Growing up, one of my favorite shows was Star Trek: The Next Generation. At the risk of angering my fellow Trekkers, I am a Captain Picard guy all the way. In TNG and the subsequent movie, the concept of “First Contact” is a vitally important hinge point in human history. The term refers to the first time that one planetary civilization — in this case, humans — comes into contact with another, most famously the Vulcans. First Contact is something that is always meant to be planned, considered, and carefully done at precisely the right time. First Contact is also one of the guiding principles I follow as a middle school ancient history teacher. Instead of alien civilizations from space, I bring groups together across time, right here in my classroom — Ancient civilizations and modern 11-year-olds.
One of the things that makes Classics exciting is its openness to new ideas and innovative approaches to the study of antiquity. For instance, classicists have been in the vanguard of the digital humanities, using new methods to curate and analyze texts (e.g. TLG, DLL, Open Greek and Latin, and so on), inscriptions (EAGLE, PHI), and papyri (papyri.info), adopting innovative GIS technologies and platforms (Pleiades, Orbis), and deploying powerful tools to unlock precious fragments of lost works.
In Part 3 of our guest series for the SCS Blog, the Women’s Classical Caucus (WCC) invites you to celebrate the winner of its 2020-21 Public Scholarship Award: Peopling the Past, a grassroots group of Canadian archaeologists and art historians of the ancient Mediterranean who have created resources accessible to audiences of all ages.
After many years of offering free language courses to students of popular modern languages such as French, Spanish, Chinese, and German, and to people interested in learning rather more obscure languages such as Esperanto, Klingon, High Valyrian, and Navajo, Duolingo added a Latin course. The course was prepared for Duolingo by the Paideia Institute and was road tested by a group of Duolingo learners before it was made available to the general public.
A longstanding tendency to ethnocentrism and Hellenophilia implicit in the narrative of the rebirth of Greek science in the Renaissance has shaped the historiography of science and early modern historiography more generally. However, a digital project called Ptolemaeus Arabus et Latinus (PAL) presents an interdisciplinary, broadly conceived, and ongoing (2013–2038) challenge to this , which lies at the crossroads of Classics, Arabic Studies, History of Science and Digital Humanities.
The Arabic and Latin Glossary (hereafter al-gloss) is a free, online dictionary of the vocabulary used by medieval translators, primarily working in eleventh- to thirteenth-century Italy and Spain, to render the Arabic versions of Greek scientific and philosophical texts and original Arabic compositions into Latin.
Dee Clayman is Professor of Classics at Brooklyn College and the Graduate Center at the City University of New York (CUNY). She was born in New York and earned her B.A. from Wellesley College in 1967. She received her M.A. in 1969 and her Ph.D. in 1972, both from the University of Pennsylvania. Dr. Clayman is an expert on Greek poetry, particularly of the Hellenistic age.
As the pandemic known as COVID-19 grips the globe, thousands of instructors in the United States and elsewhere have been asked to transition their courses online for the remainder of the semester.
The Bridge, a digital humanities initiative out of Haverford College, allows users to generate customized vocabulary lists in both Greek and Latin. Bret Mulligan and a team of dedicated students have done an admirable job of adding texts to their database and are responsive to requests from users (both students and instructors). An accompanying blog helpfully documents the different updates as they are released, as well as a list of requested features, so users can get a sense of what’s in the works for The Bridge. Development has been funded both by Haverford College as well as by a Mellon Digital Humanities Grant and a program grant from the Classical Association of the Atlantic States (CAAS).