The Case of Pasion and Phormion |
Javal Coleman (University of Texas) |
154 |
46.2 |
Ancient Slavery and Its Reception in Global Perspective. |
The Uses and Limits of "Social Death" as a Conceptual Framework for Understanding Ancient Slavery |
Jinyu Liu (DePauw University) |
154 |
46.3 |
Ancient Slavery and Its Reception in Global Perspective. |
Enslavement, Theology, and Comparison: Varro's ARD in Three Dimensions |
Dan-El Padilla Peralta (Princeton University) |
154 |
46.4 |
Ancient Slavery and Its Reception in Global Perspective. |
Enslavement and the Liberal Arts in 18th and 19th Century US Education |
Sam Flores (College of Charleston) |
154 |
46.5 |
Ancient Slavery and Its Reception in Global Perspective. |
Human Trafficking in the Roman World? Re-Framing a Modern Concept in Roman Terms. |
Christopher J Fuhrmann (University of North Texas) |
154 |
46.6 |
Ancient Slavery and Its Reception in Global Perspective. |
The Authority of Antiquity: The Rebirth of Roman History in Early Modern Europe |
Sarah E Bond (University of Iowa) |
154 |
48.2 |
Roman Drama and Critical Theory |
On Not Knowing Punic: Monolingualism and Empire in Plautus’ Poenulus |
Ray Lahiri (Yale University) |
154 |
48.3 |
Roman Drama and Critical Theory |
(In)visible Scars: Reading Physical and Sexual Abuse in Plautus’ Asinaria and Captivi with Hortense Spillers |
India Watkins Nattermann (UNC-Chapel Hill) |
154 |
48.4 |
Roman Drama and Critical Theory |
Kristeva’s Abject and the Future of the Cena Thyestea |
Robert Santucci (University of Michigan) |
154 |
48.5 |
Roman Drama and Critical Theory |
On Violence Against Trojan Women |
Kate Meng Brassel (University of Pennsylvania) |
154 |
48.6 |
Roman Drama and Critical Theory |
Hercules’ affectus: A Re-Reading of the (In)Human Body in Seneca’s Hercules Furens |
Simona Martorana (Kiel University / The University of Hamburg) |
154 |
48.7 |
Roman Drama and Critical Theory |
Placing Roman Memory, Gender, and Grief: Seneca’s Troades in the Theatre of Marcellus |
Lisl Walsh (Beloit College) |
154 |
49.1 |
Imperial Greek Literature |
Dio Chrysostom’s Chryseis: The Limits of Ancient Literary Criticism |
Dexter Brown (Yale University) |
154 |
49.2 |
Imperial Greek Literature |
Poetry, Knowledge and Anthropomorphism in Oppian’s Halieutica |
Colin Mac Cormack (The University of Alabama) |
154 |
49.3 |
Imperial Greek Literature |
Global Citizens, Inherent Exiles: The Rhetoric of Community in Imperial Greek Literature |
Eleanor Martin (Yale University) |
154 |
49.4 |
Imperial Greek Literature |
“τέλος ἤδη δέρκομαι”. Re-Situating Power in Lucian’s De Dea Syria |
Valeria Spacciante (Columbia University) |
154 |
49.5 |
Imperial Greek Literature |
Time, Space, and Metaliterary Play in Lucian's Icaromenippus |
Zachary Elliott (University of Pennsylvania) |
154 |
49.6 |
Imperial Greek Literature |
A Gift of Roses: Variatio, Philostratus' Letters, and Hermogenes' On Forms |
Scott J DiGiulio (Mississippi State University) |
154 |
50.1 |
Greek Philosophy I |
The Concept of "Physis" in the Sophistic Fragments of Antiphon |
Luke Lea (Columbia University) |
154 |
50.2 |
Greek Philosophy I |
Similarity and Dependence in the Final Ranking of Plato's Philebus |
Ross Gilmore (University of Kansas) |
154 |
50.3 |
Greek Philosophy I |
Crossroads of the Dialogue: Rethinking the "Parabasis" in Plato's Euthydemus |
Matthew B Pincus (University of Virginia) |
154 |
50.4 |
Greek Philosophy I |
The Representation of Athena and the Autochthony Myth in Plato’s Timaeus |
Valerio Caldesi Valeri (University of Kentucky) |
154 |
50.5 |
Greek Philosophy I |
Pragma, Karma, and Pyrrho |
David H. Sick (Rhodes College) |
154 |
50.6 |
Greek Philosophy I |
Platonic Philosophy in Hellenistic Alexandria: The Case of Eratosthenes of Cyrene |
Sara Panteri (University of Michigan) |
154 |
51.1 |
Ovid I |
Natus Uterque Dea: Virgilian Allusion and Epic Mirroring in the Proem of Ovid’s Ars Amatoria |
Kenneth Draper (Indiana University) |
154 |
51.2 |
Ovid I |
Wool Cloaks and Inside Jokes: Ovidian Wordplay for Messalla Corvinus |
Paul Hay (Hampden-Sydney College) |
154 |
51.3 |
Ovid I |
From foot to Muse: metapoetic feet as structural devices in Ovid’s Amores |
Luizados Santos Souza (University of Cincinnati) |
154 |
51.4 |
Ovid I |
Ovid’s Poetic Nervus: A Metapoetic Interpretation |
Tianqi Zhu (University of Cincinnati) |
154 |
51.5 |
Ovid I |
The End of History? Ovid’s Pythagoras and deep time |
James Calvin Taylor (Colby College) |
154 |
52.1 |
Greek Tragedy |
THE VOICE OF THE FURIES: SONIC AFFECT IN AESCHYLUS’ EUMENIDES |
Caleb Simone (Columbia University) |
154 |
52.2 |
Greek Tragedy |
Reclaiming a Father: A Psycho-Analytical Interpretation of Neoptolemus’ Fictitious Tale (Ph. 343-90) |
Cecilia Cozzi (University of Cincinnati) |
154 |
52.3 |
Greek Tragedy |
Jurisprudential Discussions in Euripides’ Hippolytus |
Stephen James Hughes (Harvard University) |
154 |
52.4 |
Greek Tragedy |
A Lost Tragedy for a Lost War? Receiving Euripides’ Lost Philoctetes |
Giacomo Loi (Johns Hopkins University) |
154 |
52.5 |
Greek Tragedy |
The Riddle of the Sphinx at the Crossroads of Genre |
Margaret Foster (University of Michgian) |
154 |
53.1 |
Reception and its Contexts |
ἄνδρα μοι ἔννεπε, μοῦσα, ἀόρατον? Invisible Man, the Odyssey, and Ralph Ellison’s “Basement Studio” and Federal Writers Project Interviews |
Benjamin Stephen Haller (Virginia Wesleyan University) |
154 |
53.2 |
Reception and its Contexts |
“A wanton dalliance with impious bookes”: Lucy Hutchinson and Her Lucretius |
Jamie K. Wheeler (Princeton University) |
154 |
53.3 |
Reception and its Contexts |
A Salty Reception: Situating the Legend of Carthage’s Destruction in the Folklore of the Medieval Maghreb |
Chris S Saladin (University of Minnesota-Twin Cities) |
154 |
53.4 |
Reception and its Contexts |
Dido the Suffragist? The Carthaginian Queen and the Discourse about Women’s Rights in the U.S., 1880-1920 |
Timothy A. Joseph (College of the Holy Cross) |
154 |
53.5 |
Reception and its Contexts |
Helen Chesnutt's The Road To Latin in the 21st Century Classroom |
Amy R. Cohen (Randolph College) |
154 |
53.6 |
Reception and its Contexts |
Jocasta's Last Hours in Martha Graham's Night Journey: Identity, Responsibility, and Violence through the Dancing Body |
Nina Papathanasopoulou (College Year in Athens (CYA) / Society for Classical Studies (SCS)) |
154 |
55.2 |
Translation and the Visual |
The Visuality and Materiality of Alexander Pope's Original Subscriber Editions of Homer |
Richard H Armstrong (University of Houston) |
154 |
55.3 |
Translation and the Visual |
Homer Between Hypertext and Paratext: The Cover Art of Two Adaptations of the Iliad |
Katherine R De Boer (Xavier University) |
154 |
55.4 |
Translation and the Visual |
Reorienting Narratives: Optatian and the Unachievable Translation |
Clara Lazzoni Lazzoni (Edinburgh University) |
154 |
55.5 |
Translation and the Visual |
Translating the Mythical Female Body in the Graphic Novel: Emil Ferris' My Favorite Thing is Monsters |
Elizabeth Bobrick (Wesleyan University) |
154 |
55.6 |
Translation and the Visual |
Helen in Trans-lation: Putting a Trans Helen on Stage |
Julia M Perroni (University of Wisconsin) |
154 |
55.7 |
Translation and the Visual |
Martha Graham, Isamu Noguchi, and the Translation of Greek Myth into the Visual |
Ronnie Ancona (Hunter College and CUNY Graduate Center) |
154 |
56.1 |
Homer |
The Demon Citadels and Their Endless Summer: Indic Tripura and the Island Kingdoms of the Odyssey |
Emily Blanchard West (St. Catherine University) |
154 |
56.2 |
Homer |
Disappearing into thick aēr: The function of aēr in Homer and Anaximenes |
Benjamin J. Folit-Weinberg (University of Bristol) |
154 |