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Links for the abstracts for the annual meeting appear below. To see the abstract of a paper to be delivered at the annual meeting, click on the abstract's title. To find a particular abstract, use the search field below. You can also click on the column headers to alter the order in which the information is sorted. By default, the abstracts are sorted by the number of the session and the order in which the papers will be presented. Please note the following apparent anomalies: Not all sessions and presentations have abstracts associated with them. Panels in which the first abstract is listed as .2 rather than .1 have an introductory speaker.

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Session/Paper Number Session/Panel Title Title Name Annual Meeting
60.3 Infection, Pandemics and the Borders of Medicine Invisible Enemies: Epidemic Scapegoats in Antiquity Figen Geerts (New York University) 153
4.1 Greek Tragedy in the Early Empire Iphigenia in Tauris in the Early Empire C, W, Marshall (University of British Columbia) 153
70.2 Pindar Ixion the Poet: Generation and Transgression in Pindar’s Pythian 2 Christopher Waldo (University of Washington) 153
61.1 Revisioning Classicism in Contemporary Art Kara Walker’s ‘Fons Americanus’ and Aesthetics of the Classical as Decomposition. Mathura Umachandran (Cornell University) 153
61.2 Revisioning Classicism in Contemporary Art Kehinde Wiley’s Classicisms Dan-el Padilla Peralta (Princeton University) 153
33.5 Inclusivity and Assessment in the Classroom Labor-Based Grading in the Classics Classroom Ashli J. E. Baker (Bucknell University) 153
32.6 The Poetics of Slavery and Vergil's Georgics Laboring in the Garden: Exhortations to Horticulture in Columella’s Garden Poem Steven Gonzalez (University of Southern California) 153
2.3 IOS Panel Ovid and the Natural World, SCS 2022 Lichas and the Ovidian Anthropocene Francesca Martelli (University of California, Los Angeles) 153
23.1 Medium and Message in Greek Poetry Lies and Laughter: A Metaliterary Reading of the Homeric Hymn to Hermes Alessandra Migliara (The Graduate Center, CUNY) 153
68.4 Roman Philosophy Life on the Stage: Theatrical Metaphors for Ethics Andrew Horne (Lumen Christi Institute) 153
54.2 Greek Tragedy Liminal Landscapes and Civic Alienation in Euripides’ Hippolytus Tedd A. Wimperis (Elon University) 153
75.5 Roman Poetry Loukillios or Lucilius? A Greek Poet, a Roman Nomen, a Common Tradition Marcie Gwen Persyn (University of Pittsburgh) 153
38.3 Ancient Medicine Magicae Herbae, Alchemy, and the 15th Century Reception of Pliny’s Historia Naturalis Erin Petrella (Columbia University) 153
38.5 Ancient Medicine Making sense of Melothesia in Astronomica and the Yavana Jātaka Tejas S Aralere (University of California, Santa Barbara) 153
40.3 Ovid Manus est mea debilis ergo? Deliberative Soliloquies and Gender-Bending in Ovid’s Metamorphoses A. Everett Beek (North-West University) 153
15.3 Ancient Scholarship Marginal Gains: Scholarly Camps within the Mythographic Tragic Scholia Clinton Douglas Kinkade (Duke University) 153
69.2 Greek History (2) Maritime Lenders Managing Risk in 4th Century Athens Andrew Foster (Fordham University) 153
3.4 Ancient Music and the Visual Arts Mark the Words: Early Music’s Representation in Writing Ronald Blankenborg (Assistant professor, Radboud University Nijmegen, Netherlands) 153
71.4 Gender and Violence in Latin Poetry Mea lingua Christus: Muteness, Speech, and Agency in Prudentius’ Peristephanon 10 Amy A Koenig (Hamilton College) 153
43.4 Hellenistic Poetry Medea Destroys Theocritus: A Metapoetic Reading of Apollonius Rhodius’ Talos Episode Michael Knierim (University of Illinois) 153
42.3 Late Antiquity Merit and Morality in the Letters of Libanius: The Case of Ep. 359 and 366 Mikael Papadimitriou (New York University) 153
35.1 The Poetics of Form Meter and Meaning in Greek and Roman Lyric: Greater Asclepiads from Alcaeus to Horace Il-Kweon Sir (University of Cambridge) 153
5.4 Enslavement and Literary Work in the Roman Mediterranean Micro-Conflation and Invisible Labor in Roman Compositional Practices Jeremiah Coogan (University of Oxford) 153
36.4 Honig’s Bacchae / Euripides’ Theory of Refusal Migrant refusals: the inoperativity of the Asian bacchants in Euripides Luigi Battezzato (Scuola Normale Superiore, Pisa) 153
2.1 IOS Panel Ovid and the Natural World, SCS 2022 Mind the Splinters: The Clear-Felling of Ovid’s Daphne(Kate MacDowell, ‘Daphne’ 2007, Porcelain) Peter Kelly (Lecturer in Classics at the National University of Ireland, Galway) 153
29.4 Bridging the “Gap”: Interdisciplinary Approaches to the Cretan polis in the Archaic and Classical periods Mochlos in Archaic and Late Classical Times: A Site-Focused Study of Connectivity Natalia Vogeikoff-Brogan (American School of Classical Studies at Athens) 153
50.4 (Eos: Africana Receptions of Ancient Greece and Rome:) Black Athena before Black Athena Modernist Poets at the Margins: The Prophetic Arts and Aesthetics of Kahlil Gibran and Melvin Tolson Yujhan Claros (Columbia University) 153
31.5 Epigraphy and Gender in the Greco-Roman World More Than a Woman: The Complex Identities of Rome’s Working Women Thomas Andreas Leibundgut (Stanford University) 153
63.2 Multilingualism and Coinage in the Ancient World Multilingualism and coinage in the Achaemenid Empire Ute Wartenberg (American Numismatic Society/Columbia University) 153
35.5 The Poetics of Form Musaeus the allegorist? Hero and Leander and late antique hermeneutics Benedek Kruchio (University of Cambridge) 153
27.0 Ancient MakerSpaces Mythodikos: Digital Visualization of Mythical People & Places Stella Fritzell (Bryn Mawr College) 153
70.1 Pindar Nature, Art, and Learning in Pindar Leon Wash (University of Chicago) 153
59.6 Vergil and Authoritarianism Nec legitur pars ulla magis: Vergil’s Aeneid 4 from Ovid’s Exile Angeline Chiu (University of Vermont) 153
16.4 Petronius, Lucan, and Statius Nec modus est lacrimis: Weeping Military Leaders in Latin Civil War Epic Mary Somerville (Bryn Mawr College) 153
72.6 Building the Accessible Classroom Not So Silent Voices: Facilitating Perspective Through Assessment Design Michael Furman (Florida State University) 153
18.2 Literary Texts as Objects O Brothers, Where Art Thou? Scholarship on Papyri in Private Collections Mark de Kreij (Radboud Universiteit Nijmegen) 153
76.5 Homer (2) Odysseus’s Two Bodies: Recognition as Construction in Odyssey 19 Jasmine Akiyama-Kim (UCLA) 153
14.4 Archaic Art and Poetry Of Good and Evil: Contested Value Terminology in the Theognidea Alexander Edward Karsten (Duke University) 153
49.2 On Being Calmly Wrong 2.0: Learning from Student Evaluations On the Constructive Use of the Student Evaluation Narrative Ryan Fowler (Franklin and Marshall College) 153
12.2 Recentering the Roman Empire: Local Agency and Interactions with Rome On the Water’s Edge: Continuity and Change in Provincial River Communities Christy Schirmer (The University of Texas at Austin) 153
74.3 Modern Platforms for Ancient Performances Online Tragedy in a Tragic Time Amy Pistone (Gonzaga University) 153
28.5 Orientalisms Oriental/ized Orientalists: The Asian American East-West Classicism of Achilles Fang and Younghill Kang Spencer Lee-Lenfield (Yale University) 153
75.4 Roman Poetry Overgrowth and Plant Matterphors in Vergil’s Eclogues Del A Maticic (NYU) 153
11.2 Distanced Classics in a Time of Plague: What Have We Learned? Pandemic pivoting and online outreach: how ‘Classical Conversations’ helped Oxford reach new pre-university audiences Arlene Holmes-Henderson (Oxford University) 153
41.4 Seneca Parallels of Anger and Fear in Seneca’s Thyestes Michelle Currie (Colby College) 153
69.3 Greek History (2) Patterns of Property Ownership on Hellenistic Delos (314-167 BCE) Michael McGlin (Temple University) 153
76.4 Homer (2) Penelope's Endless Weaving and Ring Structure Ian Thomas White (UCLA) 153
48.5 Roman History People of the Water: Wetlands, Centuriation, and Italian Identity in Cisalpina Bryn E Ford (University of Pennsylvania) 153
27.0 Ancient MakerSpaces Peopling the Past Podcast Sabrina Higgins (Simon Fraser University) 153
35.6 The Poetics of Form Peripatetic and Platonic Poetics in Porphyry's "Cave of the Nymphs" Matteo Milesi (University of Michigan) 153