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Image of A.E. Stalling’s new book of poetry, Like, and a scarf with its cover printed on it (Image used by permission and taken by John Psaropoulos).

Blog: The Art of Translation: An interview with A.E. Stallings

Adrienne Rose |

Blog: Finding the Boundaries: Leading Classical Study Abroad Tours And Teaching From Inscriptions

Adrienne Rose |
Olivia Sutherland stars in MacMillan Films staging of Medea. James MacMillan (Image via Wikimedia under a CC-BY-SA 4.0 License).

Blog: Picking the Right Translation for Performing Ancient Plays

Emily Jusino |
Sousse Mosaic, CC BY-SA 3.0, Ad Meskens

Blog: Classics on Stage: Collaborating with Theatre Colleagues

Christopher Bungard |
Hellen Cullyer

Blog: A Day in the Life of a Classicist

Ayelet Haimson Lushkov, Helen Cullyer |

Blog: The Mythic Truth of Black Panther

Patrice Rankine |

Blog: How to Choose the “Right” Translation to Teach

Adrienne Rose |
Terracotta kylix (drinking cup)

Blog: Being An Independent Scholar in Classics

Ann Raia, John Jacobs, davidjmurphy |
Scene from Roman History, depicting a Youth receiving Armor from a Dying Man

Blog: A Transitional Latin Reading Environment

Emma Vanderpool |
Virgil Reading the Aeneid to Augustus, Octavia, and Livia

Blog: The Golden Line—From Classroom to Canon

Kenneth Mayer |

Blog: Metamorphoses into Chinese

Wei Zhang |

A New Incarnation of Latin in China, by Yongyi Li

Ellen Bauerle, Yongyi Li |

“Gallows enthusiasm” on and beyond the academic job market

T. H. M. Gellar-Goad |

Rehash of the Titans: Sequels to the Titanomachy on the American screen (part 2)

T. H. M. Gellar-Goad |

Rehash of the Titans: Sequels to the Titanomachy on the American screen (part 1)

T. H. M. Gellar-Goad |

From Euterpe to YouTube: Popular music and the classics

T. H. M. Gellar-Goad |